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jonathan yeo snap augmented reality sxsw 2753266

British portrait artist Jonathan Yeo is bringing his augmented reality exhibition, "Spectacular," to South by Southwest (SXSW) in Austin following its debut at the Centre Pompidou. Developed in collaboration with Snap Inc., the showcase utilizes AR glasses to animate Yeo’s traditional oil paintings, including his famous portrait of King Charles III and a depiction of Cara Delevingne. The experience allows viewers to interact with the works, such as having a digital butterfly from the King's portrait land on their hand, while exploring the intersection of static portraiture and immersive technology.

Spectacular: The Art of Jonathan Yeo in Augmented Reality Makes Its U.S. Debut at SXSW

British contemporary painter Jonathan Yeo is bringing his augmented reality exhibition, "Spectacular," to the United States for its debut at SXSW in March 2026. Utilizing Snap’s fifth-generation Spectacles, the installation transforms Yeo’s traditional portraiture into interactive, living digital experiences that respond to the viewer's movements in real time. The project, which premiered at the Centre Pompidou, represents a collaboration between the artist and Snap AR Studio’s Artist Residency Program.

See What’s on View in NOLA This March

New Orleans is set to host several major art exhibitions this March, highlighting the city's diverse cultural landscape. Key openings include Alexis McGrigg’s "In the Beloved" at the Ogden Museum, which explores Blackness and spirituality through fluid abstraction, and an augmented reality exhibition on the American Revolution at The Historic New Orleans Collection. Additionally, the New Orleans Museum of Art will debut a significant collection of 18th-century French Sèvres porcelain.

an indigenous takeover of the met asks who should be writing art history 1234757699

An unsanctioned augmented reality exhibition titled “Encoded” has taken over the American Wing of the Metropolitan Museum of Art, featuring works by 17 North American Indigenous artists. The exhibition, organized by the nonprofit media lab Amplifier and co-curated by Tracy Rector, overlays digital artworks onto iconic paintings and sculptures, including a piece by Josué Riva that replaces Thomas Sully’s portrait of Queen Victoria with a moving image of Acosia Red Elk (Umatilla, Cayuse & Nez Perce) delivering the message “Be a Good Ancestor.” The intervention launched on Indigenous Peoples’ Day and Columbus Day, October 13, 2025, and runs through December 13, without the Met’s permission.