Paul McCarthy: ‘The world is now an extreme absurdity. The work is a reaction to that’

Paul McCarthy, the 80-year-old American artist known for his transgressive critiques of consumer culture, has opened a new exhibition titled "SS EE Saint Santa Eva Elf" at Hauser & Wirth in Paris. The show features large-scale drawings and a six-channel video installation created during filmed performances with his long-term collaborator, German actress Lilith Stangenberg, who plays the Elf. McCarthy revisits his iconic Santa Claus motif, portraying him as a dark, psychotic figure—the "god of capitalism and consumption." The exhibition also includes earlier drawings made with Stangenberg at Bowman Hal gallery in Madrid. The interview reveals that McCarthy's home and studios in Los Angeles were destroyed by wildfires, resulting in the loss of art, drawings, notebooks, and books, and the cancellation of a planned London show.

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Art Basel Miami Beach is set to open this week, and Artnet News highlights four emerging artists to watch. Among them are Nour Malas, a Syrian painter whose four-panel work for Dubai's Carbon 12 gallery reflects on her childhood and the fall of the regime, blending abstraction with political memory. Zé Tepedino, a Brazilian artist from Rio de Janeiro, creates eco-minded sculptures from beach detritus like flip-flops and umbrellas, riffing on Brazil's social history and consumer culture. Other featured artists include those working with ethereal staged worlds, memory-soaked abstraction, and sculptural experiments in Lycra, offering a vivid snapshot of new voices at the fair.

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British photographer Martin Parr, known for his highly saturated and often humorous snapshots of everyday life, died on December 6 at age 74 after a four-year battle with cancer. Parr's work, from his early black-and-white images of rural Yorkshire to his iconic color series like "The Last Resort" (1982–85) and "The Cost of Living" (1987-89), captured British eccentricities and social pretensions with a sharp, affectionate eye. He was a full member of Magnum Photos and his images, including those of mass tourism and consumerism, have been widely exhibited and collected.

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Vanity Fair published a two-part feature with unprecedented imagery of the Trump administration, shot by photographer Christopher Anderson. Diet Prada annotated the photos, highlighting that a floral still life by French impressionist Berthe Morisot, titled *Peonies* (1869), appears behind press secretary Karoline Leavitt and is currently available as a print through Walmart. The painting belongs to the National Gallery of Art in Washington, D.C., which lists it as not on view and declined to comment on whether it is on loan to the White House. The Trump administration has not responded to inquiries about the artwork's provenance or whether it was newly installed or left over from a previous administration.

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Artnet News's Talentspotter feature profiles six emerging Asian artists shaping contemporary art. The artists, including Chen Ronghui, Steph Huang, and Cole Lu, explore themes of urbanization, migration, identity, and consumer culture through photography, sculpture, and installation.

Harnessing the winds of societal change: how art dealers have been able to shape taste for centuries

Valentina Castellani, a former Gagosian director, has authored a new book titled *Trading Beauty: Art Market Histories from the Altar to the Gallery* (out 1 May). The book traces how art dealers have historically leveraged societal changes—political, economic, and social—to reshape taste and market structures. Castellani begins in the Middle Ages, when art was made only on commission for patrons like the Catholic church and monarchies, and moves through key shifts such as the Dutch Republic's first open art market in the 17th century, which gave rise to the professional art dealer. She highlights dealers like Paul Durand-Ruel, Joseph Duveen, and Leo Castelli who capitalized on anti-establishment energy, new wealth, and post-war consumer culture to bring avant-garde art to the forefront.

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Martin Parr, the acclaimed British photographer known for his wry, colorful images of tourists and leisure culture, died on December 6 at his home in Bristol, England, at age 73. His death was announced by the Martin Parr Foundation, which noted he had been diagnosed with myeloma in 2021. Parr was a longtime member of Magnum Photos and published countless photobooks, shot fashion campaigns for Vogue and Gucci, and created iconic series such as "The Last Resort" (1983–85) and "Small World" (1987–94). A retrospective themed around climate change and overtourism is planned for 2025 at the Jeu de Paume in Paris.

