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design artist housing hell real estate

The article examines the severe affordable housing crisis facing artists in major art capitals like New York, Berlin, London, Los Angeles, Paris, and Hong Kong. It draws parallels between the satirical portrayals of housing struggles in Tama Janowitz's *Slaves of New York* (1986) and Jane DeLynn's *Real Estate* (1988) and the contemporary reality, where median rents have tripled since the 1970s while artists' median earnings remain critically low. The author maps artists' precarious housing situations onto Dante's nine circles of Hell, illustrating the creative but often desperate workarounds artists employ, such as subletting, living in storage units, or having no permanent address.

parties ruba katrib lawrence kumpf hosting

Blank Forms celebrated its ninth anniversary with performances by Dez Andrés, Douglas Sherman, and 7038634357 at the Ukrainian National Home in the East Village. The article, written by Ruba Katrib and Lawrence Kumpf, offers a personal glimpse into their New York apartment, filled with books, records, art from friends, and a curated sound system, alongside recipes and anecdotes about hosting artists, musicians, and curators for dinners and listening sessions.

art positions galleries art basel miami beach

CULTURED magazine profiles emerging galleries participating in the Positions sector of Art Basel Miami Beach 2025, highlighting their experiences and aspirations. The article features interviews with Allann Seabra and Ian Duarte of Verve gallery in São Paulo, who discuss their gallery's growth, representation of Afro-Brazilian artists at the 36th Bienal de São Paulo, and their mission to broaden global understanding of Brazilian contemporary art. Also featured is Mauricio Aguirre of N.A.S.A.L., a gallery based in Mexico City and Guayaquil, Ecuador, who describes his year as challenging, hectic, and promising.

Karmic Modernism. In Conversation with Elizabeth Englander by Nick Irvin

Elizabeth Englander, an artist working primarily in assemblage with materials like children's furniture, nutcrackers, and old clothing, discusses her recent exhibitions and spiritual approach to art in an interview with Nick Irvin for Flash Art. The conversation covers her show "The Elizabethan Lumber Room" (2026) at a. SQUIRE in London, the modular barrister's bookcase inherited from her mother, and her "Parinirvana" series (2025) that explores themes of death and sacred art through papier-mâché, paint, and mylar. Englander also references influences such as Constantin Brâncuși, her graduate advisor Tom Weaver, and Erwin Panofsky's writings on tomb sculpture.