Joan Semmel Is Doing Her Best Work at 93

Nonagenarian painter Joan Semmel is experiencing a significant career renaissance, marked by a major survey exhibition at the Jewish Museum and a concurrent solo show at Alexander Gray Associates. At 93, Semmel continues to work from her Soho studio, where she has lived for over fifty years, producing unflinching figurative paintings that explore the female body, aging, and the gaze. The article traces her trajectory from her early education at Cooper Union and a formative period in Madrid to her pivotal role in feminist art history.

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Artist and activist Michele Pred has opened a solo exhibition at Nancy Hoffman Gallery in New York, showcasing a body of work that addresses the erosion of civil and reproductive rights. The exhibition features her signature electroluminescent wire-stitched vintage handbags, sculptures made from found objects like wooden gavels and disarmed bullets, and large-scale inflatable abortion pill sculptures. Pred’s practice, rooted in her upbringing between California and Sweden, utilizes approachable domestic objects to deliver urgent political messages regarding bodily autonomy and social justice.

art los angeles gallery show guide

Cultured's gallery show guide highlights five exhibitions in Los Angeles. Lee Lozano's "Hard Handshake" at Hauser & Wirth (through January 18, 2026) features drawings from her first nine years, marking the first major LA show devoted to her work. Puppies Puppies (Jade Guanaro Kuriki-Olivo) presents "Forbidden Colors (Free)(Palestine)(Sudan)" and "Transgender Abstraction to Transgender Conceptualism" at Ceradon (through December 6), transforming the gallery into flags referencing Palestine, Sudan, and trans pride. Sabrina Gschwandtner's "Absinthe, Smoke, Sugar, Choice" at Shoshana Wayne Gallery (through January 10, 2026) uses quilt-making with illuminated film strips to explore female bodily autonomy. Kathleen Ryan's "Souvenir" at Karma (through December 20) debuts concrete peaches with Harley Davidson engines. Ben Sakoguchi's "Chin Music" at Marc Selwyn Fine Art (through December 23) uses historic advertisement motifs to animate history.

‘I wanted my work to be shameless’: 93-year-old artist Joan Semmel on her trailblazing nudes

Nonagenarian painter Joan Semmel is preparing for a major career moment with a retrospective at the Jewish Museum and a dual-city exhibition, 'Continuities', at Alexander Gray Associates in New York and Brussels. At 93, Semmel continues to produce large-scale, vibrant works from her SoHo studio that focus on the aging female nude, using her own body as a primary reference. The new works, including 'Here I Am' (2025), maintain her lifelong commitment to depicting the female form through a non-idealized, authentic lens that rejects the traditional male gaze.

Exhibitions Coming to Houston Institutions in Summer 2026

Art museums and institutions across the Greater Houston area are opening a series of new exhibitions for summer 2026. Highlights include the Czech Center Museum Houston's solo show of travel photography by Clarice Marik Snokhous; Art League Houston presenting Marisol Valencia's installation "No Longer, Not Yet" and Juvana Soliven's "Subject to Surviving"; Houston Center for Photography featuring Simon Silva's "Madre Patria"; the Contemporary Arts Museum Houston launching the first survey of Mary Ellen Carroll's work; and the Moody Center for the Arts at Rice University hosting Masako Miki's first Texas exhibition.

art abortion warsaw artists feminism

Art critic and writer Jarrett Earnest travels to Warsaw for the opening of "The Woman Question 1550–2025," a major survey of women artists curated by Alison M. Gingeras at the Museum of Modern Art (MSN Warsaw). The exhibition features nearly 200 works spanning from Renaissance to contemporary art, including pieces by Artemisia Gentileschi, Frida Kahlo, Lisa Yuskavage, and many Eastern European artists. Earnest reflects on the enduring theme of the female nude and the political context of Poland, where far-right policies have restricted women's rights.

