At the 17th edition of the Independent art fair in New York, six galleries are presenting solo booths dedicated to Asian artists, including a U.S. debut by Taiwanese artist Tseng Chien-Ying and works by Japanese painter Rika Minamitani and Chinese conceptual artist Pu Yingwei. Founder Elizabeth Dee highlights the trend as reflecting broader geopolitical shifts and artists' desire to engage with complex cultural debates in New York.
Bahar Behbahani's project "Damask Rose: A Gathering" transformed three fountains on Governors Island into a Persian garden using handwoven carpets and crocheted canopies. The event, part of Governors Island Arts's annual Interventions series, brought together over two dozen community practitioners and cultural groups for a four-hour gathering focused on storytelling, music, and art-making. The article also covers Mana Contemporary's Spring Open Studios in Jersey City, a new Gaza monument in Paterson, Sarah Lucas's public sculpture at the New Museum, and other New York-area art news.
Seoul's new Centre Pompidou Hanwha museum will open to the public on June 4, 2025, marking the Pompidou's second Asian branch after its collaboration with Shanghai's West Bund Museum. The four-year partnership between the Hanwha Foundation of Culture and the Centre Pompidou will feature two exhibitions per year from the Pompidou collection, starting with "The Cubists: Inventing Modern Vision." The museum occupies 11,000 square meters over four floors of Hanwha Group's 63 Building, with one gallery dedicated to early 20th-century European art and another to global contemporary art with a Korean focus, curated in-house. The inaugural Korea Focus section includes local artists such as Kim Whanki and Yoo Youngkuk.
This Hyperallergic newsletter covers multiple New York art stories: Joe Macken's 50-foot hand-built wood replica of New York City now on long-term view at the Museum of the City of New York, Tuan Andrew Nguyen's towering Buddha sculpture on the High Line referencing the destroyed Bamiyan Buddhas, and the MoMA PS1 survey "Greater New York." It also reports on CONDUCTOR, New York's first art fair committed to the global majority, a new experimental artist-run space called The Gallery in Brooklyn, and reviews of Mark Milroy at JJ Murphy and Kim Gordon at Amant.
Art Dubai returns to Madinat Jumeirah from 15–17 May 2026 for a special 20th-edition programme that reflects on the fair's evolution and reaffirms Dubai's role as a global cultural hub. Presented in partnership with A.R.M. Holding and Dubai Culture, the fair features approximately 75 presentations from commercial galleries, institutional partners, and cultural initiatives, with around 60% of participating galleries drawn from the region. Highlights include the Made Forward presentation from Dubai Collection, the 20th edition of the Global Art Forum titled 'Before and After Everything', and an exhibition of modern Arab art from the Barjeel Art Foundation. The fair also introduces an innovative risk-sharing model where booth costs are payable based on sales performance, and entry is free for all visitors.
Lite Brite Neon Studio in Kingston, New York, has partnered with the Walker Youngbird Foundation to launch Native Neon, a residency program providing Indigenous artists with access to neon fabrication. The inaugural recipient is Sarah Rowe, an enrolled member of the Ponca Tribe of Nebraska and of Lakota descent, who receives $50,000, a $10,000 stipend, and a week-long residency to create an immersive neon environment. The studio, known for collaborations with artists like Glenn Ligon and Jeffrey Gibson, aims to lower the technical and financial barriers to working with neon.
A long-delayed loan of Paul Klee's painting *Angelus Novus* (1920) has finally arrived at the Jewish Museum in New York, completing the exhibition "Paul Klee: Other Possible Worlds." The work, on loan from the Israel Museum in Jerusalem, was stuck in Israel due to the ongoing war in Iran, which began with joint US-Israeli bombardments on February 28. Until its arrival, the painting was represented by an authorized facsimile with a note citing transport delays. The exhibition, which opened March 20, focuses on Klee's final decade and runs through July 26.
