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Anishinaabe artist Henry Guimond has designed a mission patch for Canadian astronaut Jeremy Hansen to wear during the Artemis II lunar mission. The artwork features seven symbolic animals representing the Seven Sacred Laws of Anishinaabe custom, intended as a universal message for humanity that will literally travel beyond Earth's orbit.
The Detroit Institute of Arts (DIA) has reinstalled its African American galleries, moving them from the back of the museum to a prominent location beside Diego Rivera's iconic "Detroit Industry Murals" (1932–33). The reinstallation is framed by a quote from Alain Locke's 1925 essay "The Legacy of the Ancestral Arts," envisioning the museum as an instrument of cultural education and repair. Complementing this is "Contemporary Anishinaabe Art: A Continuation" (through April 5), the first comprehensive survey of art from the Indigenous inhabitants of the Great Lakes region. The DIA began collecting African American art in 1943 and in 2001 became the first US museum to name a curator devoted to that field, Valerie J. Mercer, who still serves as curator and head of African American art.
The article reports on several art world developments: US museums are making progress on Spanish-language translation efforts despite broader challenges like declining attendance and funding. The Harvard Art Museums have acquired Heinz Mack's Light-Relief (1960), a gift from the Mack Foundation. The Detroit Institute of Arts is opening its first major Native American art exhibition in over three decades, featuring 90 works by Anishinaabe artists. Ukrainian artist David Chichkan was killed fighting against Russia. Additionally, the Natural History Museum is displaying the Alien franchise egg prop in its space exhibition.
The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," a major exhibition featuring over 60 Anishinaabe artists from Michigan and the Great Lakes region. The show, running from September 28, 2025, to April 8, 2026, includes nearly 100 contemporary artworks and was sparked by a request from artist Kelly Church, whose black ash top hat was donated to the DIA in 2020. Church collaborated with DIA Assistant Curator Denene De Quintal and a Native advisory board—the "Council of the Three Fires"—to select artists, blending established figures like Frank Big Bear and George Morrison with lesser-known artists receiving their first major institutional exposure.
The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," its first major Native American art exhibition in over three decades. The show features 90 works from more than 60 Anishinaabe artists from Michigan and the Great Lakes region, including pieces by Maggie Thompson, Jim Denomie, David Martin, and Jodi Webster. The exhibition runs through April 8, with free admission for residents of Macomb, Oakland, and Wayne counties.
A major new exhibition, “Contemporary Anishinaabe Art: A Continuation,” has opened at the Detroit Institute of Arts (DIA), marking the museum’s first major Native American exhibition in over three decades. The show features 90 works by more than 60 artists from the Great Lakes region of the U.S. and Canada, including a strong contingent of Minnesota-based painters, sculptors, designers, and filmmakers. Curated in collaboration with a panel of Anishinaabe artists—including Duluth-based painter and filmmaker Jonathan Thunder, Kelly Church, Jason Quigno, Monica Rickert-Bolter, and Jodi Webster—the exhibition spans painting, beadwork, fashion, film, and sculpture. Signage is translated into Anishinaabemowin, and QR codes offer language learning. The curators deliberately chose not to begin with historical works, asserting that Native American artists should not be required to provide a historical preamble.
The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," its first Native American art exhibition in over 30 years. Featuring 92 works by more than 60 Anishinaabe artists from the Great Lakes region, the show spans from 1892 to 2025 and includes pieces by renowned artists such as Jim Denomie, Norval Morrisseau, Kent Estey, Jonathan Thunder, and Rabbett before Horses Strickland. Highlights include Denomie's vibrant "Four Days and Four Nites, Ceremony" (2020) and Morrisseau's spiritual works like "Punk Rockers Nancy and Andy" (1989).
The Detroit Institute of Arts (DIA) is opening its first major Native American art exhibition in over three decades, featuring 90 works from more than 60 Anishinaabe artists from Michigan and the Great Lakes region. The exhibition, on view from September 28, 2025 to April 8, 2026, includes pieces such as Jessica Leigh Gokey's "She Loves" and Norval Morrisseau's "Punk Rockers," and was developed with guidance from an Anishinaabe advisory board.
A new exhibition titled "Shared Visions" has opened at Art Project 605 in Detroit Lakes, Minnesota, running from July 10 to August 1, 2025. The show features the work of three area artists: Kent Estey of Naytahwaush, Jennie Ward of Lake Park, and Jennifer Paulsrud of Fargo, all of whom have previously exhibited at the gallery. The exhibition highlights the artists' use of color, abstraction, and paint application, with works ranging from delicate to bold, expressing themes of heritage, beauty, and relationships.
The Detroit Institute of Arts (DIA) is closing its major exhibition, "Anishinaabe Art: Honoring Tradition, Inspiring Innovation," this weekend. The show, which opened in October, is the museum's first significant survey of Anishinaabe art in three decades, featuring over 80 works from the 19th century to the present.
The Detroit Institute of Arts (DIA) announced its first major Native American exhibition in 30 years, titled "The Contemporary Anishinaabe Art: A Continuation," opening September 28, 2025. The show will feature 60 U.S.-based Anishinaabe artists and include jewelry, basketry, painting, pottery, and woodworking, with gallery text in Anishnaabemowin. The exhibition was curated with an advisory council of Ojibwe, Ottawa, and Potawatomi artists.
A group exhibition titled 'A Family Reunion of Artists' features works by Minnesota Anishinaabe artists, currently on display in Detroit and traveling to other venues. The show brings together multiple generations of Indigenous artists from the Anishinaabe community, highlighting their diverse practices and shared cultural heritage.