Inside The Met's New 'Costume Art' Exhibition

The Metropolitan Museum of Art's Costume Institute has announced a new exhibition titled 'Costume Art,' opening to the public on May 10 and running through January 10, 2027. The show inaugurates the Met's nearly 12,000-square-foot expansion adjacent to the Great Hall, providing a permanent home for the Costume Institute's annual spring exhibitions. Featuring nearly 400 objects—half garments and half traditional art like sculpture and painting—the exhibition explores how clothing alters and enhances the human body, dividing 'the body' into 13 types such as 'The Classical Body' and 'The Corpulent Body.' The show includes works from designers like Coco Chanel, Jean Paul Gaultier, Thom Browne, and Alexander McQueen, paired with historical artifacts and contemporary art. The exhibition follows this year's Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, which raised a record $42 million for the Costume Institute.

Museum of Arts and Design Presents First Solo Museum Exhibition for Artist Jessica Lichtenstein

The Museum of Arts and Design (MAD) in New York will present "Jessica Lichtenstein: Rewilding," the artist's first solo museum exhibition, from May 30, 2026, through April 18, 2027. The immersive installation transforms the third-floor gallery into a lush, overgrown terrain featuring thousands of digitally rendered female nudes that coalesce into forests, ruins, and flowering canopies, exploring themes of femininity, ecological imagination, and bodily autonomy.

This Berkeley MFA exhibition probes how museums and institutions exclude disabled bodies

Priyanka D’Souza's Master of Fine Arts thesis installation, "b. Call in sick," opens today at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) as part of the annual MFA exhibition at UC Berkeley. D’Souza, one of six graduating MFA students, created works that critique how museums and institutions exclude disabled bodies, using angled shelves, rolling stools, and seating to privilege seated viewers over standing ones. Her practice draws on campus protest photos from Berkeley archives, transformed into semi-abstract renderings, and builds on her earlier Instagram project "Resting Museum," developed after a residency at the Delfina Foundation in London.

Minor Keys and Major Silences: Yoshiko Shimada and the Art of Outrage

Yoshiko Shimada, a Japanese feminist and antiwar artist, is featured in a conversation with ArtAsiaPacific ahead of her inclusion in the 2026 Venice Biennale, curated by Koyo Kouoh under the theme "In Minor Keys." The article explores Shimada's decades-long practice of excavating the gendered scars of Japanese imperialism, focusing on her collaborative work with BuBu de la Madeleine, which uses drag and irony to critique imperial frameworks and the erasure of wartime atrocities. It also highlights her revival of the Chū-pi-ren movement, a 1970s feminist group that fought for abortion rights and access to birth control, arguing that their legacy remains urgent in 2026 given Japan's slow progress on women's bodily autonomy.

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A new exhibition at the Hispanic Society Museum & Library in New York, titled "Spanish Style: Fashion Illuminated, 1550–1700," explores how 17th-century Spanish fashion was governed by strict moral and legal codes. Curator Amanda Wunder highlights that garments like the guardainfante hoop skirt and the ruffled collar were regulated by kings and clergy, with women fined or barred from church for revealing shoulders or wearing lace, and men criticized for effeminate styles. The show features portraits and artifacts that reveal how clothing was used as a tool of social control, power, and gender policing in Habsburg Spain.

Courtney Love inspires Liza Jo Eilers New York exhibition

Liza Jo Eilers presents her first solo exhibition in New York, 'Starland Silver Sash', at Grimm gallery, running through 1st November. The show features paintings that splice together scenes from a Hole concert, including the work 'The trickle down effect (mint)', which explores the relationship between frontwoman Courtney Love and her fans. Other cultural icons such as Nina Simone and Gena Rowlands appear in split-screen paintings, reflecting Eilers' interest in pop culture's double bind regarding representations of women. The artist, who earned her MFA from the School of the Art Institute Chicago and works with hydrochromic and thermochromic inks, discusses themes of gender, performance, and societal beauty standards.