Comment le British Museum prépare l’arrivée de la tapisserie de Bayeux
The British Museum will display the Bayeux Tapestry from September 10, 2025, to July 11, 2027, in its Sainsbury Exhibitions Gallery, coinciding with the closure of the Musée de la Tapisserie de Bayeux for renovation. The 68.38-meter embroidery will be shown flat for the first time in over two centuries, in a custom-designed case with low lighting and continuous visitor flow. Tickets go on sale July 1, 2026, priced between £25 and £33, with free entry for under-16s. The exhibition includes loans such as the Junius II manuscript from the Bodleian Library and coins from the Chew Valley hoard, plus an outdoor installation by Andy Sturgeon. The UK government has provided an £800 million indemnity guarantee.
M+, Hong Kong's museum of modern and contemporary art, has announced a multi-year strategic partnership with the Centre Pompidou in Paris. The collaboration includes co-organized exhibitions at M+ starting in 2027, a joint exhibition at the renovated Pompidou around 2030, and a four-year postdoctoral fellowship funded by the Huo Family Foundation, established by philanthropist Yan Huo in 2009. The Huo Research Fellow will focus on twentieth- and twenty-first-century Western and Asian art.
The second edition of Vima, Cyprus' emerging international art fair, took place in Limassol from May 15-17, 2026, drawing 5,200 visitors and featuring 26 invited galleries from over 20 countries. Artworks sold ranged from €550 to €90,000, reflecting increased sales from the inaugural 2025 edition. Highlights included a special exhibition curated by Kostas Stasinopoulos titled "The Crashing Waves," performances by Scottish choreographer Magnus Westwell, and notable presentations by galleries such as Cut Art Gallery (Riga) and Eins Gallery (Limassol). The fair also hosted 25 events including talks, live music, and off-site shows across Limassol and Nicosia.
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Detroit's art scene is experiencing a resurgence, marked by the reopening of the Museum of Contemporary Art Detroit (MOCAD) after an eight-month renovation. The museum, now renamed the Julia Reyes Taubman Building, unveiled four new exhibitions, including a career survey of local artist Olayami Dabls titled "Olayami Dabls: Detroit Cosmologies," his first solo museum show in over 40 years. The reopening follows a 2020 reckoning over toxic workplace allegations, leading to the appointment of co-directors Jova Lynne and Marie Madison-Patton, who have refocused the institution on accessibility, civic engagement, and local contemporary art.
Russia's pavilion at the 2026 Venice Biennale will be closed to the public for nearly the entire run of the exhibition (May 9–November 22), with access limited to a brief preview period for press and invited guests. Instead of physical access, visitors will experience the pavilion's project—titled 'The Tree Is Rooted in the Sky'—via video documentation displayed on exterior screens. The arrangement is widely seen as a compromise shaped by international sanctions and political backlash over Russia's return following its absence after the 2022 invasion of Ukraine. In other news, Matthieu Blazy unveiled his first Chanel cruise collection in Biarritz; San Francisco appointed Matthew Goudeau as its first-ever executive director of arts and culture; the Saudi Arabia Museum of Contemporary Art received a $490 million construction grant from Diriyah Company; and online auction sales grew 8 percent in 2025, generating $423.9 million.
French Algerian artist, curator, and educator Kader Attia has been appointed curator of the Seventh Kochi-Muziris Biennale, scheduled to open in Kochi, India, in December 2027. The selection was made by a jury led by Biennale president Jitish Kallat and including Shilpa Gupta, Amrita Jhaveri, Pooja Sood, Tasneem Zakaria Mehta, Mariam Ram, and Rirkrit Tiravanija. Attia, who participated in the 2014 edition of the biennale, is known for his practice addressing social injustice, postcolonialism, and marginalized communities, and previously curated the 2022 Berlin Biennale.
Baró Galeria presents 'Eroded Horizon', Daniel Arsham's fifth collaboration with the gallery and his second exhibition at its Mallorca location, as part of Art Palma Summer 2026. The show features recent and previously unseen works across sculpture, drawing, and painting, exploring themes of time, decay, and the intersection of body and landscape. Arsham employs materials like marble, sand, bronze, and charcoal to create forms that blend ancient and futuristic aesthetics, continuing his signature fictional archaeology.
