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Artist Cameron Martin discusses his new exhibition “Baseline” at Sikkema Malloy Jenkins in New York with fellow painter Amy Sillman. The conversation explores Martin’s shift from earlier landscape-derived graphic paintings to a more abstract approach involving “almost signs”—forms where signifier and signified don’t fully align. Martin describes his work as engaging with paradox and contradiction, using surrogates for gesture and juxtaposing elements that don’t quite fit together, which can produce a sense of humor or drollness.

Mary Weatherford - The Surrealist - Exhibitions

Mary Weatherford presents a new body of work in her exhibition "The Surrealist," featuring large-scale abstract paintings that incorporate unconventional materials such as neon, coral, and starfish. The show includes works like "A Rose Tree" (2025), "Bonfire" (2025), and the titular "The Surrealist" (2024–2025), all executed in flashe on linen with mixed media elements.

David Novros’s Portable Murals

David Novros’s latest exhibition at Paula Cooper Gallery showcases his "portable murals," intricate multi-paneled paintings that challenge the traditional concept of art as a mere object on a wall. Utilizing oil and murano on canvas, Novros assembles monochromatic, L-shaped, and horizontal panels with precise intervals that incorporate the gallery wall into the composition. These works are designed to be experienced kinesthetically, responding to shifting natural light and the viewer's physical movement through the space.

Ruth Pastine | Violet (Yellow), Color Space Series (2021) | For Sale

Ruth Pastine's painting "Violet (Yellow), Color Space Series" (2021) is being offered for sale through Louis Stern Fine Arts in West Hollywood, listed on Artsy. The work is an oil on canvas on beveled stretcher, measuring 30 × 60 inches, and is part of her Color Space Series. Pastine, an American artist born in 1964, holds a B.F.A. from The Cooper Union and an M.F.A. from Hunter College, and has exhibited widely, including a museum survey at MOAH Museum of Art and History and a show at CAM Carnegie Art Museum. Her work is held in major collections such as SFMOMA, MCASD, and the Achenbach Foundation.

art exhibition bernard frize perrotin paris

French-born, Berlin-based artist Bernard Frize presents his 21st exhibition with Perrotin and 10th in Paris, titled “Les 26,” on view through May 30. The show features his signature geometric latticework paintings, where interlocking grids of uniform brushstrokes create hazy chromatic architectures. Works include both resin-layered canvases with overlapping bands of bright color and tempera paintings on glass with strict compositional rules—each color moving in three straight lines to form two right angles. Frize continues his practice of using utilitarian, nonsensical titles like “Vido,” “Sioc,” and “Vesem” to decenter subjective interpretation.

Abstract Thinking at the Cafesjian Art Trust Museum

The Cafesjian Art Trust Museum in Shoreview has launched "Abstraction and Ourselves," an ambitious exhibition that bridges the gap between contemporary abstract painting and monumental glass sculpture. Curated by Jill Ahlberg Yohe, formerly of the Minneapolis Institute of Art, the show pairs the museum’s renowned glass collection—including works by Stanislav Libenský and Jaroslava Brychtová—with significant loans such as a Georgia O’Keeffe oil painting and works by Dyani White Hawk.

Phoenix Artist Eliza McLamb Celebrates 25-Year Career

Phoenix-based painter Eliza McLamb is marking a quarter-century of artistic practice with a major retrospective at the Phoenix Art Museum. Titled "Eliza McLamb: 25 Years of Color and Emotion," the exhibition features over 40 abstract works produced between 1996 and 2021, showcasing her signature emotive style and deep connection to the Sonoran Desert.

Exhibition Review and Studio Visit Feature: Contemporary Color Field Painter Vanessa Johansson

Contemporary painter Vanessa Johansson recently debuted her solo exhibition at the Sky Garden Penthouse in Gramercy Park, New York. Curated by Jenny Mushkin Goldman of Agency Esta, the show featured Johansson’s large-scale acrylic on canvas works, which utilize fluid, transparent layers to evoke the spiritual and visual language of mid-20th-century Color Field abstraction. Pieces such as the triptych 'Windows' and the diptych 'Flow State' demonstrate her intuitive approach to motion, buoyancy, and orbital forms.

‘Sean Scully: Sublime and Sunyata’ at Art Museum of Sichuan Conservatory of Music, Sichuan, China

The Art Museum of Sichuan Conservatory of Music in Sichuan, China, presents 'Sean Scully: Sublime and Sunyata' from 12 June to 12 October 2025. Curated by Dr. Jiang Jun, the exhibition features 40 works including large-format paintings, sculptures, and photographs, exploring the convergence of the Western concept of the Sublime and the Eastern notion of Śūnyatā (emptiness).

Suffolk exhibit celebrates Boston-based women artists

The Suffolk University Gallery recently concluded "The Long View," a three-part exhibition series dedicated to celebrating the enduring careers of Boston-based women artists. The final installation, which closed on April 3, featured abstract works by Sharon Kaitz, Alyson Schultz, Jo Ann Rothschild, and Maggi Brown. The showcase highlighted the evolution of their studio practices, ranging from Schultz’s urban-inspired "Fracture" series to Brown’s material-focused oil paintings that explore the intersection of beauty and disturbance.

Spotlight: Mollie Jackson’s Catharsis at NoBo Art Center

Abstract artist Mollie Jackson is the subject of a commissioned display titled "Catharsis" at the NoBo Art Center, running through May 23. The exhibition features large-scale, expressive abstract paintings that Jackson describes as immersive and emotionally cathartic. A special workshop, "Making Emotions Visible," will be held on May 16 in conjunction with the show. Jackson, who will also be the summer 2026 artist-in-residence at the Firehouse Art Center, discusses her process-oriented approach, her background as the daughter of an abstract painter, and her belief that abstract art connects viewers to emotion rather than representation.