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Philadelphia art museums celebrate America's 250th anniversary with blockbuster two-venue show

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have announced a massive collaborative exhibition titled "A Nation of Artists" to commemorate the 250th anniversary of the Declaration of Independence. Featuring over 1,000 works, the show spans from colonial-era masterpieces like Charles Willson Peale’s portrait of George Washington to contemporary Indigenous art and modern portraiture by Barkley L. Hendricks. The exhibition will also debut 120 works from the Middleton Family Collection, including significant Hudson River School and American Impressionist pieces.

jeffrey gibson met animal sculptures

Jeffrey Gibson has installed four large bronze animal sculptures—a deer, a coyote, a squirrel, and a hawk—on the facade of the Metropolitan Museum of Art in New York, collectively titled “The Animal That Therefore I Am.” At a talk with Met curator Jane Panetta, Gibson explained that the works draw on his early paintings on brain-tanned elk hides and his ongoing exploration of Indigenous kinship philosophies, which honor all living beings as extensions of ourselves. The sculptures, each adorned with ceremonial regalia inspired by Native American traditions, are designed to be viewed as four-sided paintings and connect the museum’s Central Park location to Gibson’s home in the Hudson River Valley.

Laura Phipps Named Director of Gochman Family Collection

Laura Phipps has been appointed director of the Gochman Family Collection, a private collection focused on contemporary Indigenous art. She joins from the Whitney Museum of American Art, where she was an associate curator, and will oversee the collection's strategic direction and the opening of its new 10,000-square-foot exhibition space in Katonah, New York this fall.

Tefaf New York wish list: objects and treasures to suit every collector’s taste

Tefaf New York presents a curated wish list of objects and treasures catering to diverse collector tastes. Highlights include Lee Bontecou's monumental mixed-media sculpture 'Untitled (1980-2001)' shown by Ortuzar and Marc Selwyn Fine Art, a rare René Magritte collage from 1926 offered by Di Donna Galleries, an ancient Egyptian bronze Osiris statue from David Aaron, and an Aboriginal painting by Mantua Nangala from Salon 94. Each piece is accompanied by price estimates and provenance details, reflecting the fair's focus on high-quality, historically significant works.

laura phipps named director gochman family collection opening new exhibition space katonah fall 2026

Laura Phipps has been appointed as the director of the Gochman Family Collection, a significant private collection primarily focused on contemporary Indigenous art. Phipps joins the organization following a distinguished 15-year tenure at the Whitney Museum of American Art, where she most recently served as an associate curator. In her new role, she succeeds Zach Feuer and will oversee a collection of over 750 works while managing the development of a new 10,000-square-foot public-facing exhibition space in Katonah, New York.

norval morrisseau forgery case sentencing interrupted

The sentencing hearing for Jeff Cowan, convicted in a massive art fraud scheme involving forged Norval Morrisseau paintings, was abruptly halted in an Ontario court. The delay followed explosive allegations from the defense suggesting that members of the artist’s own estate and long-time representatives may have been complicit in the creation or authentication of the fakes. A lawyer for the estate intervened, threatening civil action for defamation, which led the judge to pause proceedings until April.

NEW ZEALAND PHOTOGRAPHER FIONA PARDINGTON REPRESENTS AOTEAROA AT THE VENICE BIENNALE

New Zealand photographer Fiona Pardington (born 1961, Auckland) is representing Aotearoa at the 61st Venice Biennale with her exhibition *Taharaki Skyside*, on view from May 9 to November 22, 2026, at the Aotearoa New Zealand Pavilion. The show features large-scale portraits of taxidermied birds from museum collections across New Zealand and Australia, focusing on endemic species including the extinct huia and whēkau. Curated by Felicity Milburn and Chloe Cull, the exhibition is presented by the Arts Council of New Zealand Toi Aotearoa (Creative New Zealand) and Christchurch Art Gallery Te Puna o Waiwhetū.

Rosy Simas on Creating a Space for Peace in Minneapolis

Minnesota-based interdisciplinary artist Rosy Simas opened a contemplative installation titled "A:gajë:gwah dësa’nigöëwë:nye:' (i hope it will stir your mind)" at the Walker Art Center on the same day that Trump-appointed border czar Tom Homan announced the end of Operation Metro Surge, a federal immigration enforcement operation in the Twin Cities. The installation features salt bottles made from woven corn husks, each honoring one of Simas's relatives, and is inspired by the teachings of Handsome Lake (Ganyodaiyo’), her fifth great-grandfather’s half-brother, who promoted the Seneca concept of a "good mind." The exhibition, on view through July 5, is part of a two-part project that also includes performances in May. Simas, known primarily for choreography, has increasingly gained recognition as a visual artist, recently receiving a Creative Capital Award.

