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Museum as Networked Modality

The article examines the evolving and often problematic relationship between museums and digital art. It highlights the institutional struggle to define and categorize works that use contemporary technologies like AI, blockchain, and robotics, noting that canonical figures like Leo Villareal, Jenny Holzer, and Andreas Gursky are often excluded from the "digital art" label. The piece cites specific examples, from Harold Cohen's early algorithmic work to Sougwen Chung's robotic collaborations and Rhea Myers's responsive NFTs, to illustrate the diverse and transmedia nature of these practices.

Why yellow was Van Gogh's favourite colour

The Van Gogh Museum in Amsterdam has launched a new exhibition titled "Yellow: Beyond Van Gogh’s Colour," running until May 17. The show explores Vincent van Gogh’s profound obsession with the color yellow, featuring eight of his works alongside pieces by contemporaries like Paul Gauguin and Aubrey Beardsley. It highlights Van Gogh's technical use of chrome yellow pigments to capture the "high yellow note" of the Provencal sun and the symbolic association of the color with modernity and life-giving energy.

victoria albert museum first youtube video ever 1234773923

The Victoria & Albert Museum has acquired the first-ever YouTube video, "Me at the zoo," along with the platform's original 2006 front-end code and early advertisements. The 19-second clip, featuring co-founder Jawed Karim at the San Diego Zoo, has been integrated into a reconstructed version of the site’s early "watch page" through a collaboration between museum curators and YouTube’s design team. The installation is now on view at V&A South Kensington and the V&A East Storehouse.

Otvorena izložba "Slikarske minijature Slavana Vidovića“ u Galeriji umjetnina Split

The exhibition "Painting Miniatures by Slaven Vidović" opened on Saturday at the Split Art Gallery, presenting for the first time works from the previously unknown artistic oeuvre of Slaven Vidović, the son of painter Emanuel Vidović. Curated by Iris Slade, the show features eighty works on paper created during the 1920s, drawn from the legacy of Vidović's daughter Zjenja Čulić. Due to the fragility of the originals, high-quality prints are displayed instead. Vidović, a prominent physician and art collector, studied medicine in Prague from 1919 to 1926, where he developed a passion for capturing everyday life in working-class districts, night bars, and cafes, drawing on styles including Fauvism, Cubism, Dadaism, Expressionism, and Neorealism.