Art News. Vasari Codex

rate_review review schedule Sep 18, 2025 visibility 24 link 10 artists, 2 galleries

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Artist Robert Longo presents a new exhibition at Pace Gallery, featuring his signature large-scale, hyperrealistic drawings that address themes of brutality, conflict, and protest. The show is a revised version of a 2023 exhibition at the Milwaukee Art Museum, with works based on media images of events such as the war in Ukraine, Black Lives Matter protests, and migrant crises. The article critically examines several pieces, including "Untitled (Ferguson Police, August 13, 2014)" and "Untitled (Refugees at Mediterranean Sea, Sub-Saharan Migrants, July 25, 2017)," arguing that Longo's manipulations of source photographs result in melodramatic and dishonest representations.

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rate_review review schedule Oct 16, 2025 visibility 23 link 5 artists, 1 gallery

lutz bacher retrospective oslo brussels 1234757045

The article reviews the first posthumous retrospective of the elusive artist Lutz Bacher, titled "Burning the Days," at the Astrup Fearnley Museum in Oslo. Bacher, who died in 2019 and whose real name was never revealed, is known for her use of found photographs and a pseudonym that led many to mistake her for a German man. The exhibition opens with her work "The Lee Harvey Oswald Interview" (1976–78), in which she discusses photography and perception by using Oswald as a stand-in, and includes other pieces such as "Jackie & Me" (1989) and "Men at War" (1975), all exploring how images and narratives produce meaning.

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museum exhibitions schedule Apr 27, 2026 visibility 23 link 13 artists, 3 galleries

Appropriation Culture: Richard Prince and Arthur Jafa

An upcoming exhibition at ArtReview pairs artists Richard Prince and Arthur Jafa to explore the ethics and aesthetics of image appropriation. Jafa's work, such as the video "Love is the Message, The Message is Death" (2016), uses found footage of police violence and Black cultural icons, while Prince's "Girlfriends" series rephotographs amateur snapshots from biker magazines. Jafa has cited Prince as a key influence on his own practice of transposing images across contexts.

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museum exhibitions schedule May 8, 2026 visibility 22 link 9 artists, 1 gallery

In Venice, Arthur Jafa and Richard Prince Ask: What Is Appropriate to Appropriate?

Arthur Jafa and Richard Prince are showing their work together in a joint exhibition titled "Helter Skelter" at the Fondazione Prada in Venice. Curated by Nancy Spector, the show explores the artists' shared practice of appropriation, a connection that began when Prince attended the debut of Jafa's video work AGHDRA (2021) and later deepened through conversations about race, property, and self-authorization. Jafa has long admired Prince's approach, calling him "the blackest white artist I know," and the exhibition pairs their works to examine how appropriation functions differently for a Black artist versus a white artist.

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article news schedule Mar 7, 2026 visibility 27 link 9 artists, 1 gallery

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A painting by David Salle titled "Hatchet" (2025) was removed from his solo exhibition at Sprüth Magers in Los Angeles following allegations of plagiarism. Critics and social media users pointed out that the work's central figure—a woman in a black-and-white dress holding a sledgehammer—bore a striking resemblance to the 2021 painting "Impact" by artist Kelly Reemtsen. While Salle is a pioneer of the Pictures Generation known for appropriation, the gallery stated the work was withdrawn out of respect for both artists and to acknowledge the ongoing dialogue regarding authorship.

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museum exhibitions schedule Apr 17, 2026 source 3 sources visibility 27 link 9 artists, 1 gallery

Marcel Duchamp & Sturtevant | Dialogues are mostly fried snowballs

Thaddaeus Ropac Milan is hosting a landmark exhibition titled "Dialogues are mostly fried snowballs," marking the first-ever joint presentation of Marcel Duchamp and Sturtevant. The show stages a cerebral confrontation between Duchamp’s original readymades, such as "Porte-bouteilles" and "Trébuchet," and Sturtevant’s radical repetitions of his work. By showcasing these pieces alongside archival materials and films, the exhibition traces how Sturtevant used Duchamp’s style as a medium to investigate the canonization and "understructure" of conceptual art.

