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President Donald Trump posted on Truth Social criticizing the Smithsonian and museums nationwide, claiming they focus excessively on negative aspects of U.S. history such as slavery. He described these institutions as the last remaining segment of 'WOKE' culture. The article counters his remarks by highlighting the National Museum of African American History and Culture (NMAAHC), which presents both the horrors of slavery and themes of survival, liberation, and perseverance through objects like Harriet Tubman's handkerchief and artworks by Jacob Lawrence and Alison Saar. It also references the 2022 exhibition 'Afro-Atlantic Histories' at the National Gallery of Art, which balanced depictions of violence with messages of freedom and resilience.

After 50 years, LA Louver is closing its gallery in Venice, California

LA Louver, the longest-running gallery in Los Angeles, is closing its Venice, California space after 50 years in business. Founder Peter Goulds, who turns 77 next month, is transitioning the gallery into a private dealing model with pop-up exhibitions from its Jefferson Boulevard warehouse in West Adams. The Venice space will be listed for sale but remain open by appointment to sell inventory. The gallery is also donating its extensive archive to the Huntington Library in San Marino, which includes papers of writers like Octavia Butler and Christopher Isherwood.

Show at Civil War-era fort spotlights California’s Black history from the 19th century to today

Fort Point, a Civil War-era fortification beneath the Golden Gate Bridge in San Francisco, opens the exhibition "Black Gold: Stories Untold" today through November 2. The show features works by 16 contemporary artists and one collective, exploring 19th-century African American life in California—from the Gold Rush onward—highlighting little-known entrepreneurs, activists, soldiers, and musicians. Curated by Cheryl Haines of the non-profit For-Site, the exhibition includes recent works by artists such as Carla Edwards, Isaac Julien, Alison Saar, Yinka Shonibare CBE, and Hank Willis Thomas, alongside new commissions by Demetri Broxton, Adrian L. Burrell, Mildred Howard, and others. The project was two years in the making, privately funded, and developed with a nine-person advisory committee of Black historians and curators.

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The Obama Presidential Center in Chicago has announced nine new commissions by ten artists for its 19.3-acre campus, set to open next spring. The commissioned works include a text-based sculpture spelling 'HOPE' by Jack Pierson, a bronze sculpture by Kiki Smith, a digital mural by Jules Julien, a textile-and-sound installation by Nick Cave and Marie Watt, paintings by Jenny Holzer and Idris Khan, a sculpture by Nekisha Durrett, a mural by Aliza Nisenbaum, and an outdoor bronze by Alison Saar. These join five previously announced commissions, with plans for over 25 site-specific works total.

Artist Alison Saar wins High Museum’s 20th annual Driskell Prize

Alison Saar, a Los Angeles-based artist known for sculptures exploring Black American experience through historic and symbolic imagery, has won the 20th edition of the David C. Driskell Prize from the High Museum of Art in Atlanta. The annual prize, which alternates between honoring an artist and a curator, comes with $50,000 and was announced during a reception at the Fifth Avenue Hotel in New York on 9 May. Saar succeeds 2024 winner Naomi Beckwith, and past honorees include Ebony G. Patterson, Amy Sherald, Mark Bradford, and Rashid Johnson.

Venice Family Clinic’s Art Exhibition + Auction

The 47th annual Venice Family Clinic Art Exhibition + Auction will take place May 8–17, 2026, at 910 Abbot Kinney in Venice, Los Angeles. Founded in 1979 as the Venice Art Walk, it is the city’s longest-running charity art exhibition, featuring Signature Artist Alison Saar and over 150 established and emerging Los Angeles artists. Proceeds support Venice Family Clinic’s health care services for more than 45,000 patients across the Westside, Inglewood, the South Bay, and beyond.