In Pictures: New Museum curator Gary Carrion-Murayari’s Frieze favourites

New Museum curator Gary Carrion-Murayari shares his personal highlights from the Frieze New York art fair, selecting works by artists including Arthur Simms, Haegue Yang, Abel Rodriguez and Aycoobo-Wilson Rodríguez, Sung Tieu, Maryam Hoseini, Pedro Neves, and Melvin Way. Each pick is accompanied by a brief commentary explaining why the work resonates with him, ranging from underappreciated talents to artists featured in the 2024 Venice Biennale.

Latin American galleries dominate at Frieze New York

Frieze New York 2025 features a surge of 14 Latin American galleries from Mexico, Argentina, and Brazil, reversing a trend of withdrawal seen during the first 100 days of Donald Trump’s second presidency. Non-profit support from organizations like Latitude, which helped all eight Brazilian exhibitors, and a concerted effort by Frieze’s Americas team have enabled this increased presence, despite ongoing challenges such as high shipping costs, tariffs, and visa denials—exemplified by Mexican artist Dr Lakra being unable to attend his own show at Kurimanzutto.

Photographer and Activist Claudia Andujar, Known for Documenting Yanomami People of Brazil, Is the Subject of a New Biopic

A new biopic titled *The Outsider (A Estrangeira)* will tell the story of photographer and activist Claudia Andujar, known for documenting the Yanomami people of Brazil. The film is written and directed by Sandra Delgado, produced by São Paulo’s Maria Farinha Filmes, and stars Inga Ibsdotter Lilleaas in the lead role, with Wagner Moura as an executive producer and cast member. The project is based on two decades of research and focuses on Andujar’s journey from Holocaust survivor to Brazilian artist who used photography to resist the military dictatorship’s destruction of Yanomami land in the 1970s.

The Best Booths at 1-54 Contemporary African Art Fair, From Surrealist Fantasias to Afro-Brazilian Imaginings

The 1-54 Contemporary African Art Fair has returned to the Starrett-Lehigh Building in Chelsea, New York, featuring over 20 galleries from Africa and the diaspora, with a special focus on Brazil and Afro-Brazilian perspectives. The fair, running through Sunday, includes first-time participants from Lagos, São Paulo, Nassau, and New York, and highlights five standout booths: Sulette van der Merwe's surrealist paintings at Blond Contemporary, Modou Dieng Yacine's Senegalese wrestler-inspired works at 193 Gallery, Ekene Ijeoma's Black Forest Library community project, Rommulo Vieira Conceição's aluminum works at Aura, and the curated section "Brazil Beyond Brazil" featuring 10 artists selected by Igor Simões.

Rio’s Museum of Image and Sound finally opens after 16 years in development

The Museum of Image and Sound (MIS-RJ) on Rio de Janeiro's waterfront opens to the public on May 8 after 16 years of development. The 10,000-sq.-m building, designed by Diller Scofidio + Renfro, features eight floors with panoramic views of Copacabana Beach and a façade honoring Roberto Burle Marx. The project faced multiple delays, funding suspensions, and controversy over urban redevelopment, including backlash when a nightclub on the site was demolished in 2010. Work resumed in 2021, and the $62.5 million museum was completed with public and private funds from donors like Itaú, Vale, and Rede Globo.

There is a major Paulo Nazareth exhibition to see in Venice (but the artist himself hasn't seen it)

C’è una grande mostra di Paulo Nazareth da vedere a Venezia (ma l’artista stesso non l’ha vista)

A major exhibition of Brazilian artist Paulo Nazareth, titled "Algebra," has opened at Punta della Dogana in Venice, but the artist himself is absent. Nazareth has kept a promise not to set foot in Europe until he has crossed African territories on foot, as they existed before the arbitrary divisions imposed by the 1884 Berlin Conference. He did not participate in the installation or opening, instead staging a simultaneous event in Veneza, a working-class district of Ribeirão das Neves, Brazil—a gesture he also made when invited to the 2013 Venice Biennale. The exhibition centers on structural violence and uses attention and care as strategies for healing, with the word "algebra" referring to the act of recomposing what was broken.

