A painting by Swiss-French artist Félix Vallotton, *Femme couchée dormant (Le Sommeil)* (1899), sold for $2.8 million at Sotheby’s New York on Thursday night, exceeding its high estimate of $2.5 million. The work was part of the Pritzker Collection sale, which also featured masterpieces by Van Gogh, Matisse, and Gauguin. Vallotton’s auction record remains at nearly $4.5 million, set by *Cinq heures* (1898) at Christie’s London in late 2023.
John Singer Sargent's iconic portrait *Madame X* (1883–84), depicting American-born socialite Virginie Amélie Avegno Gautreau, caused a scandal when it debuted at the 1884 Paris Salon. Critics were outraged by the fallen shoulder strap on Gautreau's gown, which implied an illicit rendezvous, and by the public exposure of a recognizable high-society woman in such a provocative pose. Sargent repainted the strap after the Salon, but the damage was done: Gautreau's reputation suffered, and Sargent fled Paris for London to restart his career. The painting now belongs to the Metropolitan Museum of Art and will be featured in its upcoming exhibition "Sargent and Paris."
The article explores the life and work of Théophile Alexandre Steinlen (1859–1923), the Swiss-born artist who created the iconic 1896 poster *Tournée du Chat Noir* for Rodolphe Salis’s legendary Parisian cabaret Le Chat Noir. It details how Steinlen, a resident of Montmartre, was introduced to the cabaret’s circle by fellow artist Adolphe Willette and went on to produce numerous commercial works featuring cats, including advertisements, exhibition announcements, and the artists' book *Des chats, dessins sans paroles*. The piece also highlights Steinlen’s involvement in leftist politics and his broader artistic output, which included landscapes, still lifes, and nudes shown at the Salon des Indépendants.
Director Cédric Klapisch’s new film, *Colours of Time* (originally *La Venue de L’Avenir*), is a sentimental French comedy that weaves a fictional romantic history around Impressionist master Claude Monet and pioneering photographer Félix Nadar. The plot follows a group of modern-day descendants who discover a trove of historical secrets in a derelict cottage, leading to a whimsical, time-bending exploration of their ancestors' lives in Belle Époque Paris.
The Grand Rapids Art Museum (GRAM) has announced its summer exhibition 'Decadent Spirit: French Art at the Turn of the Century,' on view from May 29 to September 6. Featuring over 130 works spanning 1880 to 1910, the show highlights artists such as Henri de Toulouse-Lautrec, Pierre Bonnard, Jules Chéret, Hector Guimard, and Théophile Alexandre Steinlen, alongside early film pioneers Auguste and Louis Lumière, Georges Méliès, and Alice Guy-Blaché. The exhibition includes works on paper, painting, sculpture, metalwork, interior and urban design, and early film, exploring the cafés, streets, theaters, and domestic scenes of fin-de-siècle Paris. It closes with an 1899 French motorcar, symbolizing the era's new mobility.
Art historian Jennifer Dasal's new book "The Club" tells the story of the American Girls' Club, a Parisian safe haven founded in 1893 by Elisabeth Mills Reid at 4 Rue de Chevreuse in Montparnasse. The club provided affordable housing and meals for aspiring female American artists who faced obstacles their male counterparts did not, including societal pressure toward marriage, financial constraints, and safety concerns. Notable residents and participants included painters Anne Goldthwaite, Florence Lundborg, and sculptors Meta Vaux Warrick Fuller and Alice Morgan Wright, whose works and lives are chronicled in Dasal's account.
The Musée des Arts Décoratifs in Paris is presenting a new exhibition, *Paul Poiret: Fashion is a Feast*, dedicated to the early 20th-century French couturier who styled himself the “King of Fashion.” The show draws on the museum’s extensive Poiret collection, spanning from the Belle Époque through the 1920s, and features his garments alongside photographs, drawings, posters, and illustrations. It traces Poiret’s career from his start at the House of Worth to his independent house, his collaborations with artists such as Raoul Dufy and Maurice de Vlaminck, and his exotic inspirations from travels in Europe and North Africa.
An exhibition at the Museo del Novecento in Milan is dedicated to reviving the legacy of sculptor Paolo Troubetzkoy. The show, titled "Paolo Troubetzkoy: The Sculptor of the Belle Époque," features over 100 works, including portraits of famous figures like Leo Tolstoy and George Bernard Shaw, aiming to reintroduce this once-celebrated artist to a contemporary audience.
La Rocabella, a Belle Époque villa near Toulon, France, has been transformed into an interdisciplinary artist residency by Jean-Baptiste Rudelle, co-founder of Criteo. Built in 1898 by architect Hans-Georg Tersling, the estate now hosts ceramic sculptors, comic artists, documentary filmmakers, and musicians in two-month sessions, with themes like 'Les Gardiennes de la mer' linking their work. The residency, funded entirely by Rudelle, aims to foster cross-disciplinary collaboration in a serene Mediterranean setting.
La via italiana del Simbolismo nella mostra alla Fondazione Magnani-Rocca
The Fondazione Magnani-Rocca in Mamiani di Traversetolo, Parma, recently made headlines due to a dramatic theft targeting its permanent collection. Despite the incident, the museum's temporary exhibition spaces remain unaffected, and the show "Simbolismo in Italia" (Symbolism in Italy), curated by Francesco Parisi, continues without disruption. The exhibition aims to update critical discourse on Symbolism, a movement that spread across Europe from the 1880s to the early 1900s and arrived in Italy with a distinct, often tradition-rooted character. It features works by artists such as Cesare Saccaggi, Giulio Aristide Sartorio, and Adolfo Wildt, organized into thematic sections exploring literary sources, mythological landscapes, and the dual nature of femininity.
A Lucca c’è la mostra perfetta per riscoprire il talento del pittore Emilio Malerba
The Fondazione Ragghianti in Lucca is hosting a major retrospective dedicated to Emilio Malerba, a key member of the Novecento Italiano movement who died a century ago. Curated by Paolo Bolpagni and Elena Pontiggia, the exhibition marks the first solo presentation of Malerba’s work since 1931. The showcase spans his early career in commercial advertising for brands like Amaro Ramazzotti to his mature paintings that lean toward Magic Realism, featuring intimate portraits that prioritize psychological depth over narrative.