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The US Pavilion Wants Your Money

The American Arts Conservancy, a new nonprofit with MAGA-aligned leadership, is fundraising for Alma Allen's 2026 US Pavilion at the Venice Biennale through a "Donate" button on its website, having received no institutional financial support. Meanwhile, a sculpture by Pedro Reyes at the newly unveiled LACMA building has sparked controversy for recalling a 2021 commission rejected by Mexico City after Indigenous and feminist protests, and the experimental LA nonprofit The Box has closed after 19 years.

DACA Artist Uses Thread to Weave Immigration Stories

Arleene Correa Valencia, a DACA recipient and Bay Area artist, presents her debut solo exhibition "CÓDICE •• SOBREVIVIENDO A LA PERSECUCIÓN" at Fridman Gallery in Manhattan, on view through May 2. The show features large-scale acrylic and textile works on amate bark paper, including a 16-foot-long piece depicting border-crossing narratives. Valencia collaborates with her father, mother-in-law, and papermaker Jose Daniel Santos de la Puerta, and incorporates childhood letters that poignantly reflect family separation and undocumented life.

FOG Design + Art Delivers Strong Sales and Institutional Momentum in San Francisco

FOG Design + Art opened its 2026 edition on January 21 with a gala benefit for SFMOMA's education initiatives, drawing strong attendance and sales. The fair, which blends contemporary art and collectible design, featured 85 works acquired by SFMOMA, including pieces by Ruth Asawa, Michael Armitage, Firelei Báez, Dorothea Lange, Gabriel Orozco, and Indigenous artists such as Jaune Quick-to-See Smith and Kay WalkingStick. Galleries like Wendi Norris presented ambitious, institution-worthy works, with a focus on visionary artists and the intersection of art, science, and spirituality.

May You Live in Less Interesting Times

The international jury for the Venice Biennale has collectively resigned just before the press preview, following their announcement that countries accused of crimes against humanity—specifically Israel and Russia—would be excluded from award consideration. The jurors did not provide an explicit reason for their resignation. Meanwhile, Russia's return to the 61st Venice Biennale will involve workarounds to comply with international sanctions, including restricted pavilion access. The article also highlights a widely-read essay by Hakan Topal on the financialization and 'administrification' of American art schools and academia.

MACLA, Montalvo Arts Center partner on new exhibition in San Jose

A new exhibition titled “From Their Hands to Ours” has opened at MACLA’s downtown San Jose gallery, running from December 5 through March 8. The show is a collaboration between MACLA and the Montalvo Arts Center in Saratoga, co-curated by Alyssarhaye Graciano and Olivia Esparza. It features works by artists rafa esparza, Estefania Ajcip, Miguel Arzabe, Edra Soto, and Arleene Correa Valencia, with a notable installation by rafa esparza that includes an adobe floor made from mud, straw, and manure, incorporating the artist’s own shoes. Each piece explores themes of identity, place, and ancestral heritage, drawing on traditions such as Chicano adobe-making, Puerto Rican fences, and Bolivian textile art.

Reclaim, Repurpose, Reimagine exhibition opens at SSU this fall

An exhibition titled 'Reclaim, Repurpose, Reimagine (RRR)' will open at Sonoma State University's Art Gallery on September 4, 2025, featuring works by five Bay Area artists: Mia Feuer, Bryan Keith Thomas, Arleene Correa Valencia, and Richard Lang and Judith Selby Lang of One Beach Plastic. Co-curated by SSU faculty members Eileen Parent and Stefan Kiesbye, the show transforms discarded objects into art across mediums like sculpture, fiber arts, painting, photography, and mixed media, exploring themes of resilience, diversity, vulnerability, and cultural identity. It also includes pieces from The Recology Artstart Student Hub (TRASH) summer art residency program, with a public reception on opening day and an artist talk on September 25.