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Marley Freeman is preparing for her new exhibition "no when" at Karma's Chelsea gallery, running through July 18, 2025. The article delves into her background as the daughter of a textile dealer, which deeply influences her abstract paintings made from gesso, acrylic, and oil. Freeman's career includes breakout shows with Karma in 2019 and 2022, and her works are held by LACMA, the Hammer Museum, and the Whitney Museum. She has collaborated with artists Lukas Geronimas and Jared Buckhiester, and her current show features collaborative pieces.

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Todd von Ammon, a young gallerist, critiques the contemporary art market's over-reliance on art fairs and the homogenization of gallery spaces into a sterile, grid-like system. He contrasts this with the lost charm of discovering hidden, architecturally unique galleries in labyrinthine neighborhoods, which he argues fosters a sense of urban belonging and agency for collectors and art workers. The article traces the shift from the rabbit warrens of SoHo to the dense Chelsea gallery district and the rise of the modern art fair, epitomized by Art Basel's expansion to Miami Beach in 2002, which he likens to a pyramid scheme that burdens young galleries with high costs for minimal returns.

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New York's Kasmin gallery is closing after 35 years, transitioning into a new venture called Olney Gleason, led by Nick Olney (Kasmin's president since 2020) and Eric Gleason (senior director since 2013). The plan was discussed with founder Paul Kasmin before his death in 2020, and the estate is fully supportive. Olney Gleason will open its first exhibition this fall in Chelsea with a roster of about 25 artists and estates, around 80 percent of whom began working with Kasmin within the last five years.

Ursula Launch: Celebrating Firelei Báez and Issue 16 with Casa Dragones

Hauser & Wirth is hosting a launch event during the opening weekend of Firelei Báez's solo exhibition 'Feet squelching on wet grass, nourished by uncertainty' at its 22nd Street gallery in Chelsea, celebrating the release of Ursula issue No. 16. The issue features a portfolio by Báez titled 'The Earth That Remains,' a cover story on collector Eileen Harris Norton, and contributions on Elsa Schiaparelli, Christopher Harris, Alice B. Toklas, and LACMA director Michael Govan. The free event includes Casa Dragones tequila and access to Báez's exhibition alongside 'Carol Rama. I See You You See Me.'

Max Levai Bets on Scale—and Himself—with New Chelsea Gallery

Max Levai, former president of Marlborough Gallery, is opening a new 7,000-square-foot flagship gallery in Chelsea this fall at 529 West 20th Street. This marks his first permanent New York space after years of operating through pop-ups and international projects. He is sharing the building with the gallery 47 Canal, run by Oliver Newton, in an arrangement where two independent galleries will coexist under one roof, sharing costs but maintaining separate programs.

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Artist Heidi Hahn discusses her recent exhibition "Not Your Woman" and the emotional journey behind the paintings in an interview with Thalia Stefaniuk. Originally scheduled to open at Mitchell-Innes & Nash's Chelsea gallery, the show was cancelled when the gallery suddenly closed, leaving Hahn feeling discarded and forcing her to rethink the work. The resulting large-scale canvases feature abstract, monumental female bodies rendered in muted oranges, reds, and blues—figures that are faceless, exaggerated, and more like totems or memories than recognizable women. The conversation explores themes of disappointment, failure, and the tension between wanting to be seen and wanting to disappear.

December 2025 Exhibitions and Events at SVA

The School of Visual Arts (SVA) in New York is hosting a series of exhibitions and events throughout December 2025 and into January 2026. Highlights include "Wavelengths," a juried alumni survey at SVA Chelsea Gallery; "Act 1: Geraldine Scott III," a solo exhibition by alumnus Lillian Ansell at SVA Gramercy Gallery; "The Book Show" featuring first-year MFA students; "Migrant Housing: Water as a Medium for Healing" at SVA Flatiron Gallery; and "fables for introverts, chapter iii: limbo" by Gerald Euhon Sheffield II at SVA Flatiron Project Space. Events include open studios, a lecture on the anti-Nazi "Red Orchestra" group, and an artists' roundtable with Samson Young.

New York gallery Kasmin will close this autumn as leadership launches new venture, Olney Gleason

The Chelsea gallery Kasmin will close this autumn after 35 years of operation, transitioning into a new venture called Olney Gleason. The new gallery will be led by Kasmin president Nick Olney and senior director Eric Gleason, both longtime employees who say the move aligns with the wishes of the late founder Paul Kasmin. Olney Gleason will continue working with an unspecified number of artists and estates from Kasmin's roster, including François-Xavier and Claude Lalanne, Lee Krasner, and Jackson Pollock's estate, and will open a flagship space in Chelsea with an inaugural show this autumn.

Chelsea Exhibition Reviews: Rosebud Contemporary, Paula Cooper, Fredericks & Freiser, Berry Campbell and more

This article reviews several Chelsea gallery exhibitions, focusing on Mary Ann Unger's monumental sculpture show 'Across the Bering Strait' at Berry Campbell, which features her hydrocal-over-steel works exploring themes of feminism, anthropology, and the natural world. It also covers 'En Route' at Rosebud Contemporary, a group exhibition of abstract painters Rifka Milder, Meg Hitchcock, and Ketta Ioannidou, each reflecting on artistic journeys through their work.

Artist Paul Rucker’s Klan Robes Expose America’s Racist Underbelly

Artist Paul Rucker's exhibition "Rewind Resurrection" returns to New York a decade after its debut, featuring his iconic Klan robes reimagined in bold fabrics like pink, Kente cloth, and camouflage. The show, which was censored at York College of Pennsylvania in 2017 following the Charlottesville white supremacist rally, includes KKK memorabilia, data visualizations of prison proliferation, and wooden relief sculptures honoring victims of racial violence. It is Rucker's first New York show, self-funded in a rented Chelsea gallery, and he hopes an institution will acquire the entire installation.

This Chelsea gallery will feature art from students as young as 6

Gallery 100 in Chelsea, Michigan, will host The Creative Corner Collection, an exhibition of children's artwork from the Manitou Beach Creative Corner's camps and workshops, running from April 27 through May 8. The show features work by students ages 6 to 15, with an opening reception on May 3 featuring violinists from the Lansing Symphony Orchestra. Gallery 100 takes no commission on sales, so all proceeds go directly to the young artists.