In Piedmont, Langhe, Roero and Monferrato increasingly focus on contemporary art and cultural tourism

In Piemonte le Langhe, il Roero e il Monferrato puntano sempre di più sull’arte contemporanea e il turismo culturale

The Langhe, Roero, and Monferrato regions of Piedmont, Italy, have consolidated their cultural alliance under the name Orma, a unified system launched in 2025 that brings together four existing festivals—Creativamente Roero, Resté, Germinale Monferrato Art Fest, and La collina sale sempre—to offer a widespread contemporary art program across the UNESCO World Heritage territory. In 2026, Orma expands its activities from May to November, involving over 60 municipalities, with new entries like Canelli hosting a site-specific work by Brazilian artist Maria Theresa Alves in partnership with Castello di Rivoli, and projects such as Prospettive / Perspectives with Fondazione Sandretto Re Rebaudengo and Villa Arson. The program includes artist residencies, permanent interventions, and exhibitions, with Resté already underway in the Langhe towns of Diano d'Alba, Montelupo Albese, Rodello, and Cerretto Langhe.

Marcello Dantas Named Curator of 2027–29 Vancouver Biennale

The Vancouver Biennale has appointed Brazilian artist and documentary filmmaker Marcello Dantas as senior curator for its 2027–29 edition. Dantas, currently art director at the immersive museum Ster Ik in Tulum, Mexico, recently cocurated the 2024 iteration of Saudi Arabia's Desert X AlUla with Maya El Khalil. He has previously organized exhibitions for artists including Ai Weiwei, Anish Kapoor, Shirin Neshat, and Bill Viola, and curated a project by Vik Muniz for the 2013–15 Vancouver Biennale. Dantas plans to shape the event by addressing the city's corporate real estate development alongside its First Nations and colonial history, exploring themes of displacement and belonging.

One of the most important galleries in Brazil is in Rome these weeks with an exhibition. The interview

Una delle più importanti gallerie del Brasile in queste settimane è a Roma con una mostra. L’intervista

Brazilian gallery A Gentil Carioca has brought the first Italian solo exhibition of artist Miguel Afa to the Fondazione Capitolina in Rome, in collaboration with the Rhinoceros space. Titled "Il tempo che vive in me" (The Time That Lives in Me), the show features works created during Afa's residency in Rome, exploring themes of time, memory, and light through oil paintings that blend Brazilian and Roman imagery.

Major summer exhibitions bring international artists to seaside gallery

Hastings Contemporary in the UK is hosting three major summer exhibitions until September 13, featuring international contemporary and modern artists. The shows include the first major UK solo exhibition of German-Brazilian artist Janaina Tschäpe, a solo show by Argentinian artist Miguel Rothschild with a new seascape installation, and "Moore / Freud," which brings together 20 works by Lucian Freud and Henry Moore exploring familial and personal connections.

Discover the Mapplethorpe Snapshot of Peter Berlin Hiding in This São Paulo Gallerist’s Bedroom

Alexandre Gabriel, a partner at São Paulo gallery Fortes D’Aloia & Gabriel, opens his home in the Praça da República neighborhood to reveal his personal art collection, which includes works by friends and a Robert Mapplethorpe photograph of Peter Berlin (1976). Gabriel describes how his collection began with gifts from artist friends he met while interning at a film production company in 1996, including Ivens Machado, Luiz Zerbini, Barrão, and Ernesto Neto, and emphasizes that his collection is strictly personal, guided by love and memory rather than market trends.