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museum exhibitions schedule Apr 4, 2026 visibility 23 link 16 artists, 1 gallery

Nature Morte, 1982–1988 at Ehrlich Steinberg

Ehrlich Steinberg gallery in Los Angeles is presenting the group exhibition "Nature Morte, 1982–1988," featuring works by a significant roster of artists including Alan Belcher, Gretchen Bender, Sherrie Levine, Louise Lawler, and Laurie Simmons, among others. The show runs from February 24 to April 18, 2026, and focuses on artworks created within that specific six-year period.

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museum exhibitions schedule May 1, 2026 visibility 18 link 2 artists

Arthur Jafa and Richard Prince’s ‘Helter Skelter’ Is Pure American Grit

American artists Arthur Jafa and Richard Prince will present a joint exhibition titled "Helter Skelter" at Fondazione Prada's Venetian venue, timed to coincide with the Venice Biennale. Curated by Nancy Spector, the show features over 50 works across photography, video, sculpture, installation, and painting, along with a collaboratively produced zine. It marks the first time the two artists have been exhibited together, exploring themes of authorship, race, and image-making within American popular culture.

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gavel restitution schedule Apr 10, 2026 visibility 15 link 3 artists

The Long Legal Saga Between Artist Ryder Ripps and the Bored Ape Yacht Club Is Finally Over

Yuga Labs, the creator of the Bored Ape Yacht Club (BAYC), has reached a confidential settlement with artist Ryder Ripps and his partner Jeremy Cahen, ending a multi-year legal battle over trademark infringement and appropriation art. The dispute began in 2022 when Ripps launched his RR/BAYC NFT collection, which used identical imagery to the original Bored Apes to protest alleged racist and alt-right symbolism within the project. As part of the agreement, Ripps and Cahen are now under a permanent injunction preventing them from using any Yuga Labs trademarks or images.

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article culture schedule Jan 28, 2026 visibility 11 link 5 artists

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Artist Ektor Rivera has created a painting titled "The Discovery of Americans" (2025) that reimagines Emanuel Leutze's "Washington Crossing the Delaware" to celebrate Puerto Rican cultural figures, with Bad Bunny at the center. The work was commissioned by Miami art collector Seth Goldberg as a response to conservative criticism over Bad Bunny being selected to perform at the Super Bowl halftime show. The five-by-eight-foot painting places George Washington in the background while Puerto Rican icons including Jennifer Lopez, Ricky Martin, and Roberto Clemente take center stage, with Bad Bunny draped in the Puerto Rican flag. The artwork has garnered over 2.3 million views on Instagram and Facebook.

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museum exhibitions schedule Apr 14, 2026 visibility 33 link 5 artists, 1 gallery

Exhibition | Bertrand Lavier, 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

French artist Bertrand Lavier is presenting a solo exhibition titled 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique in Paris. The exhibition centers on a single, sinuous steel sculpture that translates the traditionally flat, expressive painterly gesture into a three-dimensional physical entity. This presentation marks Lavier's sixth solo show with the gallery and continues his decades-long exploration of the boundaries between painting, sculpture, and the readymade.

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article news schedule Jul 24, 2025 visibility 8 link 3 artists

us appeals court yuga labs bored ape nfts ryder ripps 1234748184

A US appeals court overturned an $8.8 million judgement against artist Ryder Ripps and his business partner Jeremy Cahen, who were previously ordered to pay Yuga Labs, creator of the Bored Ape Yacht Club (BAYC) NFTs, for creating copycat NFTs. The 9th US Circuit Court of Appeals ruled on July 23 that Yuga Labs had not sufficiently proven that Ripps and Cahen's tokens would confuse buyers. The case, originally filed in June 2022, alleged trademark infringement, false advertising, and cybersquatting. Ripps and Cahen argued their works were satirical appropriation art, while Yuga Labs denied claims of racism tied to the BAYC imagery. The ruling sends the case back to federal court for a trial on trademark and cybersquatting claims.

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