Frist Art Museum Presents Exhibition Spanning 100 Years of Contemporary Indigenous Art, Highlighting a Continuum of Elders and Emerging Makers

The Frist Art Museum is presenting a new exhibition that spans 100 years of contemporary Indigenous art, featuring works from both established elders and emerging makers. The show aims to highlight the continuity and evolution of Indigenous artistic practices across generations.

Frist Art Museum Will Present 100 Years of Contemporary Indigenous Art

The Frist Art Museum in Nashville will present "An Indigenous Present," an exhibition spanning 100 years of modern and contemporary Indigenous art, from June 26 to September 27, 2026. Co-curated by artist Jeffrey Gibson and independent curator Jenelle Porter, the show features 15 artists who use abstraction as a tool for liberated expression, including Teresa Baker, Raven Chacon, Kimowan Metchewais, Caroline Monnet, George Morrison, Mary Sully, Jaune Quick-to-See Smith, and Kay WalkingStick. Organized by the Institute of Contemporary Art/Boston, the exhibition draws from Gibson and Porter's landmark 2023 publication of the same title and is structured into five thematic sections that place emerging artists in dialogue with established makers.

Kent Monkman Reimagines History Painting At Akron Art Museum

The Akron Art Museum will present "Kent Monkman: History Is Painted by the Victors," a major exhibition of monumental paintings by Cree artist Kent Monkman. Running from April 11 to August 16, 2026, the show reimagines history painting through a subversive, Indigenous lens, confronting colonial narratives and offering new perspectives on the past and present.

What Can I See and Do at the DAM This Winter and Spring?

The Denver Art Museum (DAM) has announced its winter and spring 2025 programming, including exhibitions, events, and activities from February through April. Highlights include the closing exhibitions "Pissarro's Impressionism" (final day February 8) and "A Constant Sky" by Andrea Carlson (through February 16), the opening of photography show "What We’ve Been Up To: People" on February 8, fashion exhibition "Conversation Pieces: Stories from the Fashion Archives" on February 15, and "Space Is the Place: Art & Design in the Atomic Age" and "'Round the Clock: 24 Hours of Colorado in Prints" on March 1. Special events include Slam Nuba's 5th Annual Poetry Slam on February 21, lectures by Didier William and Zora J. Murff in March, and the major exhibition "The Stars We Do Not See: Australian Indigenous Art" opening April 19. The museum also offers free general admission for members and visitors 18 and under.

Final Weeks to Experience Kent Monkman: History is Painted by the Victors

The Denver Art Museum is hosting 'Kent Monkman: History is Painted by the Victors,' a major exhibition of the Cree artist's provocative, large-scale paintings that challenge Western art history through an Indigenous lens. The show, co-organized with the Montreal Museum of Fine Arts, runs until August 17 before traveling to Montreal in September. It has drawn widespread critical acclaim and emotional visitor responses, with reviewers praising its blend of humor, beauty, and political urgency.

Crystal Bridges Museum and Art Bridges receive 90 works of contemporary Indigenous art in landmark acquisition

Crystal Bridges Museum of American Art and its Art Bridges Foundation have acquired 90 contemporary works by Indigenous artists from the John and Susan Horseman Collection. Art Bridges will receive 81 works for long-term loans across the U.S., while nine pieces will join Crystal Bridges' permanent collection. Artists include Kent Monkman, George Morrison, Jaune Quick-to-See Smith, and Cannupa Hanska Luger. The acquisition is part of a broader strategy to expand the museum's holdings in Indigenous and craft art, with works set to debut in exhibitions starting November 2024.

Aboriginal art returns to Sotheby’s New York two years after pioneering dealer Tim Klingender's death

Two years after the death of pioneering Aboriginal art dealer Tim Klingender in a boating accident, his widow Skye McCardle-Klingender is organizing a multi-owner auction at Sotheby’s New York on 20 May. The sale includes 65 lots from Klingender's personal collection and other owners, featuring works by leading Aboriginal artists such as Emily Kam Kngwarray, Ginger Riley Munduwalawala, Rover Thomas, Mick Namarari Tjapaltjarri, and Richard Bell. McCardle-Klingender is working with former National Gallery of Australia curator Wally Caruana to assemble the auction, which aims to continue Klingender's legacy of elevating Indigenous Australian art on the global stage.

