Big Crisis, Small Gestures

Große Krise, kleine Gesten

The article reviews the second edition of the Klima Biennale Wien, which opened in early April in Vienna. It notes that while the biennale aims to address the urgent triple crisis of climate change, biodiversity loss, and pollution, its execution falls short. The exhibition features symbolic works such as a beached whale, a broken boat, and a compostable SUV sculpture, but these motifs feel repetitive and lack the necessary impact. The author contrasts these with historical precedents like Menashe Kadishman's 1978 Venice Biennale installation and Joseph Beuys' "7000 Eichen" (1982), arguing that the themes of nature and sustainability are not new, only the urgency has intensified.

How Fatinha Ramos Channels ‘Visual Activism’ in Her Richly Layered Illustrations

Fatinha Ramos, a Portuguese artist and illustrator based in Antwerp, describes her work as 'visual activism,' creating richly layered illustrations that give voice to minorities and address social issues. She collaborates with major clients including The New York Times, The Washington Post, Tate, Scientific American, the Anne Frank Museum, and MoMA, which commissioned her to illustrate an essay about being compared to Frida Kahlo. Born with osteogenesis imperfecta (brittle bone disease), Ramos spent much of her childhood in hospitals, where drawing became an escape. After 12 years as an art director in advertising and publishing, she now focuses on her own practice, which challenges stereotypes around disability, climate crisis, sexism, and racism. She is currently working on a graphic novel and a series of anatomical glass sculptures based on brittle bone disease.

‘We are complicit’: Austrian artist Florentina Holzinger’s immersive Venice Biennale pavilion brings apocalypse to the city

Austrian artist Florentina Holzinger has created 'Seaworld Venice,' an immersive and confrontational installation for the Austrian Pavilion at the 2024 Venice Biennale. The work explores climate change, technology, and a dystopian flooded future, drawing comparisons to the 1995 film 'Waterworld'—though neither Holzinger nor curator Nora-Swantje Almes had seen it. Known for extreme performance art involving nudity, blood, live piercing, and heavy machinery, Holzinger's previous works have caused audience members to faint or require medical treatment. The pavilion marks a significant platform for her radical, hybrid practice that blends theatre, dance, opera, and performance art.

Vancouver exhibition explores global climate futures through art

The Vancouver Art Gallery, in partnership with Canada's National Observer, will open "Future Geographies: Art in the Century of Climate Change" on May 10, 2026. The exhibition, co-created by publisher Linda Solomon Wood and curator Eva Respini, features over 35 international artists including Ed Burtynsky, Huma Bhabha, Jean Shin, Clarissa Tossin, and Josh Kline. Works explore climate change through photography, sculpture, installation, and film, avoiding a doom-and-gloom tone in favor of poetic and thought-provoking approaches.

Jenna Sutela on Representing Finland at the 61st Venice Biennale

Jenna Sutela, representing Finland at the 61st Venice Biennale, will present an exhibition titled *Aeolian Suite* in the Giardini pavilion. The work features sound sculptures that engage with wind as both a physical and political force, using meteorological data, wind machines, recorders, a children's woodwind orchestra, and recordings of winds from Venice, Helsinki, and beyond. Sutela explores noise as a creative medium, drawing on the concept of deep listening inspired by artist Pauline Oliveros, and connects her project to the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.

Total Museum's 'Somebody Has to Collect It' examines collecting as a responsibility

The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.

Major world -class exhibition launches in Skipton this weekend

The Aesthetica Art Prize is launching a major touring exhibition across four venues in North Yorkshire, starting in Skipton Town Hall this weekend. The exhibition, celebrating the prize's 20th anniversary, features works by 50 contemporary artists, including environmental artist Steve Messam, and is split into four thematic parts across different galleries until September.

In ‘Reverence,’ Three Decades of Paul Nicklen’s Remarkable Photographs Exalt Nature

Paul Nicklen, a renowned wildlife photographer and co-founder of the conservation organization SeaLegacy, is releasing a comprehensive book titled *Reverence* through publisher Hemeria. The volume collects 160 photographs spanning his three-decade career, including iconic images and previously unpublished works that capture the beauty and fragility of ecosystems from the Colorado River delta to the Arctic Bay.

San Francisco artist Ana Teresa Fernandez's Chicago exhibit, 'Under Pressure,' is a call to climate action

San Francisco-based artist Ana Teresa Fernández has opened a solo exhibition titled 'Under Pressure' at the National Museum of Mexican Art in Chicago. The four-year project features a range of works, including detailed oil paintings and a sculptural piece, all centered on the theme of water and climate change. A key performance element involved Fernández leading hundreds of participants on Chicago's lakefront to form a giant S.O.S. signal using mirrors, a 'social monument' she previously staged in California.

Remains of time: Discarded Material Finds New Life As Artwork

Two Indian artists, Manveer Singh (aka Plasticvalla) and Smriti Dixit, are creating artworks from discarded materials to address environmental degradation. Singh transforms multi-layered plastic waste into sculptures inspired by local landscapes and folk traditions, such as a snow leopard for Spiti Valley and a landfill-inspired piece for Delhi. Dixit finds her practice meditative, while other young artists like Anuja Dasgupta and Mrugen Rathod recently exhibited at the 'Sustaina' exhibition using recycled materials like agricultural waste and discarded hotel textiles. Additionally, Tara Lal's Aranyani Pavilion, made from invasive Lantana Camara wood, was displayed at Sunder Nursery to promote forest restoration.

From the Aral Sea to Milan: Uzbekistan tells its story between craftsmanship and climate crisis

Dal Mar d’Aral a Milano: l’Uzbekistan si racconta tra artigianato e crisi climatica

Uzbekistan made its official debut at the Milan Design Week with the exhibition 'When Apricots Blossom' at Palazzo Citterio. Curated by Kulapat Yantrasast and promoted by the Uzbekistan Art and Culture Development Foundation, the immersive show presents contemporary reinterpretations of Uzbek craft, organized around three pillars of Karakalpak culture: textiles, food, and dwelling. It features installations by international designers like Bethan Laura Wood and a deconstructed yurt by WHY Architecture.