5 very different art fairs throughout two days in New York City

The article reports on five distinct art fairs—Frieze, NADA, Independent, 1-54, and Esther III—visited during New York Art Fair Week. It highlights key artists and works, including Kelly Tapia-Chuning's deconstructed serapes at NADA, Esaí Alfredo's queer nighttime paintings, Alex Burke's textile dolls at 1-54, and Laetitia KY's photographic self-sculpture. The fairs collectively emphasized themes of environmentalism, globalism, decolonization, and a growing textiles sector, with curation varying widely from commercial to conceptually driven.

20 Must-See Monographic Museum Exhibitions Feature Artists Allan Rohan Crite, Wifredo Lam, Suzanne Jackson, Woody De Othello, Theaster Gates & More

Fall 2025 brings a wave of major monographic museum exhibitions worldwide, featuring artists such as Allan Rohan Crite, Wifredo Lam, Suzanne Jackson, Woody De Othello, and Theaster Gates. Highlights include the first mainstream museum shows for Crite in his hometown of Boston, the first solo museum exhibition for Gates in Chicago, and the first U.S. retrospective for Lam at MoMA. Other notable shows include surveys of Robert Colescott, Coco Fusco, Richard Hunt, Jacob Lawrence, and Cauleen Smith, spanning institutions from the San Francisco Museum of Modern Art to Zeitz MOCAA in Cape Town.

25 of 2025: 5 Sculptors to Watch

Artnet News has published the latest installment of its '25 of 2025' series, spotlighting five sculptors to watch. The article profiles Lotus L. Kang, a Canadian artist who had a solo show at 52 Walker in New York, was recently picked up by Esther Schipper, and has appeared in group exhibitions at MoMA, Jeffrey Deitch, and the Hessel Museum. It also features Raven Halfmoon, a Caddo Nation artist whose totemic ceramic works draw on Indigenous traditions and folklore, and who had her major institutional debut at the Aldrich Contemporary Art Museum in 2023. The series aims to highlight emerging talents shaping contemporary art.

CARTIER FOUNDATION. A THIN LINE BETWEEN EXTRACTIVISM AND CULTURAL RECLAMATION

FUNDACIÓN CARTIER. UNA DELGADA LÍNEA ENTRE EXTRACTIVISMO Y REIVINDICACIÓN CULTURAL

The Cartier Foundation inaugurated its new Paris headquarters on October 25 with the exhibition "Exposition Générale." The curatorial approach and, most notably, the labyrinthine architectural design by Jean Nouvel have drawn criticism from the specialized press, described as disappointing and patchwork. The new space, a dense black cube in central Paris, represents a radical departure from the foundation's previous luminous, glass-walled hall, forcing a complete rethinking of how to present its 40-year collection.

Kent Monkman's Miss Chief

Kent Monkman's exhibition "History is Painted by the Victors" is on view at the Denver Art Museum (DAM) through August 17, before traveling to the Montreal Museum of Fine Arts on September 27. The show centers on Miss Chief Eagle Testickle, a fictional narrator who appears throughout Monkman's work to disrupt false narratives about Indigenous history and colonization. The article excerpts a catalog essay explaining how Monkman created Miss Chief as a campy, humorous, and empowering figure who infuses Indigenous perspectives into art history, often inserting her into iconic artworks to subvert colonial tropes.

Untitled: Artist Takeover April 2025

The Denver Art Museum hosted 'Untitled: Artist Takeover' in April 2025, an evening event featuring performances, artmaking, and installations by Indigenous artists. Highlights included a fashion show by SunRose IronShell, drag tours of the Kent Monkman exhibition, poetry readings, dance performances, and a finale titled 'Planting Seeds' with Sarah Ortegon Highwalking. Drop-in experiences offered ledger art, yarn art, temporary tattoos, and frybread-making, alongside one-night-only installations by Sarah Ortegon Highwalking.

Zimbabwean artist Option Nyahunzvi explores cultural values in a bold new exhibition

Zimbabwean artist Option Dzikamai Nyahunzvi has launched a major solo exhibition titled 'Zvatiri' (Who We Are) at the National Gallery of Zimbabwe. The show features a multidisciplinary approach, combining installations, live-art performances, and paintings created with a unique technique of layering and etching Fabriano paper onto canvas. The works heavily reference Shona identity, specifically the 'hunhu' (or ubuntu) belief system and the artist's own Mbizi (zebra) totem, aiming to reconnect contemporary audiences with ancestral wisdom.

