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Young at art: inside Frieze London's Focus section

Frieze London's Focus section, dedicated to galleries up to 12 years old, features six standout booths showcasing a diverse range of materials and themes. Artists include Alex Margo Arden, whose installation uses mannequins from the National Motor Museum to explore labor and spectacle; Luís Lázaro Matos, who transforms a beluga whale stranding into a queer myth; Rim Park, who fuses plant specimens in reliefs and etchings to speculate on a post-human world; Lara Fluxà, whose glass and tar sculptures evoke environmental precarity; and Delaine Le Bas, whose calico booth protests state control.

Young at art: inside Frieze London's Focus section

Frieze London's Focus section, dedicated to galleries aged 12 years or younger, features six standout booths showcasing diverse materials and themes. Artists include Alex Margo Arden (with mannequins from the National Motor Museum), Luís Lázaro Matos (a queer myth of a stranded beluga whale), Rim Park (plant anatomy reliefs and etchings), Lara Fluxà (precarious glass and tar sculptures), and Delaine Le Bas (calico fabric works with protest messages). The section is noted for its variety beyond painting, with climate breakdown emerging as a recurring theme among younger artists.

‘These are dirty funds’: Indigenous Brazilian leader slams Science Museum for oil sponsorship ahead of climate show

Indigenous Brazilian leader Ninawa Huni Kui has condemned the Science Museum in London for accepting sponsorship from BP on the eve of its new exhibition, *Water, Pantanal, Fire*, which highlights climate breakdown in Latin America. The exhibition focuses on the Pantanal wetland, a threatened ecosystem spanning Brazil, Paraguay, and Argentina. Huni Kui called BP's sponsorship "dirty funds stained with blood," and was joined by activists from 350.org and Culture Unstained in criticizing the museum for partnering with a major fossil fuel company while presenting a show about climate impacts.