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Cannes 2026 Dispatch, Part 1: Breaking False Unities

On May 8, during the pre-opening of the Venice Biennale, the independent collective ANGA (Art Not Genocide Alliance) organized a strike protesting genocide and precarity in the art world. Pro-Palestinian activists entered the Arsenale, where part of the exhibition "In Minor Keys" curated by the late Koyo Kouoh was installed, and hung posters on artworks calling for the liberation of Palestine and denouncing what they described as the Biennale's "art-washing" of Israel's reputation. The disruption blurred the line between activist intervention and the exhibition itself, as many works already addressed Palestine directly, including a poem by Refaat Alareer placed at the entrance.

Venice Biennale: Is art ever separate from politics?

The article, published by DW, examines the ongoing debate about the relationship between art and politics, using the Venice Biennale as a case study. It highlights how the 2024 edition of the Biennale has become a platform for political statements, particularly regarding Russia's exclusion from the event following its invasion of Ukraine, and the broader question of whether cultural institutions can remain neutral in times of geopolitical conflict.