Queere Heilige, große Egos
Andrew Durbin's new biography examines the intertwined lives of artists Peter Hujar and Paul Thek, focusing on their art, desire, and self-staging. The review notes that while the book covers their creative circles—including figures like David Wojnarowicz, Divine, John Waters, and Susan Sontag—it loses sight of the urgent political and social context that animated their work, particularly the AIDS crisis and Reagan-era repression.
Monopol verlost 5 × 2 Tickets für Peter Hujar und Liz Deschenes im Gropius Bau
Monopol magazine is giving away 5 × 2 tickets to the exhibition "Peter Hujar / Liz Deschenes: Persistence of Vision" at the Gropius Bau in Berlin. The show pairs Hujar's iconic black-and-white photographs of New York's downtown scene—featuring figures like Susan Sontag, Divine, and David Wojnarowicz—with Liz Deschenes' abstract, material-focused works on glass and photosensitive paper. To enter, readers must email their name with the subject line "Hujar" by May 30.
In 1985, David Wojnarowicz and other New York artists traveled to Louisville, Kentucky, to create site-specific murals for a weeklong fundraiser benefiting the Kentucky Child Victims' Trust Fund. The murals were expected to be destroyed after the event, but in 2023, the Wojnarowicz Foundation discovered that Wojnarowicz's mural, titled 'The Missing Children Show' Mural, had survived behind a false wall. However, the work has since been covered again, leaving its fate uncertain.
A large mural by David Wojnarowicz (1954-92), rediscovered in a Louisville, Kentucky building in 2022, is at risk of being concealed again behind drywall as the building is redeveloped into high-end residences. The site-specific work was created in 1985 for the group exhibition *The Missing Children Show: Six Artists from the East Village on Main Street*, organized by dealer Potter Coe to benefit the Kentucky Child Victims’ Trust Fund. The building's current developers plan to turn the mural's floor into a waiting room for a boxing gym, covering it with sheetrock, though they have guaranteed no damage. The artist's foundation and gallery, PPOW, have proposed covering it with transparent plexiglass instead, but the mural's removal is unlikely due to its size and brick surface.
Ari Aster's upcoming film *Eddington*, premiering at Cannes, uses David Wojnarowicz's 1988–89 artwork *Untitled (Buffalos)* as its poster image. The film, set in May 2020, follows a sheriff and mayor clashing over face masks during the COVID-19 pandemic. Wojnarowicz's work, originally a critique of U.S. government indifference during the AIDS crisis, depicts bison falling off a cliff—a metaphor for societal collapse. The poster slightly alters the image, and A24, the production company, has not commented on the design.