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Event: Hammad Nasar and Billy Tang, Off the Record

ArtReview and Ursula magazine have announced a collaborative talk featuring curators Hammad Nasar and Billy Tang as part of their "Off the Record" series in London. The event, held at the Farm Shop in Mayfair, is designed as an intimate, live conversation focused on the working methods and inspirations of creative visionaries. Nasar, a veteran curator and MBE recipient, will join Tang, the Artistic Director of the new Yan Du Project, to discuss their respective practices and the evolution of creative thinking.

Dexter Dalwood: ‘If we want art history to change, we need to include artists in creating shows’

British artist Dexter Dalwood, known for his paintings of imagined interiors of famous figures like Kurt Cobain and Ludwig Wittgenstein, has taken on an unexpected role as co-curator of an exhibition at the National Gallery in London. The show, *José María Velasco: A View of Mexico*, runs until August 17 and highlights the 19th-century Mexican landscape painter, who documented industrialization and ecological change. Dalwood, who moved to Mexico in 2022 after a residency, brings his own artistic perspective to the curation, aiming to introduce Velasco to an international audience.

Artist Tammie Dupuis offers Indigenous, feminist perspective in Linfield Art Gallery show

Artist Tammie Dupuis presents her installation "Continuality" at the Linfield Art Gallery, a show that centers on the sacred feminine and Indigenous spirituality. The exhibition features a large-scale lodge titled "Broken Made Whole," constructed from red-and-white quilted fabric to represent U.S. reservations, alongside circular paintings that utilize non-Eurocentric perspectives to explore the relationship between women and the lunar cycle.

4 artistes sami, peuple autochtone d’Europe du Nord, à découvrir avant tout le monde

Four Sámi artists, representing the Indigenous people of Northern Europe, are being highlighted in Finnish museums as Oulu, the European Capital of Culture, hosts exhibitions showcasing their work. The article introduces these artists and their practices, emphasizing their unique perspectives rooted in Sámi culture and traditions.

on art history in times of war gaza islamic nasser rabbat 1234744329

This essay by Nasser Rabbat reflects on the persistence and precarity of writing art history in times of war, specifically focusing on the field of Islamic art and architectural history. Rabbat draws a parallel to Gabriel García Márquez's novel *Love in the Time of Cholera* to frame his discussion, arguing that war is not a passing crisis but a persistent condition for the Islamic world. He traces how colonial conquests, postcolonial conflicts, and the ongoing Israeli genocide against Gaza have shaped the formation and theoretical orientation of Islamic art history as a Western scholarly endeavor, beginning with Napoleon's invasion of Egypt in 1798 and continuing through the "War on Terror."

First Comprehensive Museum Retrospective For Detroit Artist And ‘Bead Man’ Olayami Dabls

The Museum of Contemporary Art Detroit (MOCAD) will present "Olayami Dabls: Detroit Cosmologies," the first comprehensive museum retrospective for Detroit artist Olayami Dabls, running from April 25 to July 12, 2026. Dabls, who began his career as a curator at the Afro-American Museum in Detroit (now the Charles H. Wright Museum of African American History), traces his artistic journey to a transformative moment in the 1970s when he opened a box of African masks that his colleagues feared to handle. This experience led him to investigate how Hollywood and popular culture had demonized African material culture, associating it with horror movies and voodoo, and inspired decades of work as an artist, storyteller, cultural historian, and civic champion.

Diana Eusebio’s 'Field of Dreams' exhibit at MOCA is rooted in culture

The Museum of Contemporary Art North Miami (MOCA) has opened three new exhibits as part of its 30th anniversary programming, including 'Field of Dreams,' the first solo exhibition for Miami-based fashion designer and multidisciplinary artist Diana Eusebio. The 27-year-old artist presents 38 works that draw on her Indigenous Peruvian-Quechua and Afro-Dominican heritage, using textiles and fabrics sourced from Miami, Peru, and the Dominican Republic, along with ancestral dyeing techniques and materials native to Miami.

How ‘Miss Chief’ Can Help Us Rethink Art History

The New York Times article explores how the character 'Miss Chief Eagle Testickle,' created by Indigenous Canadian artist Kent Monkman, serves as a provocative lens for reexamining Western art history. Miss Chief, a gender-fluid, time-traveling figure, appears in Monkman's paintings to subvert classic works by inserting Indigenous perspectives and challenging colonial narratives. The article details how Monkman uses this alter ego to critique the erasure of Indigenous peoples from canonical art, often placing Miss Chief in scenes that parody famous European paintings.

There Is Still A Tomorrow, Mother: An Imelda Cajipe Endaya Exhibition

Imelda Cajipe Endaya, a pioneering Filipino feminist artist, will hold her first U.S. solo exhibition in nearly two decades at Silverlens New York, opening May 8, 2025. Titled "There is Still a Tomorrow, Mother" and curated by Eugenie Tsai, the show spans works from 1982 to 2023, highlighting the overlooked roles of Filipino women through colonialism, war, and dictatorship. The exhibition features mixed-media pieces incorporating materials like cloth gloves, woven bamboo, and crocheted textiles, alongside paintings such as "Tutol ni Dolorosa" and the installation "The Wife is a DH," which address themes of erasure, migration, and resistance.

Ethiopian Artist Tibeb Sirak Explores Heritage in Nairobi Debut

Ethiopian artist Tibeb Sirak presents her debut solo exhibition in Nairobi, exploring themes of heritage, identity, and cultural memory through her work. The show marks a significant milestone in her career, bringing her distinctive visual language to a new audience in East Africa.