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12 Worldwide Polish Women-Led Exhibitions in 2026. Artistic Visions Unfolding Globally.

A wave of exhibitions led by Polish women artists is set to sweep across global institutions in 2026, highlighting themes of feminism, digital capitalism, and cultural identity. Key upcoming shows include Karolina Wojtas’s first U.S. solo exhibition, "Made in Poland," at Light Work in Syracuse, and Agnieszka Kurant’s "RECURSION" at Marian Goodman Gallery in New York. These exhibitions span diverse media, from interactive soft sculptures and photography to complex installations involving bacteria and artificial intelligence.

Rhythm, Space, and Memory. 10 Artists to Discover at “The Subtle Charm of Obsessions” Exhibition.

The article announces "The Subtle Charm of Obsessions," a multidisciplinary exhibition opening April 25, 2025, at the City Museum of Wrocław – Royal Palace. Curated by Jerzy Zajączkowski, the show explores Sigmund Freud's concept of the compulsion to repeat through works by artists based in Wrocław and across Poland, including Tamara Berdowska, the collective Monomoka (Katarzyna and Monika Gwiazdowskie), and Michał Misiak. The exhibition features painting, glass, fabric, and crocheted works, emphasizing rhythm, memory, and the cyclical return to familiar motifs placed in new contexts.

‘Endless scrolling induces permanent craving’: panGenerator highlights our unhealthy relationship with technology

An exhibition titled 'Elusive Sense: On the Fluid Boundaries of Perception' at London’s art’otel featured five contemporary Polish artists, including the collective panGenerator. Their interactive installation 'Infinity' (2020) invites viewers to kneel and endlessly scroll through nonsensical digital shapes on a screen, mimicking social media's infinite scroll. The work aims to make users feel uncomfortable and reflect on their daily digital habits, drawing parallels between trust in technology and religious belief. Another panGenerator piece, 'Hash to ash' (2017), lets visitors take a selfie that melts into ash, critiquing selfie culture and the fragility of digital photos.