state of play asia art world news may 22

This edition of State of Play, part of Artnet Pro's Asia Pivot newsletter, reports on recent developments across Asia's art world. Taipei Dangdai Art and Ideas and Art Busan both concluded with slower sales and reduced attendance, citing economic and geopolitical uncertainty. Meanwhile, Art Basel announced a new fair in Doha for February 2026, and more Asian galleries are opening spaces in New York. In institutional news, philanthropist Yan Du is launching Yan Du Projects in London, the Simose Art Museum in Japan is hosting its first contemporary exhibition, and the Smithsonian's National Museum of Asian Art has repatriated looted Zidanku Silk Manuscripts to China.

alma allen perrotin

Sculptor Alma Allen has officially joined Perrotin, a move that follows his high-profile departure from former galleries Mendes Wood DM and Olney Gleason. The transition comes as Allen prepares to represent the United States at the 2026 Venice Biennale with the exhibition "Alma Allen: Call Me the Breeze," curated by Jeffrey Uslip. The artist reportedly split with his previous representation after they opposed his acceptance of the Biennale commission under the current political climate.

alma allen american pavilion 2026 venice biennale

Alma Allen, a Utah-born, Mexico-based sculptor, has been selected to represent the United States at the 2026 Venice Biennale, according to ARTnews sources. The pavilion's commissioning curator is Jeffrey Uslip, who previously curated the Malta Pavilion in 2022. The official announcement is pending the end of the government shutdown. Allen, known for large-scale stone, wood, and bronze sculptures, is in talks with Perrotin gallery for representation after his previous gallery, Kasmin, closed and rebranded as Olney Gleason.

Who is Alma Allen, US Pavilion Artist for the 2026 Venice Biennale?

who is alma allen us pavilion artist 2026 venice biennale

The US Department of State has confirmed that sculptor Alma Allen will represent the United States at the 2026 Venice Biennale. Allen, a Utah-born, Mexico-based artist known for abstract biomorphic sculptures, was selected after a fraught selection cycle that included updated guidelines requiring proposals to promote American values. He was approached directly by curator Jeffrey Uslip, who will organize the US pavilion, and accepted the offer despite reportedly being advised against it by his former galleries Mendes Wood DM and Olney Gleason, which subsequently cut ties with him.

nea funding cuts

President Donald Trump has proposed eliminating the National Endowment for the Arts (NEA), and arts organizations across the U.S. are already feeling the impact. After a White House budget request in May that excluded the NEA, dozens of institutions received abrupt termination notices for their grant applications, with the NEA citing a shift in policy priorities to focus on projects reflecting the nation's artistic heritage as prioritized by the President. In protest, many senior NEA staff resigned or were asked to retire, leaving the agency in disarray. The cuts are part of broader federal efforts to defund cultural agencies, including the Kennedy Center, the Smithsonian, and the National Endowment for the Humanities, which has seen a 70-80 percent staff reduction and canceled over a thousand grants. Private foundations like the Mellon Foundation and the Helen Frankenthaler and Andy Warhol Foundations have launched emergency funding programs, but the consequences for artists, educators, and community organizations are immediate and destabilizing.

art shara hughes studio david kordansky

Brooklyn-based painter Shara Hughes is entering a major career phase with a series of high-profile exhibitions and commissions. In September 2025, her first New York solo show since 2019, “Weather Report,” opens at David Kordansky Gallery, featuring nine large-scale paintings. Two months later, a mid-career survey titled “Shara Hughes: Inside Outside” debuts at the Norton Museum of Art in West Palm Beach, including both paintings and ceramics. Next year, she will unveil a large-scale mosaic floor installation at JFK International Airport’s Terminal 6, alongside works by Charline von Heyl and Candida Alvarez. The article includes an interview with Hughes, who discusses her studio routine, creative process, and the emotional depth behind her psychedelic landscapes.

Art Basel Qatar Taps Former Mathaf Director Wassan Al-Khudhairi to Shape 2027 Fair

Art Basel has appointed Iraqi curator Wassan Al-Khudhairi as artistic director for the 2027 edition of Art Basel Qatar, succeeding Egyptian artist Wael Shawky who shaped the inaugural edition. The fair will take place January 28–30, 2027, with preview days on January 26–27, at Doha Design District and M7 in Msheireb Downtown Doha. Al-Khudhairi, former founding director of Mathaf: Arab Museum of Modern Art, brings deep ties to Qatar and international curatorial experience from biennials including Gwangju and the Asian Art Biennial.

