robert wilson memorial silence 1234755995

A memorial for the late theater visionary Robert Wilson was held at the Brooklyn Academy of Music (BAM) Harvey Theater, featuring a 30-minute period of silence as requested by Wilson before his death at age 83. The gathering drew luminaries including Philip Glass, Rufus Wainwright, Laurie Anderson, ANOHNI, Christopher Knowles, Joan Jonas, and Paula Cooper, none of whom spoke during the main program. The silence was punctuated by shifting lighting and a recorded ringing telephone, followed by remarks from William Campbell, chairman of Wilson's Watermill Center, and Joseph Melillo, former BAM executive producer.

Actress Alba Clemente Tells Her Story in the Theater and Reveals What Lies Behind Her Partenope, a Smoking Siren

L’attrice Alba Clemente si racconta a teatro e svela cosa si nasconde dietro la sua Partenope, sirena fumatrice

Actress Alba Clemente (née Primiceri) recounts her life and career in a theatrical performance titled "Racconto di una vita, anzi tre: ALBAINCLEMENTE," directed by Guido Torlonia. The show, adapted from an earlier piece created with director Andrew Ondrejcak, premiered in Naples and is set to tour Rome and Milan. Clemente reflects on her rebellious youth in Amalfi, her studies at the Accademia di Belle Arti in Naples, and her encounters with artists such as Joseph Beuys, Andy Warhol, Jean-Michel Basquiat, Alex Katz, and Robert Mapplethorpe. She also describes meeting her husband, internationally renowned painter Francesco Clemente, in Rome on the day Pier Paolo Pasolini was assassinated.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.