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This article explores Andy Warhol's lifelong passion for perfume, detailing how the Pop Art icon collected and wore fragrances, created his own scent called "You're In / Eau d'Andy" in 1967, and produced screen-prints of Chanel No. 5 bottles as part of his "Ads" series in 1985. It notes that the Andy Warhol Museum in Pittsburgh holds his half-used bottles, referred to as his "Permanent Smell Collection," and that his love of scent was tied to his Catholic upbringing and work as a window display designer.

culture editors gift guide christmas holidays

Cultured magazine's editors have published a holiday gift guide featuring a curated selection of items ranging from books and film memberships to robes, facials, and art-related products. Recommendations include Elaine Kraf's novel "The Princess of 72nd Street," an AAA24 membership from production company A24, a Hanro shawl collar cotton robe, a facial from Cali Strauhs, and a set of architecture-themed notebooks and books from the New Museum and Special Special. The guide also highlights a bronze sculpture by artist Ryan Schneider, tying the list to contemporary visual art.

art new york gallery guide november

CULTURED magazine's November gallery guide for New York highlights five exhibitions across Manhattan galleries. Aiza Ahmed's debut solo show "The Music Room" at Sargent's Daughters draws on Satyajit Ray's 1958 film, featuring paintings, sculpture, and a musical composition. B. Wurtz's "13 Works" at Garth Greenan presents assemblages of everyday objects exploring consumption and waste. Ali Banisadr's "Noble/Savage" at Olney Gleason responds to visual overload with paintings, bronzes, and works on paper. Brock Enright's "I AM SO PRETTY" at Club Rhubarb showcases diverse mediums from his collecting habit. Jay DeFeo's "Garnets on the Boulder" at Paula Cooper focuses on her post-"The Rose" abstract expressionist works from the 1980s.

Isa Genzken at David Zwirner

David Zwirner’s New York gallery is hosting "VACATION," a solo exhibition by the influential German artist Isa Genzken. Curated by Ebony L. Haynes, the show features a series of new works that continue Genzken’s career-long exploration of urban architecture, consumer culture, and the complexities of modern life. The presentation is supported by Galerie Daniel Buchholz, the artist's long-time representative in Cologne.

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Peter Phillips, a founding figure of the British Pop art movement, died on June 23 at age 86. Born in Birmingham in 1939, he studied at London's Royal College of Art alongside David Hockney, Allen Jones, and R.B. Kitaj, and became known for vibrant paintings that incorporated consumer culture imagery, such as his 1961 work *For Men Only — Starring MM and BB*. His career included exhibitions at the Paris Biennale, the Gemeentemuseum in The Hague, and shows in New York alongside Andy Warhol and Roy Lichtenstein. In later years he moved to Australia, and his family is raising funds to establish the Peter Phillips Foundation.

Ed Ruscha | Ed Ruscha Records 1971 (1st edition) (1971) | Art & Prints

This article presents Ed Ruscha's artist book "Records" (1971), a photographic survey of thirty vinyl records from his personal collection, offered by Lot 180 Gallery New York. It describes the work as a first edition offset printed book in good vintage condition, measuring 7 x 5.5 inches, from an edition of approximately 2,000 unsigned copies published by Heavy Industries Publications in Los Angeles.

KAWS | Along the way (Gray Variant) (2019) | For Sale

APC ART is offering for sale a gray variant of KAWS's iconic figure "Along the Way" (2019), a painted cast vinyl sculpture measuring 10 × 7 1/2 × 3 1/2 inches. The work is a miniature version of the artist's 2013 wooden sculpture, originally exhibited at Mary Boone Gallery in New York. The piece features two of KAWS's signature "Companion" characters leaning on each other for emotional support. The work is brand new, in hand, signed in plate, and includes a certificate of authenticity. It is offered exclusively by APC ART, which ships from the USA.

KAWS | BEAUTIFUL LOSERS EXHIBITION POSTER (2004) | Art & Prints

An auction listing for KAWS's "Beautiful Losers Exhibition Poster" (2004) is featured on a digital marketplace, with bidding having ended. The work is an offset lithograph in color, measuring 17 × 11 inches, published by the Contemporary Arts Center, Cincinnati. The listing includes a detailed biography of KAWS (born Brian Donnelly), highlighting his career from street art subversion in the 1990s to high-profile brand collaborations with Nike, Uniqlo, and Dior, and his record auction sale of $14.8 million at Sotheby's in 2019.

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Artist Sun Yitian, known for photorealistic paintings of mass-produced consumer objects that sell for up to six figures, is opening her largest solo exhibition to date at Esther Schipper in Berlin as part of Gallery Weekend Berlin on May 2. The exhibition, titled "Romantic Room," features 14 new paintings that incorporate Christian religious symbols alongside references to China's copy culture (shanzhai) and the proliferation of fakes in the 1990s. Works like "Image of Jesus" (2024) depict a Christ with facial fillers, inspired by posters in her hometown Wenzhou, while "Jingpin" (2024) playfully addresses Wenzhou's history of fabricating high-quality shoe copies. The show also includes her ongoing "Shelter" series, featuring inflatable bouncy castles from her childhood.

