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Glasstire’s Best of 2025

Glasstire's staff and contributors have compiled their personal "best of" lists for 2025, highlighting standout Texas-based exhibitions, events, and artworks. Notable mentions include Victoria Gonzales' solo show "Stay" at the Moncrief Cancer Institute, curated by Chris Wicker, which explores memory through dreamlike paintings; the exhibition "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, praised for its bold experimentation with color and texture; the community-driven group show "A Good Gathering" at The Pool in Fort Worth; and the Lorne Michaels Collection exhibition at the Harry Ransom Center, offering an inside look at the Saturday Night Live creator's archive. The list also features the Corsicana Artist and Writer Residency's open studios and a performance by Houston Contemporary Dance Company.

“Feeling Color” at The Modern Art Museum of Fort Worth

The article reviews "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, an exhibition that pairs works by two artists from Guyana who worked in London in the late 20th century. Both explore abstraction, materials, and sociopolitical themes, with Bowling's color field paintings and Williams' geometric, Pre-Columbian-inspired works displayed in alternating galleries. The reviewer describes the show as dense and vibrant, noting the sensory experience of the paintings and the subtle dialogue between the artists.

Fort Worth’s 7 Must-See Museum Exhibits This Summer

Fort Worth's top museums are presenting seven must-see exhibitions this summer, ranging from a deep dive into the life of primatologist Jane Goodall at the Fort Worth Museum of Science and History to a joint survey of abstract painters Aubrey Williams and Frank Bowling at the Modern Art Museum of Fort Worth. Other highlights include a hands-on exploration of indigenous knowledge in 'Roots of Wisdom,' a survey of pop-culture-infused paintings by Alex Da Corte, and a behind-the-scenes look at photographer Richard Avedon's process at the Amon Carter Museum of American Art.