Kent Monkman's Miss Chief

Kent Monkman's exhibition "History is Painted by the Victors" is on view at the Denver Art Museum (DAM) through August 17, before traveling to the Montreal Museum of Fine Arts on September 27. The show centers on Miss Chief Eagle Testickle, a fictional narrator who appears throughout Monkman's work to disrupt false narratives about Indigenous history and colonization. The article excerpts a catalog essay explaining how Monkman created Miss Chief as a campy, humorous, and empowering figure who infuses Indigenous perspectives into art history, often inserting her into iconic artworks to subvert colonial tropes.

Art Gallery of Swan Hill Opens Three Powerful First Nations Exhibition

The Art Gallery of Swan Hill in Victoria, Australia, will open three significant First Nations exhibitions on 29 May 2026. The shows are: 'JXSH MVIR: Forever I Live', the first major solo retrospective of the late Yorta Yorta, Gunditjmara and Barkindji artist Josh Muir, co-curated by his partner and mother; 'Gulgawarnigu | Thinking of Someone. Something', a touring digital portrait and landscape exhibition by young Indigenous artists from Roebourne, Western Australia, developed through a partnership with NEO-Learning and Big hART; and 'Big Place', a new exhibition drawn from the gallery's permanent collection featuring works from Western Australia, the Northern Territory, the Tiwi Islands and South Australia.

V&A to open landmark exhibition celebrating contemporary art from the Asia Pacific region

The Victoria and Albert Museum (V&A) has announced a major exhibition titled "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," scheduled to open in May 2026. Developed in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, the show will feature over 70 works by more than 40 artists from 25 countries. The selection draws from three decades of the Asia Pacific Triennial, showcasing a diverse range of media including sculpture, painting, and weaving, with a significant emphasis on First Nations perspectives.

Don't miss the DIA's expansive Anishinaabe art exhibition

The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," its first major Native American art exhibition in over three decades. The show features 90 works from more than 60 Anishinaabe artists from Michigan and the Great Lakes region, including pieces by Maggie Thompson, Jim Denomie, David Martin, and Jodi Webster. The exhibition runs through April 8, with free admission for residents of Macomb, Oakland, and Wayne counties.

A Look at the DIA’s Contemporary Anishinaabe Art Exhibition

The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," its first Native American art exhibition in over 30 years. Featuring 92 works by more than 60 Anishinaabe artists from the Great Lakes region, the show spans from 1892 to 2025 and includes pieces by renowned artists such as Jim Denomie, Norval Morrisseau, Kent Estey, Jonathan Thunder, and Rabbett before Horses Strickland. Highlights include Denomie's vibrant "Four Days and Four Nites, Ceremony" (2020) and Morrisseau's spiritual works like "Punk Rockers Nancy and Andy" (1989).

Exhibition at Brown responds to University’s Haffenreffer Museum collection of Navajo objects

Diné (Navajo) artist Eric-Paul Riege has opened a new exhibition, “ojo|-|ólǫ́,” at Brown University’s David Winton Bell Gallery, on view through December 7. The show features large soft sculptures and weavings that engage with Diné mythology, Euro-American trading posts, and the concept of authenticity in Indigenous art. Riege also selected five objects from Brown’s Haffenreffer Museum of Anthropology, including a loom with an unfinished textile, which he recontextualized by separating the loom from the textile and adding handwritten notes. The exhibition is co-curated by Thea Quiray Tagle and Nina Bozicnik, and will travel to the Henry Art Gallery in 2026.

Rooted in Place: Humboldt Alumni and Staff Shine at de Young’s New Indigenous Art Exhibition

Cal Poly Humboldt alumni and staff are prominently featured in "Rooted in Place: California Native Art," a new exhibition at the de Young Museum in San Francisco that highlights Northern California’s Indigenous artists. The show includes works by the late Karuk painter Brian D. Tripp, Hupa artist and gallery director Brittany Britton, and other contributors such as Robert Benson, George Blake, Lena R. Bommelyn, and Shoshoni Gensaw-Hostler. Britton's beaded chair and Gensaw-Hostler's dentalium-shell cape are among the pieces displayed in the newly reinstalled Arts of Indigenous America galleries, which focus on the Hupa, Karuk, Tolowa, Wiyot, and Yurok peoples.