The Frick Collection in New York has announced a three-year partnership with Louis Vuitton, under which the fashion house will sponsor three upcoming exhibitions, a curatorial research associate position, and a year of the museum's free First Fridays program. The partnership launches with Louis Vuitton's Cruise 2027 collection show, designed by Nicolas Ghesquière, held in the Frick's first-floor galleries on May 20. The sponsored exhibitions include “Siena: The Art of Bronze, 1450–1500” (fall 2025), “Painting with Fire: Susanne de Court and the Art of Enamel” (spring 2027), and a third exhibition on 19th-century paintings (late 2027). The Louis Vuitton Curatorial Research Associate will be Yifu Liu, currently a curatorial fellow at the Frick, who will research Asian porcelain and cross-cultural exchange between Europe and China.
Fundación Casa Wabi and ArtReview have announced the ninth annual open-call residency prize for three artists or collectives, offering a residency at Casa Wabi in Puerto Escondido, Oaxaca, Mexico. The residency includes lodging, studio space, meals, and support for a community project, with applications due by 14 June 2026 and winners notified in July 2026. The prize aims to foster cultural cross-pollination between artists and local communities, with past winners including artists from Australia, the UK, Germany, Argentina, Brazil, and Mexico.
Tehran's Museum of Contemporary Art has opened an exhibition titled 'Art & War' featuring works by American Jewish artist Peter Saul, amid a fragile ceasefire between Israel and Hezbollah. The show includes Saul's provocative paintings that critique war and political violence, marking a rare cultural exchange in a country where official rhetoric often opposes Israel and the United States.
Yerba Buena Center for the Arts (YBCA) in San Francisco has appointed Essence Harden as senior curator, effective May 18. Harden currently serves as curator of Expo Chicago and has organized the Focus section of Frieze Los Angeles since 2024, roles they will continue with YBCA's support. An independent curator, Harden recently co-curated the 2025 Made in L.A. biennial at the Hammer Museum and previously held positions at the California African American Museum, Orange County Museum of Art, Art + Practice, Museum of the African Diaspora, and Oakland Museum of California. A Bay Area native, Harden's hiring marks a homecoming.
Shepparton Art Museum (SAM) in Victoria, Australia, will host the exhibition "Facing Modernity: Degas to Picasso" from 23 May to 20 September 2026. The show features 37 paintings and sculptures from Auckland Art Gallery Toi o Tāmaki, including works by masters such as Paul Cézanne, Pablo Picasso, Henri Matisse, and Salvador Dalí. Many of these works are part of a major philanthropic gift from New York-based collectors Julian and Josie Robertson, donated to the Auckland gallery in 2023, and have never before been shown in Australia.
The Phillips Collection in Washington, D.C., has opened a new exhibition titled 'Miró and the United States,' curated by Elsa Smithgall. The show features 75 works by Joan Miró alongside pieces by more than 30 other artists, including Alexander Calder, Rufino Tamayo, and Arshile Gorky. Rather than framing the relationship as a cultural clash between European modernism and American art, the exhibition emphasizes transatlantic artistic exchange during the mid-20th century, particularly in the shadow of World War II and the Spanish Civil War. Key works include Miró's 'Constellations' series and 'Still Life with Old Shoe' (1937), which are presented in dialogue with American contemporaries who responded to his visual language.
A collaborative exhibition titled 'Traces of Humanity' has opened in Margate, England, organized by Gibraltar Cultural Services on behalf of the Ministry for Culture, in partnership with the Lloyds Group of London. The show features works by Gibraltarian artists, members of the Lloyds Art Group, and internationally renowned artists, drawing inspiration from the Gorham’s Cave complex, a UNESCO World Heritage Site. The launch was hosted by the Mayor of Margate, Councillor Katie Pope, and attended by local dignitaries and visiting Gibraltarian artists. Curated by Philippa Beale, the exhibition will travel to the Noho Gallery in London's West End from 20th to 29th May before arriving in Gibraltar in June.
The Hong Kong Museum of Art (HKMoA) has organized 'Fermata: Hong Kong in Venice' as a Collateral Event of the 61st Venice Biennale, running from May 9 to November 22. The exhibition features artworks by Hong Kong artists Kingsley Ng and Angel Hui, curated under the musical symbol 'Fermata' in dialogue with the Biennale's theme 'In Minor Keys'. This marks the first time HKMoA has curated Hong Kong's exhibition at the Venice Biennale, with support from the Hong Kong Arts Development Council (HKADC) and the Hong Kong Special Administrative Region Government.
