HOSOO to Present “Glorious Robe,” a Collaborative Exhibition with Theaster Gates

Kyoto-based textile house HOSOO has announced a collaborative exhibition with American artist Theaster Gates titled “Glorious Robe,” scheduled to run from April 11 to August 30, 2026. The showcase centers on the “Dashikimono,” a hybrid garment merging the West African dashiki with the Japanese kimono, alongside ceramic vessels and traditional obi sashes. These works incorporate motifs from the American Civil Rights Movement, including tributes to Martin Luther King Jr. and Malcolm X, woven directly into the fabric using HOSOO’s centuries-old Nishijin techniques.

Jasmine Little, Los Angeles Painter and Ceramicist, Dies at 41

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Los Angeles-based artist Jasmine Little has passed away at the age of 41, as confirmed by her gallery, La Loma. Known for her versatile practice that spanned lush still-life paintings and intricate sgraffito ceramic vessels, Little's work often blended historical references with personal mythology. Her gallerist, Kirk Nelson, remembered her as a "force of nature" who produced monumental sculptures and detailed narratives through intense, dedicated periods of creation.

Art in Focus: New Public Exhibit by Julia Chiang Presented by Art Production Fund

Julia Chiang has unveiled a new public art exhibition titled "This Way That Way, Here" at Rockefeller Center in New York City, presented by Art Production Fund as part of the Art in Focus series. The show features a trio of glass cases with 18 glazed ceramic vessels at 45 Rockefeller Plaza, a diorama-like window display at 10 Rockefeller Plaza created through a children's workshop called Art Sundae, murals throughout the campus reproducing excerpts from Chiang's 2021–2025 works, and a 125-foot mural on the Rink Level. The exhibition runs through the end of October and includes paintings and ceramics that explore themes of the human body and natural phenomena.

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The Museum of Fine Arts, Boston has restituted two large-scale ceramic vessels by David Drake, an enslaved potter, to his known descendants. The works—a "Poem Jar" and a "Signed Jar," both from 1857—were acquired by the museum in 1997 and 2011 respectively. On October 16, the MFA deaccessioned the jars and transferred ownership to Drake's descendants via the Dave the Potter Legacy Trust. The museum then repurchased the "Poem Jar," which re-entered the collection on October 23, while the "Signed Jar" remains with the family on long-term loan to the museum. The decision followed discussions prompted by the exhibition "Hear Me Now: The Black Potters of Old Edgefield, South Carolina," co-organized with the Metropolitan Museum of Art.

Dirk Staschke's exhibition

Duane Reed Gallery in St. Louis is hosting a new exhibition of trompe l’oeil stoneware sculptures and tiles by artist Dirk Staschke. Staschke, a sculptor and ceramicist, draws inspiration from Dutch Vanitas still-life painting, blending traditional techniques with contemporary textures and forced perspective. His works merge painting and sculpture, featuring adapted still lives on ceramic vessels and three-dimensional framed tableaus. Staschke holds an MFA from Alfred University and a BFA from the University of Montevallo, and his work has been exhibited at the Smithsonian Museum, Icheon Museum, Crocker Museum, and Portland Art Museum.

Maxwell Mustardo Sculpts Ancient Ornamentation in Brilliant Glazed Forms

Maxwell Mustardo creates ceramic vessels that blend ancient Greek forms like amphorae, kraters, and kylix with organic, fungal-like surface textures in fluorescent oranges, pinks, and greens. Based in New Jersey, he works as studio manager at the former residence of artist Toshiko Takaezu, and his practice focuses on pushing classical ornamentation—such as gadrooning—back into its natural origins, blurring the line between cultural artifact and living growth.

Now Open: Prospect Refuge Gallery

A new art gallery concept, Prospect Refuge Gallery, opens in Northeast Minneapolis, led by Victoria Sass of Prospect Refuge Studio. The gallery's inaugural exhibition, "Homecoming: Objects of Origin," features works by New York-based ceramicist Jeremy Anderson, a Twin Cities native, showcasing ceramic vessels, lighting, and bronze-cast furniture that draw influence from Midwest rural architecture. The gallery aims to rotate regional talent through exhibitions focused on collectable design.

The Practice of Liberation and Sanctuaries of Becoming.

Michaela Yearwood-Dan has unveiled her first major UK institutional exhibition, 'The Practice of Liberation,' at the Whitworth. The immersive installation integrates fourteen new paintings with ceramic vessels and soundscapes, reimagining traditional religious motifs through a contemporary, secular lens. By deconstructing elements like stained glass and the Stations of the Cross into abstract forms, the artist creates a sanctuary that explores themes of ritual, memory, and personal identity.

Ancient Roman Cargo Lost for 2,000 Years Resurfaces in Swiss Lake

A team of Swiss archaeologists and the nonprofit Octopus Foundation have recovered a 2,000-year-old Roman cargo from Lake Neuchâtel. The haul consists of approximately 600 remarkably preserved artifacts, including stacks of brand-new ceramic plates, bowls, goblets, weapons, tools, chariot wheels, and a wicker basket, dating from between 50 B.C.E. and 50 C.E. The ship itself was not found.

Veteran artist transforms military burn pit trauma into art at TAMUCC exhibition

Air Force veteran and MFA candidate Ian Manseau has debuted his thesis exhibition, "Residue," at the Weil Gallery at Texas A&M University–Corpus Christi. The exhibition features 800 ceramic vessels infused with military uniforms and fired in a kiln, alongside prints made from charcoal and Combat Paper. The works utilize reduction firing and recycled materials to visualize the toxic legacy of military burn pits, which have been linked to severe respiratory illnesses and cancers in service members.