San Francisco’s de Young Museum opens revamped Native American art galleries

San Francisco's de Young Museum will unveil its newly reinstalled galleries of Native American art on August 26, following a years-long overhaul led by a group of predominantly Native curators. The reimagined spaces, called the Arts of Indigenous America galleries, feature contemporary works alongside historical pieces—some over 1,000 years old—as well as recent acquisitions and new commissions. One gallery focuses on Native California with rotating regional exhibits, while another covers all of North America, with ceramics, textiles, paintings, beadwork, and basketry arranged thematically. The museum consulted the communities of origin for historical pieces, as required by the Native American Graves Protection and Repatriation Act, and invited members to help interpret the works.

DIA opens major Anishinaabe art exhibition

The Detroit Institute of Arts (DIA) is opening its first major Native American art exhibition in over three decades, featuring 90 works from more than 60 Anishinaabe artists from Michigan and the Great Lakes region. The exhibition, on view from September 28, 2025 to April 8, 2026, includes pieces such as Jessica Leigh Gokey's "She Loves" and Norval Morrisseau's "Punk Rockers," and was developed with guidance from an Anishinaabe advisory board.

As an Emily Kam Kngwarray survey opens at Tate Modern this week, contemporary Indigenous artists are finally taking centre stage in the UK

Tate Modern opens its first major exhibition of Indigenous Australian artist Emily Kam Kngwarray (c. 1914–96), featuring over 70 works including early batiks and vast late-career paintings. The show, adapted from a presentation at the National Gallery of Australia, is co-curated by Hetti Perkins and Kelli Cole, who emphasize presenting Kngwarray's work within its Anmatyerr cultural context rather than through a Western abstraction lens. Concurrently, London's Camden Art Centre hosts an exhibition of Duane Linklater and his family, and a Manchester show features Santiago Yahuarcani, signaling a broader UK focus on contemporary Indigenous artists.

‘Lillian Pitt: Art, Memory, Home’ exhibition to open May 21 at The Museum at Warm Springs

A major exhibition titled 'Lillian Pitt: Art, Memory, Home' opens at The Museum at Warm Springs on May 21, featuring the contemporary art of celebrated Pacific Northwest Native artist Lillian Pitt alongside works from her personal collection and other institutions. The show, curated by Angela Anne Smith with contributions from Rebecca Dobkins, explores six themes in Pitt's life and work and includes an opening reception sponsored by The Ford Family Foundation.

Grace Rosario Perkins: Circles, Spokes, Zigzags, Rivers

The Whitney Museum of American Art in New York is presenting "Grace Rosario Perkins: Circles, Spokes, Zigzags, Rivers," an exhibition of nine recent paintings and a large-scale sculpture by the Akimel O’odham/Diné artist (b. 1986, Santa Fe). The show runs from October 18, 2025, to February 8, 2026, and is organized by senior curator Adrienne Edwards and curatorial assistant Rose Pallone. Perkins’s densely layered works incorporate acrylic, spray paint, found materials, and textual fragments, drawing on petroglyphs, ancestral storytelling, and personal experience to explore themes of grief, love, and hope while resisting reductive representations of Indigenous identity.

FSU MoFA exhibition examines Indigenous relationships with water

Florida State University Museum of Fine Arts (MoFA) has opened "Water Ways: Indigenous Ecologies and Florida Heritage," an exhibition examining Indigenous relationships with water through historical artifacts and contemporary art. Curated by Elizabeth A. Cecil, the show features works by Harold García V (El Quinto), Samboleap Tol, and Wilson Bowers, alongside ancient cypress dugout canoes, ceramics, tools, and a mask from the New Orleans Museum of Art. The exhibition runs from September 18, 2025, to March 14, 2026, with accompanying events including artist talks, a symposium, and a book club.

Futurity & relationality at art gallery's new exhibition

The Art Gallery of Swift Current is opening a new exhibition titled *Tastatâwâyih* by two-spirit Métis artist Sheri Osden Nault, running from May 22 to August 8. The show features a range of mediums including sculpture, video, photography, and drawings, and explores themes of relationality, community, environment, and futurity. A public reception with the artist will be held on May 22.

Bowen artist behind 'Above the Flood, Watching for the Light'

Bowen Island artist Corey Bulpitt presents his new series "Above the Flood, Watching for the Light" at the Hearth Gallery Community Centre, on view until July 28. The six-painting series follows his earlier "Daalkaatlii Diaries" works, which depicted the great flood of Haida territories and are now held in collections including Paris’ Musée du Quai Branly–Jacques Chirac and Gallery Jones in Vancouver. This new body of work shifts from historical catastrophe to speculative imagination, drawing on Haida cosmology while embracing invention and exploring unseen energies, microscopic spaces, and ephemeral light.