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Tania Bruguera on Why Today’s Art Must Be Political

Cuban artist and activist Tania Bruguera will stage her performance "Tatlin’s Whisper #6" in Times Square on May 1, International Workers' Day. Originally created for the 2009 Havana Biennial, the work invites participants to speak freely on a platform for one minute, highlighting the conditional nature of free expression under authoritarian rule. Bruguera discusses the performance's relevance amid rising authoritarianism in both Cuba and the United States, noting that when she attempted to restage the work in Havana, she and other participants were arrested.

200 Years of Afro-Cuban Art at the Lowe Art Museum | Lowe Art Museum | Things to do in Miami

The Lowe Art Museum at the University of Miami is presenting two simultaneous exhibitions that together form the most comprehensive survey of Afro-Cuban art ever assembled. "El Pasado Mio/My Own Past," organized by Harvard's Afro-Latin American Research Institute, features over 81 works by 44 Cuban artists of African descent spanning two centuries, including nine paintings by Wifredo Lam and works by eleven female artists shown together for the first time. The companion exhibition, "Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection," examines the cultural movement of the 1930s when artists began centering Cuba's African roots despite widespread societal suppression. The shows run through September 12 with free general admission.

Lowe Art Museum to host two major exhibitions on Afro-Cuban art curated by Alejandro de la Fuente

The Lowe Art Museum at the University of Miami will present two complementary exhibitions on Afro-Cuban art from May 1 to Sept. 12, 2025, both guest-curated by Alejandro de la Fuente, director of the Afro-Latin American Research Institute at Harvard University. "El Pasado Mío/My Own Past" features 43 Afro-Cuban artists from the 1820s to the present in an amplified version with 83 works, while "Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection" focuses on early 20th-century Afrocubanista works, including pieces by Wifredo Lam.

Artists Pay Tribute to Koyo Kouoh in Poetry Caravan at Venice Biennale

At the Venice Biennale on May 7, 2026, Cuban artist María Magdalena Campos-Pons led a poetry caravan across seven locations in the Giardini to honor Koyo Kouoh, the late curator of the Biennale's main exhibition "In Minor Keys," who died of cancer at age 57 in 2025. The procession, inspired by a 1999 voyage Kouoh took with nine African poets from Dakar to Timbuktu, featured performances by poets Natalie Diaz, Robin Coste Lewis, Batool Abu Akleen, and Anne Waldman, kora player Saliou Cissokho, and Kouoh's husband, Swiss saxophonist Philippe Mall, who played a composition dedicated to her. The event was organized by a team of Kouoh's assistants and advisers, including Marie Hélène Pereira, who served as stand-in lead of the 2026 Biennale.

A circle of Cuban art at Westchester Regional Library

The Westchester Regional Library in Miami is hosting "Circular Reflections," an exhibition featuring over 80 contemporary Cuban artists, each working within a 21-inch circular format. Organized in collaboration with the Miami-Dade Public Library System, the show opened on April 3 and runs through June 25. Curated by Miami-based artist and independent curator Miguel Rodez, the project began nearly a decade ago and has evolved into a traveling, ongoing documentation of Cuban visual culture. Artists like Ismael Gómez Peralta discuss how the circular constraint challenged traditional rectangular composition, pushing them to rethink spatial organization while maintaining their individual visual languages.

ARTIUM RECOVERS THE SILENCED DISSIDENCE OF JUANA CIMA

Artium museum in Vitoria, Spain, has opened a retrospective exhibition titled "Juana Cima: Una mirada disidente" dedicated to Cuban-born artist Juana Fernández Cima (b. 1951). The show traces her career from the late 1970s through the 1990s, highlighting her pioneering work on identity, gender, and ecology, which was progressively marginalized from the dominant artistic narrative. The exhibition is organized around five conceptual territories—Bilbao, mythical ecofeminist landscapes, insular identity, spirituality via India and Buddhism, and mountain retreat—and runs until August 30, 2026.