Radical History: Chicano Prints from the Smithsonian American Art Museum exhibition opens at The Huntington

The exhibition "Radical Histories: Chicano Prints from the Smithsonian American Art Museum" opens at The Huntington's Marylou and George Boone Gallery from November 16 to March 2. Curated by E. Carmen Ramos, the show features 60 works by nearly 40 artists and collectives, tracing over six decades of Chicano printmaking as a tool for resistance, community building, and cultural reclamation. The exhibition is organized into five thematic sections—"Together We Fight," "¡Guerra No!," "Violent Divisions," "Rethinking América," and "Changemakers"—and begins with the late 1960s Delano Grape Strike, highlighting how artists used silkscreens, posters, and offset prints to mobilize communities and confront injustice.

Two exhibitions; one shared dialogue: Weyburn Art Gallery

The Weyburn Art Gallery in Saskatchewan is presenting a dual exhibition running through the end of June, featuring two complementary shows. The first, 'Omentum: A look into the Indigenous Experience of the 21st Century- Exhibition Series, 2019' by Nehiyawak-Métis artist John Brady McDonald, comprises ten paintings that address themes such as Missing and Murdered Indigenous Women, cultural appropriation, residential school legacies, and the murder of Colten Boushie. Each painting was personally named by an influential Indigenous figure, including Isaac Murdoch, Rosanna Deerchild, and Dr. Evan Adams. The second exhibition draws from the City of Weyburn’s Permanent Collection, showcasing works by Indigenous artists Michael Lonechild, Ken Lonechild, and Mike Keepness, which explore identity, place, and memory.

NEYRA PÉREZ: RETURN TO ROEBIRI

NEYRA PÉREZ: RETORNO A ROEBIRI

Neyra Pérez, an Iskonawa artist, presents her exhibition "El retorno del Roebiri" at the Centro Cultural Ricardo Palma in Lima, Peru, running until May 9, 2026. The show features her distinctive kené designs, which she creates using natural materials like yakuchapana resin and virgin clay on raw canvas, fixed through sunlight and river washing. The works reference Roebiri, a mountain in the Amazonian Sierra del Divisor that was the ancestral territory of the Iskonawa people, from whom they were displaced in the late 1950s by missionaries and the military. Since 2018, Pérez has been part of a cultural revitalization effort led by anthropologist Carolina Rodríguez to recover these traditional designs and practices.

Huntington Debuts Major Chicano Art Exhibition Celebrating Six Decades of Printmaking as Activism

The Huntington Library, Art Museum, and Botanical Gardens in San Marino, California, will host the West Coast debut of “Radical Histories: Chicano Prints from the Smithsonian American Art Museum” on November 16. The exhibition features 60 works by some 40 artists and collectives from the Smithsonian American Art Museum, spanning over six decades of Chicano printmaking as a form of resistance, community building, and cultural reclamation. It traces key moments from the late 1960s Delano Grape Strike to the present, using silkscreens, posters, and offset prints. The Huntington has also commissioned a mural by Los Angeles–based artist Melissa Govea in partnership with Self Help Graphics & Art.

Dalit History Month: Vaanam's Dalit art exhibit tells 'The Whole Story'

The Neelam Cultural Centre and Neelam Arts Collective have launched "The Whole Story," a significant Dalit art exhibition at the Lalit Kala Akademi in Chennai. Featuring works by 36 artists from across India, the show is a cornerstone of the fifth Vaanam Art Festival held during Dalit History Month. The exhibition showcases a diverse range of visual practices—from Yuvadharani’s multidisciplinary pieces to S Venkatesan’s explorations of urban displacement—all centered on themes of caste, memory, and resistance.

Theater/Arts: New exhibit at PIEAM showcases life in Guam during WWII

The Pacific Island Ethnic Art Museum (PIEAM) is launching "So We Leapt – Para I Hinanao-ta Mo’na," an exhibition centered on a rare archive of photographs taken in Guam between 1944 and 1946. Captured by U.S. Army photographer Frank Buchman and curated by Pulitzer Prize-winner Manny Crisostomo, the images move beyond traditional wartime documentation to highlight the daily lives and resilience of the Indigenous CHamoru people. The show is augmented by "Hasso," a contemporary portrait series by Johnny Cepeda Gogo featuring elderly CHamoru survivors of World War II.

“Arteries with Wings”: Mai al-Halwani opens her Art Exhibition in Homs

Syrian visual artist Mai al-Halwani opened her latest exhibition, “Arteries with Wings”, at the Palace of Culture in Homs on Wednesday, December 18. The show features 40 paintings in her signature expressionist style, combining miniature art and decorative motifs to explore themes of life, freedom, and resilience. Organized by the Union of Visual Artists, the exhibition marks al-Halwani's first in Homs since the city's liberation, with some pieces referencing the Syrian revolution. Half of the proceeds will go to the Syrian Development Fund.