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art fashion ivana basic claire sullivan interview

Cultured magazine pairs three artists with three independent fashion designers to mark the reopening of the New Museum on March 21, 2026, following a 60,000-square-foot expansion by OMA. In this installment, Serbian sculptor Ivana Bašić, whose work *Blossoming Being #2* appears in the inaugural exhibition “New Humans: Memories of the Future,” meets designer Claire Sullivan of Miss Claire Sullivan. Their conversation covers their New York origin stories, the city’s affordability crisis, and the challenges of making a creative life in the city.

art fashion camille henrot collina strada interview

Camille Henrot and Hillary Taymour, wearing Collina Strada, are featured in a Cultured magazine interview marking the reopening of the New Museum on March 21, 2026, after a 60,000-square-foot expansion by OMA. The conversation is part of a series pairing three artists from the inaugural exhibition "New Humans: Memories of the Future" with three downtown fashion designers. Henrot discusses her New York origin story, her film *In the Veins* premiering in the show, and her upcoming play *Commedia dell’Arte* at the Aspen Art Museum’s AIR Festival, while Taymour recounts moving from Los Angeles to New York in 2010 to pursue fashion design.

art fashion cato ouyang zoe gustavia anna whalen

The New Museum in New York is reopening on March 21 with a major expansion—a 60,000-square-foot addition designed by OMA, doubling its footprint. To celebrate, the museum paired three artists featured in its inaugural exhibition "New Humans: Memories of the Future" with three independent fashion designers for studio conversations. The article presents one such dialogue between artist Cato Ouyang and designer Zoe Gustavia Anna Whalen, who discuss their New York origin stories and the challenges of creative life in the city.

The Good, the Bad, and the Fugly From the 2026 Met Gala

Cultured magazine's 2026 Met Gala coverage features a roundtable of critics and writers offering candid, often humorous takes on celebrity looks from the red carpet. Emma Chamberlain's hand-painted Mugler gown is widely praised as the most on-theme, while Troye Sivan's Prada homage to Robert Mapplethorpe and Chase Infiniti's Thom Browne trompe-l'œil dress also earn acclaim. Gabrielle Richardson calls for more color, noting the theme is about art, and criticizes the monochromatic trend. Mackenzie Thomas pans Alysa Liu's look as "prom" and "quinceañera," while others celebrate Naomi Osaka's Robert Wun Couture and Connor Storrie's Saint Laurent ensemble. The article is structured as a series of short, punchy quotes from multiple contributors, each focusing on specific attendees' fashion choices.

Inside The Met's New 'Costume Art' Exhibition

The Metropolitan Museum of Art's Costume Institute has announced a new exhibition titled 'Costume Art,' opening to the public on May 10 and running through January 10, 2027. The show inaugurates the Met's nearly 12,000-square-foot expansion adjacent to the Great Hall, providing a permanent home for the Costume Institute's annual spring exhibitions. Featuring nearly 400 objects—half garments and half traditional art like sculpture and painting—the exhibition explores how clothing alters and enhances the human body, dividing 'the body' into 13 types such as 'The Classical Body' and 'The Corpulent Body.' The show includes works from designers like Coco Chanel, Jean Paul Gaultier, Thom Browne, and Alexander McQueen, paired with historical artifacts and contemporary art. The exhibition follows this year's Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, which raised a record $42 million for the Costume Institute.

Cincinnati Art Museum curator of fashion showcases women designers

This episode of WYSO's Studio Visit series takes listeners to the Cincinnati Art Museum to meet Cynthia Amnéus, the museum's Chief Curator and Curator of Fashion and Textile Arts. Amnéus discusses her focus on women fashion designers, highlighting iconic figures such as Rei Kawakubo (Comme des Garçons), Bonnie Cashin (Coach), Ann Lowe (who designed Jackie Kennedy's wedding dress), and the lesser-known 1930s designer Elizabeth Hawes, whose progressive views on comfort and gender-neutral clothing were ahead of her time. Amnéus also reflects on past exhibitions, including a 2017 show on Iris Van Herpen's 3D-printed sculptural fashion, and her current interest in sustainable designers like Collina Strada and Chopova Lowena.