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Floral photography makes space for grief at Plug In ICA

Plug In Institute of Contemporary Art in Winnipeg is presenting 'Transcendence,' a dual exhibition pairing Sheila Spence's 'Lexicon of Loss'—floral prints made by pressing roses on a flatbed scanner—with 'Observance,' a video installation by the late Toronto artist April Hickox, who died in 2025. The two artists, who first met at the Banff Centre in 1989, reconnected four years ago after both experienced profound loss: Spence's long-term partner died, and Hickox faced a cancer diagnosis. Their collaboration, conceived during daily conversations, brings together works that explore grief through botanical imagery and moving image.

Two exhibitions; one shared dialogue: Weyburn Art Gallery

The Weyburn Art Gallery in Saskatchewan is presenting a dual exhibition running through the end of June, featuring two complementary shows. The first, 'Omentum: A look into the Indigenous Experience of the 21st Century- Exhibition Series, 2019' by Nehiyawak-Métis artist John Brady McDonald, comprises ten paintings that address themes such as Missing and Murdered Indigenous Women, cultural appropriation, residential school legacies, and the murder of Colten Boushie. Each painting was personally named by an influential Indigenous figure, including Isaac Murdoch, Rosanna Deerchild, and Dr. Evan Adams. The second exhibition draws from the City of Weyburn’s Permanent Collection, showcasing works by Indigenous artists Michael Lonechild, Ken Lonechild, and Mike Keepness, which explore identity, place, and memory.

Due giovani artisti in una mostra a Matera si confrontano sulle tracce della memoria

The article reports on "Remain(s)," a dual exhibition at Momart Gallery in Matera, Italy, featuring young artists Luca Granato and Michela Rondinone. Curated by Antonella Marino, the show explores the aesthetics of fragments and memory through installations, sculptures, and video works. Granato's pieces address loss, migration, and climate change, while Rondinone's works focus on childhood, play, and relational practices. The exhibition runs until May 26, 2026.

Take this arty road trip, and dive into the work of a top Colorado talent

Artist Ana María Hernando currently has solo exhibitions at both the Museum of Contemporary Art Denver and the Colorado Springs Fine Arts Center, a rare double-header in Colorado art history. In Denver, "Seguir cantando (Keep Singing)" fills the museum's second floor with new and recent works, while in Colorado Springs, "Cantando Bajito (Singing Softly)" functions more as a career retrospective. Both shows feature Hernando's signature textile installations made from yards of tulle, including the monumental new piece "Seguimos cantando (Waterfalls)" at MCA Denver.

Exit Homo?

Hua Wang and Emanuel Heim are presenting their dual exhibition "Natural Inversions" in Berlin, curated by John Silvis. The show features abstract queer painting, sculptural installations, and explores themes of perception, materiality, and transformation. An artist talk moderated by Monopol editor Sebastian Frenzel accompanies the exhibition, where the artists discuss transhumanism, artificial intelligence, spirituality, and how technology is reshaping our understanding of being human.

New dual exhibition at Armstrong gallery celebrates local landscapes and whimsical art

The Armstrong Spallumcheen Museum and Art Gallery in British Columbia is launching a dual exhibition on May 28, 2026, running through June 27. The Main Gallery features the Shuswap Plein Air Troupe—artists Diane Akey, Maureen Howard, and Patricia L. Smith—with their show "Together: From There to Here," presenting expressive landscape paintings inspired by outdoor painting sessions. Meanwhile, the Freeze Gallery hosts Nancy Vince's "A Touch of Whimsy," a collection of high-definition metal prints filled with playful imagery like enchanted cottages and hidden creatures.