Sculptor Thaddeus Mosley dies at 99.

Sculptor Thaddeus Mosley dies at 99.

Sculptor Thaddeus Mosley, a self-taught artist renowned for his monumental abstract wood sculptures, has died at the age of 99. Working for decades in his Pittsburgh basement, Mosley used locally sourced felled trees and traditional hand tools to create dynamic, asymmetrical forms that channeled both modernist principles and African artistic traditions. His prolific career, which began in his 30s, gained significant institutional recognition only in his later decades, culminating in a major 2022 solo exhibition at the Baltimore Museum of Art.

Amy Sherald exhibit sets 21st century visitor record at BMA

The Baltimore Museum of Art (BMA) has achieved a historic milestone with its exhibition 'Amy Sherald: American Sublime,' which drew 84,000 visitors between October 2025 and March 2026. This figure more than doubled the museum's initial projections and set a new record for the highest attendance of any exhibition at the institution in the 21st century. The show featured 45 large-scale portraits by the Baltimore-born artist, focusing on themes of identity and representation.

BmoreArt’s Picks: April 14-20

Baltimore’s art scene is hosting a dense schedule of events from April 14–20, 2026, featuring major lectures, exhibition openings, and multimedia performances. Highlights include a talk by Dr. Denise Murrell at the Baltimore Museum of Art regarding Matisse’s time in Martinique, a lecture on Afrofuturism by Dr. Myers Perry at Goucher College, and the opening of Douriean Fletcher’s jewelry exhibition at the Walters Art Museum. Other notable events include the "More Than Trust" group show at Design Distillery and the Baker Artist Award Finalist Showcase at Current Space.

Maryland artist examines Matisse's legacy in upcoming Museum of Art exhibit

The Baltimore Museum of Art is set to host "Fratino and Matisse: To See This Light Again," a major exhibition pairing the works of Maryland-born artist Louis Fratino with those of Henri Matisse. The show features approximately 30 works by the French master alongside Fratino’s contemporary pieces, marking the MICA graduate's first significant institutional exhibition in the United States.

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Artist Amy Sherald has been named one of TIME magazine’s 2026 Women of the Year, a distinction honoring her leadership and commitment to equity. The recognition follows Sherald's high-profile decision to withdraw her solo exhibition, "American Sublime," from the National Portrait Gallery in Washington, D.C., after the institution attempted to censor or alter the presentation of her painting 'Trans Forming Liberty' (2024) due to political pressure. The Baltimore Museum of Art subsequently stepped in to host the show, where it has since shattered all-time attendance records for the institution.

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The art world saw a wave of significant personnel shifts and representation updates this week, highlighted by Travesía Cuatro adding Zimbabwean artist Virginia Chihota to its roster and Esther Schipper announcing representation of Saâdane Afif. Institutional moves include the Baltimore Museum of Art appointing Rhea L. Combs and Ellen McBreen to curatorial fellowships, while Joe Hill was named the new Director and CEO of Yorkshire Sculpture Park ahead of its 50th anniversary.

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Painter Louis Fratino has joined the mega-gallery David Zwirner, adding the powerhouse to his existing representation by Berlin's Galerie Neu and New York's Sikkema Malloy Jenkins. This multi-gallery arrangement is a departure from the typical practice of artists severing ties with smaller galleries when aligning with a global giant.

A brush with… Louis Fratino—podcast

The article is a transcript or description of a podcast episode featuring an interview with painter Louis Fratino. He discusses his artistic practice, which focuses on memory, daily life, and queer identity, and cites influences from Henri Matisse to Bhupen Khakhar. He also reveals details about his studio life and answers philosophical questions about art's purpose.

Amy Sherald’s Show Sets Visitor Record at Baltimore Museum of Art

Amy Sherald's traveling mid-career survey, 'American Sublime,' has set a new attendance record at the Baltimore Museum of Art (BMA), drawing 63,000 visitors as of early February with an expected final total of 75,000. This makes it the museum's most-attended show since 2000. The exhibition features nearly 50 grisaille portraits of Black Americans and was previously shown at SFMOMA and the Whitney Museum of American Art.

BMA sets attendance record with 'Amy Sherald: American Sublime' exhibition

The Baltimore Museum of Art (BMA) has set a new attendance record with its current exhibition, 'Amy Sherald: American Sublime,' which has drawn 52,597 visitors since opening on November 2. The previous record was held by the 'Matisse/Diebenkorn' show in 2016-2017 with about 45,700 visitors. The exhibition, a mid-career survey of Sherald's work, runs through April 5 and is projected to reach 70,000 attendees. It originated at the San Francisco Museum of Modern Art and traveled to the Whitney Museum of American Art before arriving in Baltimore, after Sherald canceled its planned stop at the National Portrait Gallery due to censorship concerns.

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An August 15 audit by the Maryland Department of Legislative Services uncovered serious financial irregularities at Baltimore’s Reginald F. Lewis Museum of Maryland African American History & Culture. The audit found corporate credit card charges without a clear business purpose, payments made to an employee’s PayPal account, a former employee pocketing parking fees, and a practice of pre-signing blank checks stored in an unsecured office. Though only $10,115 was unaccounted for between April 2021 and January 2025, the museum’s annual budget is $6.3 million, and it receives up to half its funding from taxpayers. The museum’s president Terri L. Freeman and board chairman Drew Hawkins have since destroyed all pre-signed checks and implemented 12 of 18 audit recommendations, with four more in progress. The employees involved are no longer at the museum, and findings were referred to the Maryland Attorney General.