The Aspen Art Museum is presenting a solo exhibition of new and recent paintings by Jacqueline Humphries, curated by Daniel Merritt. The show runs from December 12, 2025, to April 5, 2026, and is extensively documented with 64 installation images.
Museion in Bolzano has launched a major retrospective titled "Feedback. The Environments of Franco Vaccari," focusing on the influential Italian conceptual artist. The exhibition marks the first comprehensive institutional survey to prioritize Vaccari’s "environments"—immersive spaces that utilize photography, video, and archival materials to engage the viewer in a process of real-time feedback.
The London-based gallery Arcadia Missa is currently hosting a solo exhibition by artist Morag Keil titled "With You For Life." Running from March 5 through April 25, 2026, the presentation features a new body of work documented through a series of installation views captured by photographer Tom Carter.
The Institute of Contemporary Art, Miami, has launched "Perfect Nonsense," a comprehensive survey of Harmony Korine’s multidisciplinary career. Curated by Alex Gartenfeld, the exhibition features a vast array of works spanning film, painting, installation, and digital media, marking the artist's first major museum survey in the United States. The presentation highlights Korine’s experimental visual language, blending analog techniques with gaming aesthetics and contemporary digital culture across several gallery spaces.
Art Central 2026, the Hong Kong art fair, is launching its 11th edition with a record 117 galleries and over 500 artists. The event, staged on the Central Harbourfront, emphasizes discovery through large-scale installations, performances, and moving-image works, transforming its architecture into an immersive arena. It solidifies its role as a key regional platform.
The Solomon R. Guggenheim Museum has unveiled a new exhibition that juxtaposes iconic Pop Art works from the 1960s with contemporary pieces recently added to the museum's permanent collection. By placing historical landmarks of the movement alongside modern practice, the show traces the enduring influence of mass media, consumerism, and vernacular imagery on artists across different generations.
Tang Contemporary Art in Beijing is launching a massive retrospective titled '1985–2025: Chinese Modern Ink Art,' curated by Zou Jianping. Featuring over 120 works by 68 artists across two gallery spaces, the exhibition traces the forty-year evolution of ink painting from the '85 New Wave movement to the present day. The show highlights key figures such as Gu Wenda, Wang Tiande, and Liu Qinghe, showcasing how the medium transitioned from traditional brushwork to experimental forms including installation and digital media.
Para Site, a prominent Hong Kong art organization, has appointed James Taylor-Foster as its new executive director. The British Swedish curator and writer succeeds Billy Tang, concluding a leadership transition period managed by deputy director Junni Chen. Taylor-Foster will relocate from Stockholm, where he worked at ArkDes and Moderna Museet, to assume the role this summer.
The National Pavilion UAE has announced its upcoming exhibition for the 61st Venice Biennale in 2026, titled ‘Washwasha’ (Whispers Across Water). Curated by Bana Kattan with assistant curator Tala Nassar, the presentation features six artists: Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition moves away from traditional visual spectacle to focus on sound, oral traditions, and 'sonic cartographies' that explore memory, migration, and the fluid identity of the UAE through an architectural environment designed by Büro Koray Duman Architects.
Artist Raque Ford discusses her recent exhibitions, "The Barkeeper’s Friend" at Greene Naftali and "Cry Baby" at Kunstverein Gartenhaus, highlighting her unique approach to language and materiality. Ford utilizes industrial materials like reflective acrylic, Mylar, and thermal printers to transform pop lyrics, overheard speech, and diaristic fragments into physical installations. Her work explores the tension between public performance and private interiority, often using scale to manipulate the viewer's emotional response to text.
Italian artist Tullio Brunone died on April 21. Born in 1946 in Alexandria, Egypt, to an Italian family, he trained at the Accademia di Brera in Milan. A pioneer of video art and new media, Brunone was a key figure in the Laboratorio di Comunicazione Militante (1976-1978) and later co-founded the Scuola di Nuove Tecnologie at Brera in the 1990s. His work explored interaction, temporality, and the selfie phenomenon, anticipating contemporary digital culture. He was represented by Galleria Clivio in Milan, which dedicated part of its stand to him at the most recent miart fair.
A Milano il Rinascimento italiano incontra l’intelligenza artificiale: intervista a Refik Anadol
Refik Anadol's immersive AI artwork, 'Renaissance Dreams,' is on extended daily view at Milan's MEET Digital Culture Center during Design Week. The piece uses artificial intelligence to process a dataset of Italian Renaissance visual and written works from 1300-1600, generating ever-changing audiovisual environments for visitors.
Emily Kraus’s solo exhibition at Frieze presents a series of glitchy, digitally inspired paintings that disrupt traditional notions of aesthetic authority. The works employ pixelated distortions and vibrant color fields to question the boundaries between digital error and artistic intention, drawing attention to the role of technology in contemporary art-making.
Digital artist Beeple, also known as Mike Winkelmann, has deployed a robotic dog featuring the likeness of Elon Musk to the streets of San Francisco. The viral stunt, orchestrated by the Palo Alto-based Node Foundation, serves as a teaser for the artist's upcoming mid-career survey, "INFINITE_LOOP," which opens on April 18. The robot, part of the "Regular Animals" series, interacts with the public by "pooping" printed images generated from its surroundings through an algorithm based on Musk’s visage.