‘Street culture is about revolution’: Brazilian ‘hip-hop’ painter Paulo Nimer Pjota

Brazilian artist Paulo Nimer Pjota, now 37, is preparing for his first UK institutional exhibition, 'Encantados (Enchanted),' at the South London Gallery. The show features 11 new paintings on canvas alongside a large wall drawing, drawing on imagery from ancient civilizations, Brazilian folklore, art history, and children's literature. Pjota, who began painting at age 12 and sold his first work at 15, describes his process as akin to a hip-hop producer sampling diverse sources. His background includes graffiti and hip-hop culture in São José do Rio Prêto, where he trained at a local hip-hop school and collaborated with renowned Brazilian graffiti artists like Os Gêmeos, Ise, and Nunca.

At 1-54 New York 2026, Afro-Brazilian art takes centre stage for the first time

The 1-54 Contemporary African Art Fair in New York (May 13–17, 2026) will debut a curated section titled '1-54 Presents: Brazil Beyond Brazil,' focusing exclusively on Afro-Brazilian art and artists. Organized by Brazilian curator Igor Simões, the section features works by ten Black Brazilian artists—including Ana Claudia Almeida, Rebeca Carapiá, and Rommulo Vieira Conceição—presented by leading Brazilian galleries such as Almeida & Dale, Fortes D’Aloia & Gabriel, Nara Roesler, and Aura. The initiative draws on archival research, reinterprets modernist legacies, and challenges narrow narratives around Afro-Brazilian art, highlighting the cultural links between Africa and Latin America.

Wrapped for Travel: On "The American Connection" by Peter Halley and "Black Painter, White Figuration" by Maxwell Alexandre

Two simultaneous exhibitions at Almeida & Dale in São Paulo present contrasting visions: American artist Peter Halley's "The American Connection," curated by Antonio Gonçalves Filho, features his signature geometric abstractions using Roll-A-Tex and Day-Glo colors to critique digital confinement and post-industrial surfaces. Brazilian artist Maxwell Alexandre shows works from his "Clube" series, depicting Black bodies navigating exclusionary leisure spaces. The pairing is deliberate, not for aesthetic dialogue but to juxtapose an established international artist with a rising Brazilian talent, timed to coincide with SP-ARTE.

TUNGA S YO VOS Y LA LUNA MAKES ITS EUROPEAN DEBUT

Collegium has presented the installation *Yo, vos y la luna* by Brazilian artist Tunga (1952–2016) for the first time in Europe. The work, part of the Sarina Tang collection, was previously shown at MALBA in Buenos Aires and MAM in São Paulo. It is now installed in the Iglesia de San Miguel de Arévalo in Ávila, Spain, where it will be on view until 18 October 2026. The piece incorporates stones, mirrors, glass, plaster, resin, suspended structures, and a fossilized tree trunk, with sensory elements including dripping amber essence and bronze finger fragments.

1-54 Contemporary African Art Fair highlights Afro-Brazilian art

The 1-54 Contemporary African Art Fair will return to New York's Starrett-Lehigh Building from May 13 to May 17, 2026, for its 12th edition. Featuring over 20 exhibitors from 12 countries, the fair introduces a curated section titled "1-54 Presents: Brazil Beyond Brazil," led by Brazilian curator and professor Igor Simões, marking the fair's first focus on Afro-Brazilian art and the cultural connections between Africa and Latin America. New participants include Adegbola Gallery (Lagos), Aura (São Paulo), and Black Pony Gallery (Bermuda), alongside returning exhibitors such as 193 Gallery and Galerie Myrtis.

Kiss Me, Beneath the Milky Twilight

The article reviews the exhibition "Ahhh! Beije-me" (Ahhh! Kiss me) at Martins & Montero gallery in São Paulo, featuring the late Brazilian artist Hudinilson Jr. (1957-2013). The show presents works from the 1970s and 1980s, including photocopies, stencils, paintings, and personal objects from the artist's apartment, which was closed by his family for twelve years after his death. Highlights include a billboard artwork "Zona de tensão," newly discovered gouache and pastel works on photocopies of Michelangelo's "David," and stencil matrices made from laundry detergent boxes used in street graffiti. The exhibition also incorporates furniture, decorative objects, and photographs by Mauro Restiffe documenting the apartment before its dismantling.

