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The 17 Gallery Shows to See During Frieze Week in New York

Frieze New York has drawn collectors, curators, and art enthusiasts to the city, but this article highlights 17 gallery shows across Manhattan that are worth seeing during the fair week. Featured exhibitions include Katharina Fritsch's return to Matthew Marks with monumental sculptures, Kim Dacres' tire-based busts at Charles Moffett, Sasha Brodsky's debut solo show at Margot Samel, Jasper Johns' "Copy/Trace" at David Zwirner, and Lucia Hierro's packing-box sculptures at Marc Straus, among others.

Notes from New York: The World in a Convex Mirror

The article reviews the sixth edition of MoMA PS1's quinquennial survey 'Greater New York 2026,' which coincides with the institution's 50th anniversary. It highlights works by artists such as Covey Gong, Win McCarthy, Mekko Harjo, and Sophie Friedman-Pappas, noting how the exhibition's themeless structure and use of reflective surfaces create a hall of distorted reflections. The show includes 53 emerging and midcareer artists, mostly millennials, and is accompanied by a block party and gala rather than a dedicated commemorative exhibition like FORTY (2016).

MFA's Nude Exhibition Challenges Art History's Gender Norms

The Museum of Fine Arts, Boston, has opened a new exhibition that challenges traditional gender norms in art history, featuring a dozen artists who disrupt the conventional nude. The show includes Xandra Ibarra's performance "Nude Laughing," where she paraded naked through the museum's European galleries, and works by Betty Tompkins, whose "Fuck Paintings" and "Women Words Painting" series confront misogyny and the male gaze. The exhibition juxtaposes these contemporary pieces with historical works like Jean-Léon Gérôme's "Moorish Bath" to highlight entrenched racial and gender hierarchies in art.

art fashion camille henrot collina strada interview

Camille Henrot and Hillary Taymour, wearing Collina Strada, are featured in a Cultured magazine interview marking the reopening of the New Museum on March 21, 2026, after a 60,000-square-foot expansion by OMA. The conversation is part of a series pairing three artists from the inaugural exhibition "New Humans: Memories of the Future" with three downtown fashion designers. Henrot discusses her New York origin story, her film *In the Veins* premiering in the show, and her upcoming play *Commedia dell’Arte* at the Aspen Art Museum’s AIR Festival, while Taymour recounts moving from Los Angeles to New York in 2010 to pursue fashion design.

art fashion cato ouyang zoe gustavia anna whalen

The New Museum in New York is reopening on March 21 with a major expansion—a 60,000-square-foot addition designed by OMA, doubling its footprint. To celebrate, the museum paired three artists featured in its inaugural exhibition "New Humans: Memories of the Future" with three independent fashion designers for studio conversations. The article presents one such dialogue between artist Cato Ouyang and designer Zoe Gustavia Anna Whalen, who discuss their New York origin stories and the challenges of creative life in the city.

art fashion ivana basic claire sullivan interview

Cultured magazine pairs three artists with three independent fashion designers to mark the reopening of the New Museum on March 21, 2026, following a 60,000-square-foot expansion by OMA. In this installment, Serbian sculptor Ivana Bašić, whose work *Blossoming Being #2* appears in the inaugural exhibition “New Humans: Memories of the Future,” meets designer Claire Sullivan of Miss Claire Sullivan. Their conversation covers their New York origin stories, the city’s affordability crisis, and the challenges of making a creative life in the city.

At the New Museum, Parallel Visions of Humanity’s Future Emerge

The New Museum's latest exhibition explores the evolving definition of humanity through the lens of technological advancement and ancestral wisdom. The show juxtaposes the anxieties of modern machine labor—exemplified by Simon Denny’s Amazon worker cage—with Indigenous epistemologies and animist traditions that offer alternative ways of inhabiting the world. By featuring artists like Jaider Esbell and Santiago Yahuarcani, the exhibition highlights how hybridity and relationality can resist the rigid hierarchies of Western modernity.

art new museum building new humans

The New Museum in New York has reopened after two years with a major expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas, doubling its size to 60,000 additional square feet. The inaugural exhibition, “New Humans: Memories of the Future,” curated by Massimiliano Gioni, features over 800 objects by more than 200 artists, scientists, and designers across three main floors. The show explores how concepts of the human have evolved in response to technological innovation over the past century, with thematic chapters such as “Reproductive Futures” and a site-specific sculpture by Klára Hosnedlová in the new Atrium Stair.

WeWork (oralmoral)

The article reviews "WeWork (oralmoral)," a temporary exhibition at The Gallery in Crown Heights, Brooklyn, curated by artist-turned-curator Florian Meisenberg. The show transforms a former office space into a free-form, non-hierarchical environment where works by over a dozen artists are placed unpredictably—in trash bins, closets, ventilation shafts, and on whiteboards left by the previous tenant. Artists span three generations, from Post-Minimal figures like B. Wurtz and David Humphrey to younger digital-savvy artists such as Lucas Blalock and Anna K.E., whose sound piece "Tamada" greets visitors. The exhibition runs from April 10 to May 18, 2026.

Groundbreaker Private Tour of the Spirit House Contemporary Art Exhibition at UW's Henry Gallery [SOLD OUT]

On January 8, 2026, Asia Society Seattle will host a private tour of the exhibition "Spirit House" at the Henry Art Gallery at the University of Washington, led by Associate Curator Swagato Chakravorty. The event is invite-only for the society's Advisory Council, Corporate Members, Groundbreaker and Innovator members, and donors. The exhibition, organized by the Cantor Arts Center at Stanford University, features 34 contemporary artists of Asian descent exploring themes of life, death, spirituality, and diaspora through works that engage with spirit houses and ancestral connections.

Making Rent: New York’s New Apartment Galleries and Artist-Run Spaces

A wave of new artist-run and apartment galleries is emerging in New York's outer boroughs, driven by artists and organizers seizing unconventional, often temporary, spaces. These include the Gallery in Crown Heights, a massive group show staged in a vacant office loft secured with a two-month free lease, and the more established Iowa Projects, which presents solo exhibitions in a domestic setting.