British artist Dylan Doe explores the physical manifestations of digital saturation in his solo exhibition, "Muscle Memory," at Mandy Zhang Art in London. The body of work focuses on "bodily glitches"—involuntary physical actions, such as attempting to zoom in on a physical drawing, that stem from repetitive interactions with technology. Through a surrealist lens, Doe’s paintings depict disembodied limbs and futuristic armatures that reflect a synthesis of sentient and non-sentient elements.
The Victoria & Albert Museum has acquired the first-ever YouTube video, "Me at the zoo," along with the platform's original 2006 front-end code and early advertisements. The 19-second clip, featuring co-founder Jawed Karim at the San Diego Zoo, has been integrated into a reconstructed version of the site’s early "watch page" through a collaboration between museum curators and YouTube’s design team. The installation is now on view at V&A South Kensington and the V&A East Storehouse.
Critic and artist Aria Dean, known for her influential essays on digital culture and race, has staged a new theatrical work titled "The Color Scheme" as part of the Performa biennial. The piece imagines a 1920s meeting in Berlin between two Black intellectuals, marking a shift from her usual focus on contemporary online life to historical Black culture and politics. Dean's essays are collected in the recent book "Bad Infinity" from Sternberg Press, and her art has appeared in major exhibitions including the Hammer Museum's Made in L.A. Biennial and the Whitney Biennial.
Ai Weiwei has recreated Claude Monet's monumental triptych "Water Lilies" (1914–26) using 650,000 Lego bricks in 22 colors, spanning nearly 50 feet. The work, titled "Water Lilies #1" (2022), is now on display at the Design Museum in London ahead of a major survey exhibition opening April 7. Ai added a personal touch by inserting a "dark portal" referencing the underground dugout he shared with his father during his family's exile to Xinjiang in the 1960s. The show also includes "Untitled (Lego Incident)", a work made from Lego bricks sent by fans after Ai's Instagram post about Lego temporarily restricting his bulk orders for political artworks.
Contour Art Gallery in Vilnius is presenting 'Monstrare', a solo exhibition by emerging artist Raminta S. R. Mint. The show explores the human body through three layers—exterior, interior, and invisible—using painting to critique social media's filtered self-image, anatomical abstraction, and digital medical imaging. Influenced by Gothic literature and H. R. Giger, the works combine red, black, and white palettes in a 'Frankensteinian' visual language.
Spanish artist Robert Cervera presents 'Hiddenware,' an exhibition at SPACE Ilford on January 31 that blends gaming, sound, and visual art. Three local gamers will perform live video game sessions accompanied by musicians playing a custom instrument made from PC liquid cooling tubes, creating real-time soundtracks based on the gameplay. The event runs from 4pm to 7pm, with a live stream on Twitch, and the exhibition remains open until April.
The article highlights 10 galleries that achieved significant growth and recognition in 2025, despite a challenging market environment marked by tariffs and trade uncertainty. Featured galleries include Tokyo's CON__, which gained global visibility through standout presentations at Frieze Seoul and NADA New York; Munich and New York-based LOHAUS SOMINSKY, which debuted at Art Basel Miami Beach and opened a Tribeca outpost; and Chicago's Hans Goodrich, which quickly established itself with a cross-generational exhibition program and international fair appearances.
The article reveals the origin of the infamous 'pig couch' that has appeared in hoax Craigslist ads across the U.S. for years. It is actually a chair titled *Hillhock* (2010), created by fiber artist Pavia Burroughs for her senior thesis at Philadelphia's University of the Arts. The piece, inspired by an illustration from Kit Williams' puzzle book *Masquerade*, is hand-stitched in pink velvet and satin with carved walnut hooves. Since 2015, Burroughs' photo has been used in fake listings, often as part of scams. Twitter user Abigail Rowe first investigated the phenomenon in 2018, uncovering the hoax after responding to a fraudulent ad.
An exhibition titled 'Elusive Sense: On the Fluid Boundaries of Perception' at London’s art’otel featured five contemporary Polish artists, including the collective panGenerator. Their interactive installation 'Infinity' (2020) invites viewers to kneel and endlessly scroll through nonsensical digital shapes on a screen, mimicking social media's infinite scroll. The work aims to make users feel uncomfortable and reflect on their daily digital habits, drawing parallels between trust in technology and religious belief. Another panGenerator piece, 'Hash to ash' (2017), lets visitors take a selfie that melts into ash, critiquing selfie culture and the fragility of digital photos.
British artist Craig Boagey's solo exhibition "Spirit Economy" is on view at Amanita gallery in New York's Lower East Side. The show presents lush, meticulously executed paintings that assemble internet ephemera—memes, diagrams, YouTube stills, and references from online subcultures like nu-spiritualism and Remilia—into compositions that blend cute, feminine, and aspirational imagery with machinic, masculine, and esoteric elements. Works like "The All Thing" (2025) incorporate AlphaGo's famous Move 37, Christian iconography, and a memex, treating disposable digital content as cultural documents.