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museum artist ranking june 2025 2661244

Artnet News published its quarterly museum artist ranking for June 2025, analyzing temporary exhibitions at over 250 U.S. museums to identify which living artists received the most institutional attention. The list includes over 4,500 names, with Indigenous contemporary artists dominating the top ranks: Cara Romero and Sky Hopinka remain highly visible, joined by Jeffrey Gibson and Andrea Carlson. Cindy Sherman appears in at least 10 group shows nationwide, while Alex Katz continues as a rare painter favored by museums at age 97. The ranking prioritizes career retrospectives, dedicated exhibitions, and special commissions over group show appearances.

popular artists march 2025 2617709

Artnet News published its quarterly analysis of the most exhibited living artists at over 250 U.S. museums in March 2025, identifying more than 3,700 artists. The top artist is photographer Cara Romero, who appears in multiple museum shows including a major retrospective at the Hood Museum at Dartmouth College. Three of the six most featured artists have Native American backgrounds, reflecting a surge in exhibitions celebrating Indigenous art. The list excludes the late Jaune Quick-to-See Smith, a Native painter and curator who died in January 2025 at age 85 and would have ranked highly.

Dartmouth Students Turn to Moldy Beef Jerky Installation in Renewed Bid to Remove Leon Black’s Name from Arts Center

Art students at Dartmouth College installed a provocative piece titled "Something Rotten" in the Black Family Visual Arts Center, consisting of 20 moldy beef sticks arranged into a smiley face over the dedication wall honoring billionaire financier Leon Black and his family. The work, created by students Erik Siegel, Angeles Juarez-Ruiz, and Roan Wade, was removed one week after the exhibition "Storage Room" opened on April 14. The piece references Black's documented friendship and business dealings with convicted sex offender Jeffrey Epstein, with the wall label quoting an Epstein email mentioning "jerky." The installation is part of a broader student and alumni campaign to remove Black's name from the arts center, which was funded by a $48 million gift from Black and his wife Debra.

Dartmouth Students Renew Calls to Remove Leon Black’s Name From Arts Center

Students at Dartmouth College have intensified their campaign to remove billionaire collector Leon Black’s name from the school’s visual arts center. The renewed push follows the release of Department of Justice files detailing Black’s extensive financial ties to the late sex offender Jeffrey Epstein, including $170 million in payments for tax and estate advice. While Black has denied all allegations of misconduct and his legal team maintains he was unaware of Epstein’s criminal activities, student leaders are citing the college's recent decision to strip César Chávez’s name from a fellowship as a precedent for moral accountability.

Dartmouth Students Renew Efforts to Rename Leon Black–Funded Arts Center

Dartmouth College students have reignited a campaign to rename the Black Family Visual Arts Center, a campus facility funded by billionaire investor Leon Black. The movement, led by freshman Oscar Rempe-Hiam and supported by student government, criticizes the administration's lack of urgency in distancing the institution from Black, whose long-standing ties to Jeffrey Epstein and personal allegations of sexual misconduct have sparked years of controversy.

Kent Monkman at Akron Art Museum: Reimagining North American landscapes

Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.

Art Notes: Hood Museum's exhibitions reflect on America's 250 years

The Hood Museum of Art in Hanover, New Hampshire, has mounted a dozen exhibitions drawn entirely from its own collection to mark the 250th anniversary of American independence. Curators began planning in 2022, opting for a series of smaller, collaborative shows rather than a single large exhibition. Highlights include "Always Already: Abstraction in the United States," featuring works by Frank Stella and Nampeyo; "American Pop," with Ed Ruscha's "Standard Station, Amarillo, Texas" and Jaune Quick-to-See Smith's "The Rancher"; and "Art Histories/Art Futures," which pairs May Stevens' "Big Daddy Paper Doll" with Michael Naranjo's "He's my brother." The exhibitions reflect the museum's ongoing effort to include art and artists historically left out of the art-historical canon.

Rose Art Museum Presents Fred Wilson: Reflections August 20, 2025 – January 4, 2026

The Rose Art Museum at Brandeis University will present "Fred Wilson: Reflections," a major survey of the artist's work from 2003 to the present, on view from August 20, 2025, through January 4, 2026. Curated by Dr. Gannit Ankori, the exhibition spans three sections, including Wilson's glassworks inspired by the 2003 Venice Biennale, his black-and-white Flag paintings, and the debut of a new immersive installation, "Black Now!," which features over 2,500 found objects collected since 2005 that explore themes of race, identity, and material culture.

Kent Monkman's Miss Chief

Kent Monkman's exhibition "History is Painted by the Victors" is on view at the Denver Art Museum (DAM) through August 17, before traveling to the Montreal Museum of Fine Arts on September 27. The show centers on Miss Chief Eagle Testickle, a fictional narrator who appears throughout Monkman's work to disrupt false narratives about Indigenous history and colonization. The article excerpts a catalog essay explaining how Monkman created Miss Chief as a campy, humorous, and empowering figure who infuses Indigenous perspectives into art history, often inserting her into iconic artworks to subvert colonial tropes.

'Strange Mirror.' Needham native, former engineer, preps for first solo art exhibition

Latika Sridhar, a Needham native and former design engineer, is preparing for her first solo art exhibition titled "Strange Mirror," opening May 9 at Established Gallery in Brooklyn. The show features work she has created over the past two years since leaving her engineering career to focus on painting, following a fine arts summer intensive at the Pratt Institute. Her art explores themes of internal complexity, human emotion, and her own mental health journey, with the exhibition running for a month.

Hood Museum of Art's longest-serving director to retire

John Stomberg, the director of Dartmouth College's Hood Museum of Art, has announced his retirement after leading the institution for over a decade. His tenure, which began in 2013, marks the longest directorship in the museum's history.

Emerging Young Artists and Designers 2026 Juried Exhibition

The University of Massachusetts Dartmouth's College of Visual and Performing Arts (CVPA) is hosting the Emerging Young Artists and Designers 2026 Juried Exhibition. The virtual opening and awards ceremony will be held on February 6, featuring 100 works selected from over 550 submissions by high school students across New England. Award winners will have their work displayed in the CVPA Campus Gallery from February 14 to 22.

Seaport Art Walk accepting artist proposals for 2026 exhibition

The Seaport Art Walk in New Bedford, Massachusetts, is now accepting artist proposals for its 2026 edition, which will run from July 9 to October 31, 2026. The juried outdoor exhibition, themed “Good Trouble” in honor of the late Rep. John Lewis and the 250th anniversary of the Declaration of Independence, invites submissions of temporary sculptures, murals, or photography exploring civil disobedience, community organizing, and cultural resistance. Proposals are due by February 23, 2026, with stipends ranging from $250 to $2,500 per artwork.