Die Biennale der leisen Töne
The 61st Venice Biennale's main exhibition, titled "Gardens, Processions, Art as Expression of Lived Realities," places humanity at its center. Curators revealed minimal biographical details for the 111 participating artists, only noting the oldest (Marcel Duchamp, born 1887) and youngest (Mohammed Z Rahman, born 1997), signaling a deliberate shift away from individual fame toward collective experience.
Julia Langbein's new novel *Dear Monica Lewinsky*, published by Doubleday, follows translator Jean Dornan as she revisits a traumatic relationship with a professor from her youth, set against the backdrop of the 1998 Monica Lewinsky scandal. The story interweaves medieval art, particularly the 13th-century *Golden Legend*, with Lewinsky's public shaming, as Jean prays to Lewinsky for guidance and is visited by a haloed version of her. Langbein, an art historian with a PhD from the University of Chicago, draws on her expertise to explore themes of humiliation, self-estrangement, and collective experience.
Meriem Bennani, a New York-based artist known for her shape-shifting practice of videos, installations, and immersive environments, gained viral fame during the COVID-19 lockdown in March 2020. She co-created the animated series '2 Lizards' with fellow artist Orian Barki, which depicted surreal, humorous conversations between anthropomorphic reptiles navigating the first weeks of the pandemic in New York City. The series, posted on Instagram, resonated widely and led to eight episodes. Bennani's broader work, including 'Life on the CAPS' (2018–2022) and 'Mission Teens' (2019), blends digital animation, live-action footage, and cultural critique, often exploring themes of diaspora, post-colonialism, and migration through dystopian, supernatural narratives.
KÜTRAL VARGAS HUAIQUIMILLA: PERFORMAR LA SANGRE, HABITAR SU FLUJO, DIMENSIONAR LA HERIDA
Mapuche visual artist and performer Kütral Vargas Huaiquimilla presents "Performance de la sangre" (Performance of Blood) at Galería Gabriela Mistral in Santiago, Chile. Based on the artist's 2024 novel of the same name, the exhibition utilizes video-performance, sculpture, and clinical materials like medication vials to explore the intimate and collective experience of living with HIV. The project marks a significant interdisciplinary intersection of Mapuche identity, pharmacology, and contemporary medicalization.
American University's Studio Art MFA candidates will present their thesis exhibition, titled "If That Makes Sense," at the AU Museum from April 18 to May 17, 2026. The show features nine artists—Rob Balsewich, Michael Dodson, Julia Fouser, Ryan Kennedy, Kelvin He Hao Low, Lexi Moser, Austin Remetta, Brenay Spencer, and Sarah Bell Wilson—whose works span painting, sculpture, textiles, sound, and installation, exploring themes of memory, identity, materiality, and collective experience.
A new group exhibition titled "Echoes of the Earth" has opened at the Bunbury Regional Art Galleries, featuring works by 12 artists from Western Australia's South West region. The show explores the artists' personal and collective experiences with the local environment, including themes of coastal erosion, bushfire recovery, and Indigenous connection to Country.
Four African women artists are featured in the exhibition "Bread, Roses and Colors" in Lucca, Italy, exploring themes of identity, rights, and social justice through their work. The show brings together diverse perspectives from the continent, highlighting the artists' personal and collective experiences.