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Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

Drexel University's Leonard Pearlstein Gallery has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition highlights a mix of Philadelphia-based artists and international contemporaries, with pieces ranging from an IKEA-hacked fountain to a suspended quilt of climate data visualization.

Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.

Lucy Sante on Collage: ‘You Have to Kill One Thing to Make Another.’

Visual historian and author Lucy Sante has opened two simultaneous exhibitions of her collage artwork in New York. The shows, at Karma gallery and the Center for Book Arts, feature work created from a vast personal archive of materials she has collected over decades, which she meticulously cuts and reassembles.

‘Unfolding Events,’ an exhibition of artists’ books

Yale Library is presenting 'Unfolding Events: Exploring Past and Present in Artists’ Books,' an exhibition at the Beinecke Rare Book and Manuscript Library through March 1. Curated by Jessica Pigza and Bill Landis, the show draws from the Robert B. Haas Family Arts Library and Beinecke collections, featuring works that explore marginalized communities and personal responses to contemporary life. Highlights include Clarissa Sligh's accordion-style book 'What’s Happening With Momma?' (1988) and Tia Blassingame's '’Pause' (2024), which addresses Black women's experiences with menopause.

New York's Art on Paper fair draws a fuzzy line between its titular medium and everything else

The Art on Paper fair has returned to Pier 36 in Lower Manhattan for its 11th edition, featuring 81 exhibitors from around the world. The fair, organized by Art Market Productions (a division of a21), includes a VIP preview on September 4 and a full program of interactive events and workshops, including the return of Booksmart Fair in partnership with the Center for Book Arts. Standouts include Nina Katchadourian's plant-like sculptures at Pace Gallery, Mary Beth Edelson's Story Gathering Boxes at Accola Griefen Fine Art, and Nicolas V. Sanchez's hyperrealistic ballpoint pen sketchbook drawings. Some exhibitors push the boundaries of the paper medium by showing paintings, ceramics, and other non-paper items, prompting one visitor to ask, "Where's the paper stuff?"

The NMWA Honors 50 Years of the Women’s Studio Workshop

The National Museum of Women in the Arts (NMWA) is honoring the 50th anniversary of the Women’s Studio Workshop (WSW) in Kingston, NY, with an exhibition titled "A Radical Alteration: Women’s Studio Workshop as a Sustainable Model for Art Making." Curated by Maymanah Farhat, the show runs through September and features over 40 objects—including artists’ books, zines, ephemera, and archival materials—dating from 1974 to 2024. The exhibition highlights WSW’s history as a feminist arts organization that supports women, trans, intersex, nonbinary, and genderfluid artists, with a focus on book arts and marginalized communities.