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W. David Marx's book "Blank Space: A Cultural History of the Twenty-First Century" argues that 21st-century culture has stagnated, blaming the Internet and its economies for a lack of innovation. The book cites critics like Jason Farago and Alex Ross who lament the death of monoculture and the failure of the Internet's promised diversity, while Marx himself longs for a past era of linear artistic progress defined by -isms like Realism and Cubism. However, the review criticizes Marx's framework as rooted in a 19th-century positivist fallacy, noting that art history has never been a clean linear progression and that overlooked artists—such as Hilma af Klint and Hector Hyppolite—have always complicated the canon.

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W. David Marx joins Artnet News senior editor Kate Brown on the podcast 'The Art Angle' to discuss his new book, *Blank Space: A Cultural History of the Twenty-First Century*. The book argues that creativity across art, media, and popular culture has stagnated over the past 25 years, driven by commercialization, rapid technology shifts, and a preference for profit-driven formulas over experimentation. Marx identifies a 'conspicuous blank space where art and creativity used to be' and proposes five strategies to revive cultural inventiveness.