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basel social club is a beautiful mess art basel

The Basel Social Club (BSC), a rogue nonprofit exhibition platform, has taken over a defunct private bank in Grossbasel for its fourth edition, offering a free-entry counter-program to the main Art Basel fair. Over 100 rooms are transformed into living artworks, featuring installations like a functional Black hair salon ("It’s a Whole Lotta Money"), a video essay critiquing online review systems ("1 ★ Review Tour"), and a jewelry boutique in the former vault ("Bijoux Solaires"). The event is described as chaotic, punk, and intimate, with performances such as Faisal Abdu’Allah giving real haircuts in a vintage barber chair.

Kim Dacres Revitalizes Sleek Tires, Chains, and Gears in Defiant Sculptures

Kim Dacres transforms discarded auto and bicycle rubber into sculptural portraits that celebrate Black hairstyles and community. Her new exhibition "Lost on a Two Way Street" at Charles Moffett in New York features busts with braided buns and gear-like crowns, alongside flat wall works evoking Victorian cameos. The show also includes reimagined U.S. flags with Black and brown figures, addressing the current political climate and the gap between national symbols and lived reality.

'It's about world-making': Tavares Strachan on his expansive new Lacma exhibition

Tavares Strachan's new solo exhibition, *The Day Tomorrow Began*, has opened at the Los Angeles County Museum of Art (Lacma), running until 29 March 2026. Co-organized with the Columbus Museum of Art, the show features 20 new works across neon, ceramics, bronze, painting, text, and performance, exploring invisible histories and challenging white-centric narratives. The exhibition includes a spotlight on his *Encyclopedia of Invisibility* (2018), bronze sculptures referencing the Haitian Revolution, and a neon piece contrasting James Baldwin and Mark Twain. Strachan, who trained as a cosmonaut and collaborates with MIT scientists, also unveils a permanent participatory speakeasy called *Bar Room* in Columbus.

Wiggy stardust! The mind-blowing hair artist who astonished Rihanna and Cate Blanchett

Taiba Akhuetie, a London-based artist who uses human and synthetic hair as her primary medium, is preparing for her first solo exhibition at the Sarabande Foundation. Her unsettling, taxidermy-like sculptures transform everyday objects—handbags, mirrors, rocking chairs, and umbrellas—into eerie, hair-covered artworks. Akhuetie began her career as a braider, founding the salon Keash Braids in Peckham, and pivoted to sculptural work during the pandemic. Her creations have attracted high-profile clients including Rihanna, Cate Blanchett, and Nigerian singer Tems, and have been featured by Vogue.

Artist Tiff Massey's "Baby Bling" exhibit to become permanent collection at Detroit Institute of Arts

Detroit-based artist Tiff Massey's artwork "Baby Bling" (2023) has been acquired as a permanent collection piece by the Detroit Institute of Arts (DIA), following the success of her temporary exhibition "7 Mile + Livernois." The sculpture, made from steel beads, woven rope, and brass, reimagines childhood hair accessories known as "bobos" worn by Black women and girls, celebrating Black hair culture and identity. Massey, the youngest artist to have a solo exhibition at the DIA, saw her "7 Mile + Livernois" show attract over 220,000 visitors from May 2024 through May 2025. "Baby Bling" will be installed in the museum's newly reimagined Modern and Contemporary wing when it reopens in 2026.

Absa L’Atelier ambassador opens Solo Exhibition in Uganda, challenges hair bias

Absa Group has announced that Eric Joe Gayi, an Absa L’Atelier 2023 Ambassador, will open his solo exhibition *Breaking the Norm* on November 1, 2025, at The Summit Residences in Naguru, Kampala, in collaboration with Amasaka Gallery. The show features intricate ballpoint pen drawings exploring Afro hair as a symbol of identity, resistance, and cultural pride, using blue figures to represent conformity and black figures with honeycomb textures to symbolize authenticity and resilience against Eurocentric beauty standards.

Art Exhibition, “By Any Means Necessary”, opens to the public

The Milton Rhodes Center for the Arts in Winston-Salem is set to debut "By Any Means Necessary," a collaborative exhibition featuring local artists Owens Daniels, Leo Rucker, and Affee Vickers. Opening February 27, 2026, the show integrates digital photography, traditional portraiture, and mixed-media sculpture to explore themes of activism, personal identity, and community history. Each artist utilizes a distinct medium—from Daniels’ layered digital canvases to Rucker’s historical murals and Vickers’ engineered material studies—to address the central question of what causes individuals are willing to pursue at any cost.

Humanitas Braided art, a new interdisciplinary certificate, and a space for local artists

Yale University's latest Humanitas column highlights several arts and humanities developments: an exhibition by artist Nontsikelelo Mutiti at Schwarzman Center titled "Rusununguko," inspired by Black hair-braiding traditions and community; a new interdisciplinary certificate in Native American and Indigenous Studies approved by Yale College Faculty; and a Yale-run art space opening to local New Haven artists. Mutiti's installation uses black vinyl braids to transform the domed gallery, reflecting her experiences as a Zimbabwean graduate student finding community in Harlem's hair-braiding salons.