Apenas meus cabelos são brancos... [Only my hair is white...]

Galerie Lelong in New York is presenting "Lucia Laguna: Apenas meus cabelos são brancos... [Only my hair is white...]," the Brazilian artist's first solo exhibition in the United States, organized in collaboration with Fortes D’Aloia & Gabriel. The show features new paintings from her ongoing series "Pequenos formatos" and "Paisagem," which explore the interplay between architecture and nature through vibrant color blocking and geometric forms. Laguna's work reflects her recent move from a suburban home with a garden to an apartment in Rio de Janeiro's Laranjeiras neighborhood, a shift that has prompted compositional changes as her studio space became more condensed and her views of the urban landscape changed.

EFG LATIN AMERICA ART AWARD PRESENTS THE NOMINATED ARTIST AT SP ARTE 2026

The EFG Latin America Art Award, in partnership with ArtNexus, has named Brazilian artist Cristiano Lenhardt as the nominated artist at SP-Arte 2026. Lenhardt, represented by Fortes D'Aloia & Gabriel, was selected for his work *Lieoe* (2025), a mixed-media piece combining ceramic and embroidery on cotton that responds to the devastating floods in Rio Grande do Sul in May 2024. The selection was made with input from Fernando Oliva, curator of MASP, and Celia Sredni de Birbragher, director and editor of ArtNexus.

EFG LATIN AMERICA ART AWARD PRESENTA AL ARTISTA NOMINADO EN SP ARTE 2026

The EFG Latin America Art Award, in partnership with ArtNexus, has named Brazilian artist Cristiano Lenhardt as its nominee from SP-Arte 2026. Lenhardt, represented by Fortes D'Aloia & Gabriel, was selected for his work *Lieoe* (2025), a mixed-media piece combining ceramic, embroidery, and cotton fabric dyed by floodwaters from the Guaíba River. The work responds to the environmental tragedy of the May 2024 floods in Rio Grande do Sul, transforming trauma into a tactile, intuitive object. The nomination was made with input from Fernando Oliva, curator of MASP, and Celia Sredni de Birbragher, director of ArtNexus.

Vânia Quintão | Cold Afternoon (2023) | For Sale

Brazilian artist Vânia Quintão is offering her 2023 painting "Cold Afternoon" for sale through Inn Gallery. The acrylic-on-canvas work, sized 70 × 100 cm, depicts a suspended, cool-toned landscape under a diffuse blue sky. Quintão, a self-described cultural producer and fundraiser based in Belo Horizonte, has exhibited internationally including at the Louvre Museum in Paris and won prizes at The Holly Art Exhibition (London) and Art Connects Women (Dubai). The work is hand-signed, includes a certificate of authenticity, and is priced at US$1,500.

Pinakotheke Cultural Opens Spacious New Gallery in São Paulo

Pinakotheke Cultural, founded by Max Perlingeiro in Rio de Janeiro in 1979, will open a new, significantly larger gallery space in São Paulo on May 16. Located on Rua Minas Gerais in the Higienópolis neighborhood, the venue nearly doubles the size of the gallery's previous São Paulo outpost. The inaugural exhibition, "Surrealisms: Art Beyond Reason," curated by Max Perlingeiro and Tadeu Chiarelli, will feature approximately one hundred works by sixty artists from Europe, Latin America, North America, and the Caribbean, offering a comprehensive overview of the surrealist movement.

DE AZAMBUJA S FOUNDATION INTERVENTION AND REFLECTION AT LA CASA ENCENDIDA

La Casa Encendida in Madrid has opened "Fundación," a site-specific sculptural installation by Brazilian artist Marlon de Azambuja. The work transforms one of the building's central towers into a walk-through sculpture, curated by Bruno Leitão. Using materials and gestures that modify existing architecture, the installation explores the concept of "founding" as a search for foundational knowledge, questioning divisions between reason and sensation while positioning the exhibition space as an experiential environment. The piece is on view until September 27, 2026.