The tiniest event can tear a hole. Sara MacKillop by Margaret Kross

Sara MacKillop's exhibition "The Cutaway View" at Good Weather in Chicago presents sculptures made from humble analog materials like blank wall calendars, empty shopping bags, and gift wrapping. The London-based artist alters these objects with minimal interventions—such as surgically cut holes in shopping bags to accommodate vinyl records—drawing attention to the ephemera and texture of retail culture. Her series "Calendar Houses" (2021–ongoing) uses archive boxes and wall calendars to create miniature modernist dwellings that critique systems of order and self-optimization.

All we want for Christmas: The Art Newspaper 2025 gift guide

The Art Newspaper has published its 2025 Christmas gift guide, featuring a curated selection of art-related presents. Suggestions include art supplies from London's historic L. Cornelissen & Son, Japanese Irojiten color pencils, and cookbooks like "The Kitchen Studio: Culinary Creations by Artists" and the out-of-print "The Museum of Modern Art Artists' Cookbook." The guide also includes fantasy gift lists from Frieze and Art UK, with items such as Alexander Calder playing cards and a Tom of Finland cushion from House of Voltaire, alongside more unusual ideas like a sponsorship deal for a Victorian loo or a Lego Louvre heist set.

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British artist Lucy Sparrow will present her first U.S. museum exhibition, “The Beginning of Convenience,” at the Momentary, the contemporary art hub of Crystal Bridges Museum in Bentonville, Arkansas, opening in summer 2026. The immersive installation recreates an American supermarket entirely in felt, featuring approximately 20,000 hand-sewn plush products evoking the 1980s and 1990s. Sparrow researched Walmart’s archives to curate semi-vintage items, nodding to the museum’s founding family. Unlike her previous felt installations, nothing will be for sale, and the free exhibition will include a recreation of her studio and a documentary. Sparrow will also debut a candy shop titled “Sugar Rush” at Art Miami with TW Fine Art in December 2025.

Croissant, pigeon… At Nothing Serious gallery, artist Paa Joe transforms Parisian clichés into pop coffins

Croissant, pigeon… À la galerie Nothing Serious, l’artiste Paa Joe transforme les clichés parisiens en cercueils pop

Ghanaian artist Paa Joe has transformed iconic Parisian symbols into vibrant "fantasy coffins" for his solo exhibition, "From Paa Joe to Paaris," at Galerie Nothing Serious. The show features 25 large-scale sculptures, including a Café de Flore cup, a croissant, a Renault 4L, and a bottle of Pouilly-Fumé, all handcrafted in the tradition of Ga burial customs. Created alongside his son Jacob Tetteh-Ashong, these works reinterpret French clichés through a playful yet surreal lens, marking the gallery's return after a four-year hiatus.

Mr.’s New Museum Show Is All About Otaku Fantasy

Japanese Superflat artist Mr. has opened 'We’ll Meet Again', his first major museum solo exhibition in Japan in over a decade, at the Fukuoka Asian Art Museum. Running through June 21, 2026, the show features over 80 works including paintings, sculptures, installations, and video pieces, exploring themes of nostalgia, video games, manga, and the yanki subculture. Highlights include an immersive bedroom installation filled with beer cans and manga, a screening of his 2008 film 'Nobody Dies', and a new motorcycle work called 'itasha'.

Martin Parr steps out from behind the camera lens in informal autobiography

Martin Parr, the renowned British documentary photographer, has released an informal autobiography titled "Utterly Lazy and Inattentive: Martin Parr in Words and Pictures," written with author Wendy Jones. The book traces his career from early black-and-white work inspired by Garry Winogrand and Tony Ray-Jones to his signature vivid color series like "The Last Resort" (1983-85) and "Small World" (1987-94), which drew controversy for their satirical take on British leisure and global tourism. Parr, who was diagnosed with cancer in 2021, continues to be active, with his photographs of Bristol Pride currently on display at Bristol Museum and Art Gallery through March 2026.

We Know You’re Preparing for the Onslaught, so Here’s a List of 15 Solo Gallery Shows Worth Seeing in New York This Month

Cultured magazine has published a curated list of 15 solo gallery shows worth seeing in New York this September, highlighting exhibitions at venues such as Gagosian, Meredith Rosen Gallery, Michael Werner, 56 Henry, and Matthew Marks Gallery. Featured artists include Christopher Kulendran Thomas, whose AI-driven installation "Peace Core" re-edits pre-9/11 television footage alongside paintings of a Sri Lankan massacre; Catharine Czudej, who pairs consumerist paintings with merchandise and a new film; Florian Krewer, whose ominous animalistic paintings explore human emotion; Ohad Meromi, whose works focus on moments of rest and reflection; and Nayland Blake, whose three-part exhibition spans queer sexuality, the AIDS crisis, and new sculptural works.

