Contemporary art returns to center stage in Ascoli Piceno for the fifth edition of the Premio Sparti

L’arte contemporanea torna protagonista ad Ascoli Piceno per la quinta edizione del Premio Sparti

The fifth edition of the Premio Sparti, titled "Dove finisce la città" (Where the City Ends), will open on May 23 at the Forte Malatesta in Ascoli Piceno, Italy, running through June 28. Curated by Alex Urso, the exhibition features over twenty international artists exploring artistic practice outside major urban centers, with works also installed at the Frida Museum. The show is divided into three sections—"Essere oltre," "Essere qui," and "Essere altro"—highlighting artists who have chosen peripheral, rural, or marginalized locations as bases for their research, including Francesco Arena, Davide Maria Coltro, Andrea Mastrovito, and emerging talents under 35.

Where did the great artist Joseph Beuys live? The comic story by Gianluca Costantini

Dove viveva il grande artista Joseph Beuys? Il racconto a fumetti di Gianluca Costantini

In the summer of 2022, the author visited Düsseldorf and discovered that Joseph Beuys's former home at Drakeplatz 4 in Oberkassel was for sale, but the city's cultural department declined to purchase it. Beuys lived and worked there from 1961 until his death in 1986, using the space as both a residence and studio. The article recounts the intimate details of family life there, including how Beuys painted the main room white for his wife Eva's photography, and how the family navigated the blend of private life and artistic practice. Two years later, the Brunhilde Moll Foundation acquired the house and opened it to the public, though it was closed for renovations when the author returned. The house now displays about sixty works from Beuys's creative period and will host artist residencies and events.

Provincia Cosmica. Interview with Giuseppe Stampone, the artist who chose Gran Sasso as his home

Provincia Cosmica. Intervista a Giuseppe Stampone, l’artista che ha scelto il Gran Sasso come casa

Italian contemporary artist Giuseppe Stampone, born in Cluses in 1974, has returned to his native Abruzzo after years living in New York, Rome, and Brussels. Following the loss of his parents, he established his studio in the province of Teramo, where he is restoring a farmhouse under the Gran Sasso mountain to house the Archivio Giuseppe Stampone-Maria Crispal and an artist residency called Abruzzo Mon Amour. Stampone won the PAC2021 prize for his project "La natura delle cose," which explores his bond with the region and will create an archive dedicated to the flora and fauna of the Monti della Laga, Parco Nazionale d’Abruzzo, and Gran Sasso areas.

Intervista all’artista italiano che ha riempito la città di Stoccolma di sculture-animali

Italian artist Davide Rivalta has installed thirteen monumental bronze sculptures of lions, buffalo, and rhinoceroses across Stockholm, Sweden, in a project titled "Blowing Figures into Space." Organized by the Italian Cultural Institute of Stockholm, the works are placed in strategic locations including Mynttorget, Gamla Stan, Ladugårdsgärdet, and Hagaparken, with installations rolling out from April 2025 through summer 2027. The first sculpture was unveiled near the Swedish Parliament during Stockholm Art Week, and additional animals will appear in public parks on August 29.

This unpublished comic tries to tell us what the Biennale of the future will be like

Questo fumetto inedito prova raccontarci come sarà la Biennale del futuro

Hurricane (Ivan Manuppelli), a leading figure in Italian underground comics, creates an original comic titled "Biennale 2126" for Artribune, imagining what the Venice Biennale might look like in the future. In an accompanying interview, he discusses his satirical approach, the enduring relevance of underground comics, and the importance of critiquing power through art.

Mafalda meets Pimpa. In Rome, the dialogue between two authentic comic icons: interview with the curators

Mafalda incontra Pimpa. A Roma il dialogo tra due autentiche icone del fumetto: intervista ai curatori

A new exhibition in Rome titled "Mafalda & La Pimpa" brings together two iconic comic strip characters for the first time. Created by Quino (1964) and Altan (1975) respectively, Mafalda and Pimpa represent different approaches to childhood: Mafalda critically questions adult society, while Pimpa explores a gentle, wonder-filled world. The show runs from May 14 to July 11 at the Instituto Cervantes, featuring over 120 original strips and plates, and is organized in collaboration with ARF! Festival and other partners. Curators Stefano Piccoli and Daniele Bonomo designed the exhibition to highlight both the contrasts and surprising analogies between the two beloved figures.

L’antica certosa vicino Siena dove il disegno è diventato una performance condivisa. Il report

The third edition of the De Linea Art Festival took place on May 2-3 at the Certosa di Pontignano near Siena, Italy. Curated by Matteo Marsan and Riccardo Guasco, the event transformed the historic monastery into a living laboratory of drawing, illustration, and performance. Nine illustrators—including Marina Marcolin, Francesco Poroli, Elisa Macellari, Gianluca Folì, Ale Giorgini, Gloria Pizzilli, Matteo Berton, Giovanna Giuliano, and Daniele Caluri—participated in a week-long residency, producing works inspired by the site and the festival's theme "Crepe e spiragli" (Cracks and Glimmers), a contemporary interpretation of a Leonard Cohen quote. Over 500 visitors attended workshops, talks, and shared creative sessions, including a workshop by Fondazione Il Bisonte and performances by actress Daniela Morozzi and graphic poet Alessandro Valenti (Alvalenti).

Provincia Cosmica. A Foggia per scoprire la fotografia sociologica di Maria Palmieri

Maria Palmieri (Foggia, 1986) is a photographer who uses her camera as a tool for observation, understanding, and social improvement. After studying law, she turned to visual arts, blending reportage with vernacular photography to uncover truth amid the 'noisy horror' of contemporary life. In an interview with Artribune, she discusses her sociological approach to photography, her return to her hometown of Foggia, and her ongoing documentation of the region's fragilities, including the largest migrant ghetto in Europe.

Svolta per il Museo del Fumetto che chiuse a Milano: nuova sede in un’ex biblioteca di Monza

The Franco Fossati Foundation's Museo del Fumetto (Comics Museum), which was evicted from Milan due to a €180,000 debt to the city, has found a new permanent home in Monza. The Monza city council approved the foundation's proposal on April 30, paving the way for the renovation of a former library in the Cederna district, which has been abandoned for years. The archive of 500,000 pieces will be temporarily stored in Desio while the Monza building is refurbished with €850,000 from the municipality and additional funds from the foundation.

No, the closed Museum of Comics in Milan has not found a new home in Brianza

No, il Museo del Fumetto chiuso a Milano non ha trovato la nuova sede in Brianza

The Museum of Comics (Museo del Fumetto) in Milan, which suspended operations in June 2025 due to a €180,000 debt to the city, has not found a permanent new home despite online rumors. Instead, the Fondazione Franco Fossati, which runs the museum, has secured temporary storage for its archive in Desio (Monza-Brianza) for up to two years, using spaces granted free of charge by the local municipality. The archive—containing over 500,000 items including publications, original boards, and memorabilia—will be cataloged and preserved there, but the museum itself remains closed to the public.