Seurat and the Sea Is Postcard Perfect

Seurat and the Sea Is Postcard Perfect

The Courtauld Gallery in London is hosting 'Seurat and the Sea,' the UK's first exhibition dedicated to Georges Seurat's seascapes. The show features over half of the artist's lifetime output of canvases, painted during summer trips to the Channel coast between 1885 and 1890, which he intended as visual cleansers from studio work. The exhibition highlights his pointillist technique, using contrasting dots of color to capture seaside light.

Van Gogh visited Georges Seurat's studio the day he left for Provence

The Courtauld Gallery in London is hosting a major exhibition of Georges Seurat’s work, highlighting the profound influence the Neo-Impressionist leader had on Vincent van Gogh. Historical records reveal that Van Gogh visited Seurat’s studio on February 19, 1888—the very day he departed Paris for Arles—to view masterpieces like 'A Sunday on La Grande Jatte.' This meeting underscores the deep respect Van Gogh held for Seurat’s scientific approach to color, even as he prepared to embark on his most famous creative period in Provence.

wassily kandinsky painting worth 15 5 m to headline christies 20 21 spring evening sale in london alongside henry moore work 1234773512

Christie's London will offer Wassily Kandinsky's painting *Le Rond Rouge* (1939) with a high estimate of £15.5 million ($21.3 million) in its 20th/21st Century evening sale on March 5. The work, a key piece from the artist's Paris period, has been in prominent collections and was last sold at Sotheby's New York in 2018 for $20.6 million. The sale will also feature a fresh-to-auction Henry Moore bronze sculpture, *King and Queen* (1952-53), estimated at up to £15 million.

wassily kandinsky painting worth 15 5 m to headline christies 20 21 spring evening sale in london alongside henry moore work 1234773512

Christie's London will offer Wassily Kandinsky's painting *Le Rond Rouge* (1939) with a high estimate of £15.5 million ($21.3 million) in its 20th/21st Century evening sale on March 5. The work, a key piece from the artist's Paris period, has been in prominent collections and was last sold at Sotheby's New York in 2018 for $20.6 million. A major Henry Moore bronze sculpture, *King and Queen* (1952-53), with a £15 million estimate, will also headline the same sale.

Six London Art Exhibitions Opening In February 2026

Six major art exhibitions are opening in London public galleries in February 2026, running through at least May. Highlights include Lucian Freud: Drawing Into Painting at the National Portrait Gallery (12 Feb–4 May), Seurat and the Sea at The Courtauld Gallery (13 Feb–17 May), Chiharu Shiota: Threads of Life at the Hayward Gallery (17 Feb–3 May), Beatriz González at the Barbican Art Gallery (25 Feb–10 May), and Tracey Emin at Tate Modern (26 Feb–31 Aug). These shows span modern masters, contemporary installation, and international voices.

london courtauld new contemporary art galleries blavatnik 1234771100

London’s Courtauld Gallery will open two new contemporary art galleries at its Somerset House campus, funded by a £10 million ($13.8 million) gift from the Blavatnik Family Foundation. The top-floor spaces, originally built as a display area for the Royal Society in the 18th century, are expected to debut in 2029. The donation brings the foundation’s total support for the Courtauld to £20 million ($27.5 million), following earlier backing for the museum’s 2021 renovation. The new galleries will be programmed in part by students in the Courtauld’s curating master’s program and will host exhibitions connecting historical and contemporary art.

Why this rarely seen Van Gogh self-portrait deserves more attention

A blog post examines Van Gogh's lesser-known self-portrait, *Self-portrait with bandaged Ear and Pipe* (January 1889), held in a private collection and rarely exhibited—last lent outside Switzerland in 1990. The painting shows the artist clean-shaven, smoking a pipe, with a striking orange-red background, painted just weeks after he mutilated his ear following a row with Paul Gauguin. The post contrasts it with the more famous version in London's Courtauld Gallery, analyzing compositional details and the artist's psychological state.