Roaring: Art, Fashion, and the Automobile in France, 1918–1939

The Saint Louis Art Museum is presenting "Roaring: Art, Fashion, and the Automobile in France, 1918–1939," a major exhibition on view from April 12 to July 27, 2025. Curated by Genevieve Cortinovis, the show brings together automobiles, haute couture, painting, sculpture, photography, film, and decorative arts to explore the intertwined evolution of fashion and car design in early 20th-century France. Highlights include a 1917 painting by Henri Matisse depicting the view from his Renault, juxtapositions of Alfa Romeo and Citroën logos with works by Piet Mondrian and Charles Loupot, and a c. 1927 dress by Suzanne Talbot inspired by Tutankhamun's funerary mask. The exhibition draws heavily from local and midwestern collections, including the Missouri Historical Society.

Issy Wood’s first solo exhibition in the Nordics opened at Kistefos

Kistefos presents *Fish, Fish, Duck*, the first solo exhibition in the Nordic region by London-based painter Issy Wood, opened at Nybruket Gallery on 9 May 2026. The show features psychologically charged paintings on velvet and linen, self-portraits, animals, household objects, and a painted chaise longue, organized around the thematic frameworks "Ways of Seeing" and "The Artist as Archivist." Curated by Live Drønen and Kate Smith-Raabe, the exhibition draws on sources from the internet, advertising, and auction catalogues to explore desire, power, vulnerability, and objectification.

Exhibition | Kimiyo Mishima, 'FRAGILE' at Nonaka-Hill, Los Angeles, United States

This article profiles Japanese artist Kimiyo Mishima, whose ceramic sculptures meticulously replicate discarded newspapers, cans, and other trash. Mishima, who died recently, began her career with painting and collage before pioneering a technique in 1971 of silk-screening and painting thin clay sheets rolled with an udon noodle roller to create fragile, lifelike sculptures of garbage. Her work was shaped by her experience growing up in postwar Osaka and her revulsion at consumer culture's disposable nature, leading her to collect trash from the streets of New York and Paris during artist grants.

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The 2024 documentary film "Secret Mall Apartment," directed by Jeremy Workman, was released on Netflix on Friday. The film recounts the true story of artist Michael Townsend and seven others, many of them former students from the Rhode Island School of Design, who secretly built and lived in a hidden apartment inside the Providence Place mall from 2003 to 2007 as a protest against gentrification and consumer culture. The group was discovered in 2007, and Townsend was charged with trespassing, receiving probation and a lifetime ban from the mall. Originally released in theaters in March 2024, the documentary had been available on Amazon Prime Video and Apple TV before its Netflix debut.

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Saratoga, the bottled water brand known for its blue glass bottles and ubiquity at art world events, has launched a new collection of flavored sparkling waters with art-themed names. The three flavors are Abstraction of Lime, Anatomy of a Peach, and Untitled Berry No. 3, each packaged in cans with colorful geometric abstract designs. The brand's marketing leans into art world language, describing the flavors as a "curated blend" and using ornate picture frames in promotional imagery.

Semiprecious Stones Coat Kathleen Ryan’s Oversized Sculptures of Rotting Food

Artist Kathleen Ryan creates large-scale sculptures of rotting fruit and food items, meticulously covering them with thousands of semiprecious stones and beads to mimic the textures and colors of mold and decay. Works like "Bad Lemon (Slice of Paradise)" and "Screwdriver" juxtapose luxurious materials like amethyst, turquoise, and serpentine with salvaged metal from vintage cars, creating a dual personality of hidden beauty and grotesque rot.

Japan’s favourite puffed corn snack was just sold at auction for ¥1.15 million

A limited-edition artwork by Japanese contemporary artist Tomokazu Matsuyama, titled 'Umaibo: Contemporary Art Flavour', sold at auction for ¥1.15 million (approximately $7,600 USD). The piece reimagines the iconic ¥15 Umaibo corn puff snack, a beloved cheap candy in Japan. Originally released in 2025 as a run of 50 sticks priced at ¥100,000 each, the work was first shown at Matsuyama's solo exhibition 'Tomokazu Matsuyama: First Last' at Azabudai Hills Gallery in Tokyo. The auction result represents over ten times the original retail price.