Why St. Louis Is A World-Class Art Destination

The Saint Louis Art Museum (SLAM) is presenting "Anselm Kiefer: Becoming the Sea," a landmark exhibition featuring new, large-scale paintings and sculptures by the renowned German artist. The works, including 30-foot-tall paintings like "Missouri, Mississippi" (2024) and "Lumpeguin, Cigwe, Animiki" (2025), were created specifically for SLAM's soaring Sculpture Hall after Kiefer revisited St. Louis in 2023. The exhibition draws on Kiefer's 1991 visit to the city, where he was deeply impressed by the Mississippi and Missouri rivers, and brings together themes of rivers, borders, memory, and cultural metaphor.

Claude Cahun and Marcel Moore: Surrealist Lovers Who Defied the German Occupation

Claude Cahun and Marcel Moore: Surrealist Lovers Who Defied the German Occupation

Claude Cahun and Marcel Moore, two Surrealist artists and life partners, are the focus of a new exhibition at the Contemporary Art Museum of St. Louis. The show, titled "And I Saw New Heavens and a New Earth," presents their collaborative work, including intimate portraits and photomontages, and highlights their daring resistance activities, such as creating anti-Nazi propaganda during the German occupation of Jersey.

The 10 Most In-Demand Artists on Artsy in 2025, from David Lynch to Amy Sherald

Artsy has released its list of the 10 most in-demand artists of 2025, based on year-over-year surges in artwork inquiries on its platform from January to November. Topping the list is filmmaker and artist David Lynch, whose inquiries surged 2,940% following his death in January, followed by Spanish painter Guim Tió Zarraluki (1,350% increase) and British painter Danny Fox (1,210% increase). Other artists include Amy Sherald, whose inquiries rose 710% after her 2018 portrait of Michelle Obama. The article notes that demand often spikes due to major publications, institutional shows, art fairs, or career milestones.

Shara Hughes - Weather Report - Exhibitions

David Kordansky Gallery presents "Weather Report," an exhibition of new paintings by Shara Hughes, opening September 4 through October 18, 2025, at its 520 W. 20th St. location in New York. This marks the artist's first solo show in New York in six years, featuring works such as "Rift" (2025), "Bigger Person" (2024), "Find My Way" (2025), "Niagara" (2024), "Only Slightly Rare" (2025), "The Good Light" (2025), "Pearly Gates" (2025), "Gossip" (2025), and "MaMa" (2025), all created in oil, acrylic, and dye on canvas or linen.

Art Basel Qatar Announces Artistic Director and Theme for 2027 Edition

Art Basel Qatar has appointed Iraqi curator Wassan Al-Khudhairi as artistic director for its second edition, scheduled for January 28–30, 2027, in Doha. The fair will be themed “between / بين,” exploring states of betweenness and fluid cultural encounters, and will feature a scaled-up Special Projects sector with large-scale, site-specific works, alongside solo gallery presentations. Al-Khudhairi, a specialist in modern and contemporary Arab art, previously served as founding director of Mathaf: Arab Museum of Modern Art in Doha and held curatorial roles at the Contemporary Art Museum St. Louis.

Where the WashU community goes to see art in St. Louis

Washington University in St. Louis community members—including students, faculty, and alumni—share their favorite places to view visual art around the St. Louis region during the summer. Recommendations include the St. Louis Virtuoso Collective, a co-op gallery of over 50 local artists on Cherokee Street; the Contemporary Art Museum St. Louis, which is showing exhibitions like “Like Water” and “Make the River Present”; the Saint Louis Art Museum, featuring works by Van Gogh, Sorolla, and Cézanne; and neighborhood public art projects in areas such as Holly Hills, The Grove, and the Delmar Loop.

art young artists list anniversary

Cultured magazine celebrates the tenth anniversary of its Young Artists list by reuniting 27 artists from past editions for a photoshoot at MoMA PS1, photographed by Dana Scruggs. The article reflects on the 247 artists featured since 2016, noting their diverse backgrounds—from MFA graduates to autodidacts—and includes candid responses from artists about challenges like financial survival, creative evolution, and absurd collector questions.

art paul chan ai breathers digital

Paul Chan, the artist known for his early digital video works, is preparing for a new exhibition at Greene Naftali titled "Automa Mon Amour," opening March 12, featuring his latest "breathers"—kinetic windsock-like sculptures powered by fans. Chan, who quit making art in 2009 to found the indie publishing house Badlands Unlimited, has since returned to art-making with analog-focused works, yet simultaneously developed Paul’ (Paul Prime), a sophisticated AI project that creates a digital version of himself using his personal data, writings, and interviews. The article explores the contradiction between Chan's rejection of screens and his engagement with highly technical, code-intensive digital art.

The Pressure to Mean Something: Inside the VCUarts’ MFA Exhibition

The article covers the MFA exhibition at VCUarts, showcasing the work of graduate students in the visual arts program. It highlights the pressure on emerging artists to imbue their work with meaning and the diverse approaches taken by the exhibitors.