Frieze New York 2026 opened its VIP day at The Shed on May 13, following the Venice Biennale's opening week. Now in its 15th edition, the fair anchors New York Art Week, a series of concurrent fairs, gallery openings, auctions, and parties that take over the city each May. The article highlights the five best booths at the fair, curated by Artsy Editorial.
Vanity Fair's Nate Freeman reports on New York's spring art season, where auction houses are poised to sell at least $2.6 billion in art alongside major museum exhibitions (Raphael at the Met, Duchamp at MoMA, Matisse at Acquavella) and the opening of Frieze New York at The Shed. The article follows the social and commercial frenzy, highlighting a David Shrigley gong installation at Anton Kern Gallery's booth and the enduring dominance of New York, where nearly 90% of U.S. art sales occur.
In 2002, Lucian Freud unveiled a portrait of a naked and pregnant Kate Moss, a rare celebrity subject for the artist who had turned down Princess Diana. A new film, *Moss & Freud*, dramatizes the unlikely friendship that developed between the aging painter and the supermodel during the creation of *Naked Portrait (2002)*. Directed by James Lucas, the film stars Ellie Bamber as Moss and Derek Jacobi as Freud, and explores their intense studio sessions, personal revelations, and the bond that formed despite their contrasting lifestyles.
The Guardian reviews "Handpicked," an exhibition at Kettle's Yard in Cambridge that brings together over 40 artists from the 20th century to the present, all sharing a floral passion. The show features works by Rory McEwen, Vanessa Bell, Cedric Morris, Christopher Wood, Tirzah Garwood, Celia Paul, Gluck, and Caroline Walker, among others, displayed on white and leaf-green walls inspired by the fresh flowers and floral paintings in the neighboring house. The review highlights specific pieces, such as McEwen's exquisite tulip watercolor and Garwood's poignant painting from the last year of her life, noting the technical variety and emotional depth across the exhibition.
A profile of 93-year-old artist Joan Semmel reveals her continued artistic vigor and rising market demand. The article details her recent studio visit, her philosophy of persistence, and her significant body of work focused on the female form.
British painter Celia Paul provides an intimate look at her long-term studio and residence in London's Bloomsbury neighborhood, where she has lived and worked for 44 years. The artist describes a disciplined routine starting at 5am, emphasizing a need for silence and a pared-down environment to foster the introspection found in her seascapes and self-portraits.
The University of Liverpool's Victoria Gallery & Museum will present "Making a Mark: Artworks from the Studio Prints Collection" from June 13, 2026 to January 30, 2027. The free exhibition features 45 prints by seven British artists—including Frank Auerbach, Lucian Freud, and Celia Paul—created at Studio Prints, a pioneering printmaking workshop founded by Dorothea Wight in 1968. The works were gifted to the university in 2019 through the Arts Council England Cultural Gifts Scheme and will be displayed for the first time.