Zurich’s controversial Bührle Collection is rehung, including five paintings by Van Gogh—plus one forgery

The Kunsthaus Zurich has unveiled a comprehensive new display of the Emil Bührle Collection, featuring 205 works including five significant paintings by Vincent van Gogh and one acknowledged forgery. This reinstallation marks a shift from previous thematic displays focused on provenance research to a denser presentation of the collection's breadth. Notable works on view include a 1887 self-portrait and the masterpiece 'The Sower at Sunset,' though one Van Gogh remains in conservation and another has been withdrawn due to Nazi-era ownership complications.

Contemporary US Art is Sick with Problems

"Die zeitgenössische US-Kunst ist von Problemen krank"

Artist Josh Kline has sparked a heated debate with a scathing critique of the American art scene, particularly targeting New York City as an unsustainable hub driven by market logic and inequality. Kline argues that contemporary art is "sick with problems" and urges young artists to abandon the city, calling for a shift from institutional critique to a broader industry-wide analysis of class and power. Meanwhile, the German art world sees significant movement with the upcoming auction of Georg Kolbe’s "Tänzerinnen-Brunnen" following a Nazi-looted art settlement, and the Berlin State Museums announcing a phased reopening of the Pergamon Altar starting in 2027.

switzerland buhrle foundation settlement manet jewish heirs 1234739848

The foundation overseeing the Emil G. Bührle collection has reached a settlement with the heirs of Jewish collector Max Silberberg over Édouard Manet's painting *La Sultane* (c.1871), allowing the work to remain on view at the Kunsthaus Zurich. Bührle, a German Swiss industrialist who profited from arms sales to Nazi Germany and used slave labor, amassed a collection now known to include many Nazi-looted artworks. The settlement follows a 2021 report by Raphael Gross finding that over a quarter of the 205 loaned works likely belonged to Jewish owners, sparking public protests and artist Miriam Cahn's withdrawal of her works from the museum.

The must-see exhibitions of 2026: from Duchamp in New York to Baldessari in Beijing

The article previews major art exhibitions scheduled for 2026, highlighting two standout shows. At Basel's Fondation Beyeler, a Cezanne exhibition from January to May will focus on the artist's later works, featuring around 60 oil paintings and 20 watercolours, half from private collections. Highlights include a privately owned oil study of 'The Bathers' (around 1902-06) and 'The Boy in the Red Vest' (1888-90), with curator Ulf Küster emphasizing Cezanne's fragmentary, radical perspective. Separately, the traveling exhibition 'Edmonia Lewis: Said in Stone' will premiere at the Peabody Essex Museum in February, showcasing 30 sculptures by the 19th-century Black and Indigenous artist, organized after a 2016 acquisition by the Georgia Museum of Art spurred curators to track down her works.

Swiss Bührle Foundation reaches settlement with heirs of Jewish collector over Manet’s ‘La Sultane’

The foundation overseeing the Bührle collection has reached a settlement with the heirs of Jewish collector Max Silberberg, allowing Édouard Manet's painting 'La Sultane' (c. 1871) to remain on display at the Kunsthaus Zurich. The painting was purchased in 1953 by Emil Bührle, a Swiss arms dealer who sold to both Allies and Nazis during WWII and benefited from slave labor. Silberberg, forced to sell his villa to the SS in 1935 and later deported to Auschwitz, had consigned the work in 1932, but his heirs argue the 1937 sale to dealer Paul Rosenberg was a consequence of Nazi persecution. The settlement terms are confidential.