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The American Civil Liberties Union (ACLU) debuted a massive art installation called the Freedom to Be Monument on the National Mall in Washington, D.C., coinciding with the start of WorldPride 2025. The 9,000-square-foot piece consists of 258 six-foot-square quilts created by over 1,000 trans artists and allies from across the country, celebrating trans joy and resilience. The project aims to rally support for the trans community ahead of the Supreme Court case United States v. Skrmetti, which will decide whether state bans on gender-affirming care for minors violate the Equal Protection Clause, and comes amid efforts by President Donald Trump and conservative lawmakers to roll back trans rights.

Shit has the power to destabilize systems of order

"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"

Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.

An art project 150 years in the making

Artist Janet Fry discovered a 150-year-old pocket diary belonging to her great-great-grandmother, Caroline Currey Kelso, which had been stored in a nightstand drawer for nearly two decades. In May 2024, Fry decided to create an exhibition titled "The 1875 Diary Project" at Storage Space Gallery, opening October 17. The show features recorded diary excerpts read by 12 women artists, enlarged reproductions of the diary pages, and Fry's own artistic responses. Fry transcribed the diary using a magnifying glass, revealing Kelso's experiences as a 19th-century Illinois housewife, including her loneliness, daily chores, and repeated pregnancies.

Paradise at Stove Works in Chattanooga

Paradise, an exhibition at Stove Works in Chattanooga, Tennessee, curated by Graham Feyl and J. Sova, presents works by thirteen artists centered on queer futurity and abundance. The show features installations, sculptures, paintings, and textiles, including Lisa Waud's artificial flower installation 'tread/tender' (2026), Nicholas Elbakidze's erotic Meissenettes (2026), Brian Smith's beaded nets, Aaron McIntosh's quilted 'Invasive Queer Kudzu' (2015-ongoing), and works by Yu Yan, E. Saffronia Szanton Downing, Angie Jennings, Michael Childress, and Hannah Banciella. The exhibition transforms the former foundry into a space of playful, erotic, and joyful refusal, drawing on Audre Lorde's definition of the erotic as a source of power.

South Lafourche artist's work featured in Kotex documentary

Akira Crosby, an artist from Cut Off, Louisiana, had her painting removed from a Houma art gallery in 2024 because it depicted menstrual blood as part of her feminist exhibit “Pieces of Me.” Months later, Kotex featured the same artwork in a documentary, bringing unexpected national attention to her work.

Oregon artist’s ‘Don’t Touch My Hair’ exhibition makes complying impossible

Ashland artist Crystal Proffitt's interactive installation 'Don't Touch My Hair: An Interactive Crowned Experience' at the Langford Art Gallery in Phoenix, Oregon, invites viewers to touch the braids and locs attached to portraits of local Black models while listening to voice recordings about hair as cultural identity and resilience. The work, supported by the Oregon Cultural Trust and the Black Alliance & Social Empowerment (BASE) Southern Oregon, debuted January 3 and runs through January 24, after which it will join BASE's Black Cultural Legacy Series at the Rogue Gallery & Art Center in Medford. Proffitt intentionally allows the hair to show wear from handling, treating the erosion as part of the artwork's meaning.

Empire Arts Gallery builds community through exhibitions and tattoos

Empire Arts Gallery in Kirkwood, founded in 2020 by Brandi Smart and Malia Rifkin, operates as a hybrid space combining an art gallery, a tattoo studio, and a boutique. Gallery coordinator and tattoo artist Jessica Locklar, along with manager Sara Slick, run the space, hosting exhibitions for local artists while also offering tattoo services in a welcoming, femme-operated environment. The gallery fosters community by blending art sales, exhibitions, and tattooing in a symbiotic model.

"In Full Bloom" Art Exhibition Explores Bodily Autonomy Through A Lens Of Transformation

An art exhibition titled "In Full Bloom" is exploring themes of bodily autonomy through a lens of transformation. The show presents works that use floral and organic imagery to address issues of personal agency, identity, and physical change, likely featuring multiple contemporary artists whose pieces engage with the body as a site of political and personal expression.