The Tehran Museum of Contemporary Art is hosting a rare exhibition of American art, featuring works from its collection that were acquired before the 1979 Islamic Revolution. The show includes pieces by artists such as Andy Warhol, Jackson Pollock, and Mark Rothko, and is presented as a reflection on the complex history of U.S.-Iran relations, including themes of war and cultural exchange.
This weekly roundup from ArtAsiaPacific covers four major developments in the art and architecture world. Chinese architects Wang Shu and Lu Wenyu have announced the theme for the 2027 Venice Architecture Biennale, titled “Do Architecture – For the Possibility of Coexistence Facing a Real Reality,” emphasizing hands-on, context-driven design. The 2026 Sovereign Asian Art Prize winners were revealed, with Balinese artist Citra Sasmita winning the Grand Prize for her work "Poetry of the Fountain" (2025). Dubai announced plans for the Museum of Digital Art (MODA), a new institution dedicated to new media and immersive technologies, as part of a major district expansion. Finally, the Asian Cultural Council (ACC) named 70 grantees for its 2026 cycle, awarding over USD 1.6 million to support cultural exchange between the US and Asia.
Wallace Chan, the Chinese artist known for his work across microscopic gemstone carving and monumental titanium sculpture, is presenting two concurrent exhibitions in Venice during the 61st Venice Biennale: “Vessels of Other Worlds” at the Pietà Chapel and “Mythos” at Scala Contarini del Bovolo. In an interview with ArtAsiaPacific, Chan discusses his artistic journey from traditional Chinese Buddhist carving to Western iconography, the spiritual resonance of the Pietà Chapel (where Vivaldi composed), and how his works explore themes of transformation, birth, growth, and rebirth through the lens of Buddhist philosophy and Catholic ritual.
Michael Joo, a contemporary artist known for his multidisciplinary work, is currently featured in multiple exhibitions spanning New York, the San Francisco Bay Area, a Mediterranean island, and Venice. These shows highlight his ongoing engagement with themes of identity, ecology, and cultural exchange, bringing his practice to a broader international audience.
Dana Awartani, an artist based in Jeddah, will represent Saudi Arabia at the 61st Venice Biennale in 2026, with her pavilion located in the Arsenale under the theme 'Celebrating Visions.' In an interview with ArtReview, Awartani discusses her exhibition, which builds on her practice of foregrounding Arab cultural histories and preserving the region's material heritage. She connects her work to the Biennale's theme 'In Minor Keys' by focusing on repair, healing, and the quiet consequences of conflict, emphasizing craft as a form of quiet resistance against mechanization. The pavilion, she says, reflects the diversity of voices within Saudi Arabia's artistic community rather than a single national narrative.
An exhibition titled "Homage to the Virtuosos: From Leonardo da Vinci to Caravaggio -- Masterpieces of the Italian Renaissance" opened at the National Art Museum of China in Beijing on May 5, 2026. The show features 36 masterpieces by more than 20 renowned Italian artists from the 15th to the 17th centuries, spanning the Renaissance and Baroque periods.
The article reports on 'Door to Life,' the third solo exhibition of works by the late Filipino artist Pacita Abad (1946-2004) at Tina Kim Gallery in New York. The show focuses on a body of work Abad created after her 1998 visit to Yemen, where she was inspired by the country's traditional architecture and decorative arts, particularly its ornate doors and qamariya (semicircular stained-glass windows). The works, executed in her signature trapunto style—a technique of stitched, padded canvas—layer geometric patterns, botanical motifs, and vibrant colors to evoke Yemeni design. The exhibition runs through June 20.
The Smithsonian's National Museum of Asian Art will open a new exhibition titled "A Museum in the Making" on June 27, 2026, running through August 8, 2027. The show explores the origin story of the Freer Gallery of Art, America's first national art museum, by examining how collector Charles Lang Freer used his Detroit home as a living laboratory for museum design. It highlights collaborations with artists and architects, including James McNeill Whistler, Stanford White, and Mary Chase Perry Stratton, and features a video walkthrough of the Freer House. The exhibition is part of the nation's 250th anniversary celebrations and the Smithsonian's broader "Our Shared Future" initiative.