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What Role Do Galleries Play in the Art World?

Maxwell Rabb's article explains the fundamental role of commercial art galleries in the art world, tracing their evolution from 19th-century Parisian storefronts like Goupil & Cie to contemporary spaces. It highlights how galleries function as private businesses that showcase and sell artworks, support artists, organize exhibitions, and connect with collectors, curators, and institutions. The piece also addresses the perception of galleries as exclusive spaces while noting they are often free and open to the public, serving as a bridge between the art world and curious visitors.

Why This Storied London Gallery Is Planning Its Future in Paris

Waddington Custot, a cornerstone of London’s art scene, is formalizing its leadership succession as Victor Custot joins his father, Stéphane, as board director. The younger Custot, who transitioned from a career in tech, is now spearheading the gallery’s strategic expansion. Central to this new chapter is a significant move toward Paris, reflecting a broader shift in the European art market landscape following Brexit.

A New Generation of Gallerists Is Redefining Artist Representation

A new generation of gallerists is rethinking traditional artist representation models, moving away from rigid exclusivity clauses and transactional relationships. Figures like Bryce Watanasoponwong of The Charoen AArt in Bangkok, Storm Ascher of Superposition, and Lorraine Han of Unveil Gallery are adopting flexible, collaborative approaches that reflect the realities of contemporary artists, who often juggle multiple roles and prefer non-exclusive arrangements. These gallerists emphasize open dialogue, shared responsibility, and long-term relationship-building over strict contracts, as seen in Ascher's seven-year support of artist Haleigh Nickerson, which culminated in a solo show at NADA New York 2025.

Chris Erik Thomas

Chris Erik Thomas has been appointed as the new editor of The Art Newspaper, taking over the role from previous editor Ben Luke. Thomas brings extensive experience in arts journalism, having previously served as an editor at Artsy and as a contributor to publications including The New York Times and Artforum. His appointment marks a leadership change at one of the art world's most influential trade publications.