From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead

The Camden Art Centre in London is hosting a significant survey of the late Guyanese-British artist Donald Locke, marking the final stop of a UK touring exhibition. Locke is celebrated for blending the formal language of minimalism and modernism with the potent symbols of Guyanese and Black American culture, effectively challenging the traditional art world's Eurocentric perspectives through his work in ceramics, painting, and sculpture.

Native American artist Kent Monkman showcases exhibit at Akron Art Museum

Cree artist Kent Monkman has unveiled a significant solo exhibition at the Akron Art Museum, featuring large-scale paintings including "History is Painted by the Victors" and "The Great Mystery." The showcase highlights Monkman’s signature style of subverting Western art history canons through the lens of Indigenous experience, utilizing his gender-fluid alter ego, Miss Chief Eagle Testickle, to challenge colonial narratives.

Akron Art Museum to host ‘Kent Monkman: History Is Painted by the Victors’

The Akron Art Museum will present a major exhibition titled 'Kent Monkman: History Is Painted by the Victors,' featuring the renowned Cree artist's work. The show will include his signature paintings, installations, and a new, site-specific piece, focusing on his critical re-examination of colonial narratives in North American art history.

The Synthesis of Poetry and Violence: Inside the New Exhibitions at the Pinault Collection in Venice

La sintesi tra poesia e violenza. Ecco come sono le mostre alla Pinault Collection di Venezia

The Pinault Collection has unveiled its 2025 exhibition program across its two Venice venues, Palazzo Grassi and Punta della Dogana. This year, the institution opts for a multi-artist approach rather than a single-artist takeover, featuring Michael Armitage and Amar Kanwar at Palazzo Grassi, alongside Lorna Simpson and Paulo Nazareth at Punta della Dogana. The exhibitions focus heavily on global perspectives, spanning from Kenya and India to Brazil and the United States, addressing contemporary social tensions through diverse media.

Morad Montazami appointed artistic director of 2026 Dakar Biennale

Morad Montazami has been named the artistic director for the 16th edition of the Dakar Biennale, scheduled to run from November 19 to December 19, 2026. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the exhibition will explore themes of community-led restoration and the transformation of vulnerability into collective strength. Montazami, a former Tate Modern curator and founder of the platform Zamân Books & Curating, brings an extensive background in postcolonial art histories and global modernisms to the prestigious African forum.

Morad Montazami Named Artistic Director of 16th Dak’Art Biennial

Morad Montazami has been appointed as the artistic director for the sixteenth edition of the Dak’Art Biennial, scheduled to run from November 19 to December 19. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the upcoming biennial will focus on themes of community, co-creation, and the transformation of vulnerability into artistic strength. Montazami, an esteemed art historian and curator known for his work on global modernism and postcolonial narratives, brings extensive experience from previous roles at Tate Modern and various international exhibitions.

Kent Monkman at Akron Art Museum: Reimagining North American landscapes

Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.

Kent Monkman Reimagines History Painting At Akron Art Museum

The Akron Art Museum will present "Kent Monkman: History Is Painted by the Victors," a major exhibition of monumental paintings by Cree artist Kent Monkman. Running from April 11 to August 16, 2026, the show reimagines history painting through a subversive, Indigenous lens, confronting colonial narratives and offering new perspectives on the past and present.

DISPOSITIONS IN THE AMERICAS CONTEMPORARY ART AND THE COLONIAL LEGACY

A major exhibition titled 'Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present' opens at Wrightwood 659 in Chicago. It features over 40 works by 36 contemporary artists from Latin America, curated by Jonathan D. Katz and Eduardo Carrera, examining the ongoing legacies of colonialism through themes of territory, body, and cultural heritage.

Now we open a Palestinian Pavilion at the Biennale. Interview with Tomaso Montanari

“Ora apriamo un Padiglione Palestina in Biennale”. Intervista a Tomaso Montanari

Tomaso Montanari, a member of the scientific committee for the exhibition "Gaza, il futuro ha un cuore antico. Materie e memorie del Mediterraneo" at Fondazione Merz in Turin, discusses the show's aim to highlight Gaza's 5,000-year history beyond the current war imagery. The exhibition, organized in collaboration with the Museo Egizio and the MAH – Musée d’art et d’histoire de Genève, juxtaposes ancient artifacts with contemporary artworks to assert the cultural and historical significance of Palestine. Montanari also addresses the upcoming Venice Biennale, criticizing the lack of a Palestinian pavilion and suggesting that the Turin exhibition itself serves as a de facto Palestinian pavilion, while calling for accountability for Israel's actions.

Otobong Nkanga: ‘I Dreamt of You in Colours’

Artist Otobong Nkanga has unveiled a major new installation titled 'I Dreamt of You in Colours' at the Kunsthalle Basel. The immersive, site-specific work explores themes of memory, landscape, and the extraction of natural resources through a complex tapestry of textiles, drawings, and sculptural elements.

Recalling When Lower Manhattan Was New Amsterdam

The New-York Historical Society has launched a major exhibition exploring the 17th-century origins of New York City during its era as the Dutch settlement of New Amsterdam. The show utilizes a diverse array of artifacts, maps, and historical documents to trace the colony's development from a fur-trading outpost to a diverse maritime hub, highlighting the complex interactions between Dutch settlers, Indigenous populations, and enslaved Africans.

Monopol Gives Away 5 x 2 Tickets for Photo Exhibition at Museum Rietberg

Monopol verlost 5 × 2 Tickets für Foto-Ausstellung im Museum Rietberg

The Museum Rietberg in Zurich is presenting the exhibition "Fast ein Paradies" (Almost a Paradise), which critically examines colonial-era photography as an instrument of power. The show juxtaposes historical photographs with contemporary artworks that recontextualize this material, featuring artists like Sasha Huber, Sammy Baloji, Raphaël Barontini, and Andrea Chung, who intervene in the archival images to challenge colonial narratives and restore agency to the subjects.

The language of termites: Liss Fenwick’s The Colony – in pictures

Artist Liss Fenwick has created a photobook titled 'The Colony' by feeding a collection of historical Australian novels, described as 'settler fan fiction,' to a colony of termites. The insects consumed the books over several years, leaving behind hollowed, sculptural remains that Fenwick photographed. The resulting work documents this process of organic transformation, where the physical texts are digested and reshaped.

Fragments of Belonging in ‘Black Bricolage’.

Photographer and writer Johny Pitts presents 'Black Bricolage' at MEP Studio, a visual essay spanning two decades of work documenting Black life across European cities like Paris, Lisbon, and Berlin. The exhibition utilizes a mix of photography, personal notes, and lived encounters to map the 'Afropean' experience, focusing on the quiet textures of daily life rather than grand spectacles.

In Dim Light, New Histories Emerge

Museo Afro Casa Silvana in Humacao, Puerto Rico, is hosting 'Dim Light: Afro-Puerto Rican Photography,' the first collective exhibition dedicated exclusively to Afro-Puerto Rican photographers. Featuring ten artists from the island and its diaspora, the show explores themes of spirituality, family, and resistance through a lens of self-representation. The works were previously debuted at the 3rd Black Brazil Art Biennial before returning to Puerto Rico for this landmark presentation.

Looking Back to Look Forward

Blick zurück nach vorn

The Museum Rietberg in Zürich is hosting an exhibition that examines the intersection of photography and colonialism. The show highlights how early photographic techniques, introduced to Africa shortly after their invention in 1839, were historically used as tools of power, surveillance, and scientific categorization. By juxtaposing historical archives with contemporary works, the exhibition demonstrates how modern artists are reclaiming and transforming these violent visual legacies.