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TOP 10 exhibitions of 2025

Designboom has curated a list of the top 10 art exhibitions of 2025, highlighting standout shows from around the world. Key exhibitions include Yayoi Kusama's new infinity room at the National Gallery of Victoria in Melbourne, Do Ho Suh's solo show 'Walk the House' at Tate Modern, Andy Goldsworthy's 'Fifty Years' land art retrospective at the Royal Scottish Academy in Edinburgh, and Steve McQueen's immersive light and sound installation 'Bass' at Schaulager Basel. The list also features A.A. Murakami's mist-filled installation at Museo della Permanente during Milan Design Week 2025.

UK council criticised over sale of collection including works by pioneering photographer Tony Ray-Jones

Kent County Council is facing sharp criticism for the deaccessioning and sale of 168 lots from its art collection, including a significant archive of 33 photographs by the influential postwar British photographer Tony Ray-Jones. The auction, held at Sworders Fine Art Auctioneers, also features works by Andy Goldsworthy and Sidney Nolan. The council cited financial pressures and a lack of viable storage as the primary reasons for the sale, admitting that the works were not offered to local museums or galleries before being sent to auction.

Inside the Fine Arts Museums of San Francisco’s 2026 Gala

The Fine Arts Museums of San Francisco (FAMSF) held its 2026 gala, a major fundraising event attended by prominent figures from the city's art, philanthropy, and social circles. The event featured notable attendees including artist Andy Goldsworthy, museum director Thomas Campbell, and major donors like Dede Wilsey and Mayor Daniel Lurie.

Comment | I used to think it wasn’t cool to like Andy Goldsworthy—now I see how he helps us appreciate the natural world

Mia maxima culpa. For many years I felt it wasn’t cool to like Andy Goldsworthy. The British artist’s interventions in and workings with nature, while highly skilful and often very beautiful, seemed out of kilter with an increasingly hardcore, conceptually underpinned and urban-orientated art world. It also didn’t help that most of his work could only be experienced at one remove. Books and photographs were the only record of the ephemeral pieces he’d created from ice, leaves, sticks and stones; as well as of the more lasting installations—walls, sheepfolds, cairn paths and giant arches—he’d make in situ, usually in remote locations across the world.