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Yoko Ono, Theaster Gates, Bob Faust and more dominate Chicago’s busy must-see art calendar for fall

The article highlights Yoko Ono's major retrospective "Yoko Ono: Music of the Mind" at the Museum of Contemporary Art Chicago, running from Oct. 18 to Feb. 22, 2026, as the centerpiece of Chicago's fall art calendar. It also lists ten other notable exhibitions, including Aaron Curry's debut solo show at Corbett vs. Dempsey and "Tengo Lincoln Park en mi corazón: Young Lords in Chicago" at DePaul Art Museum, alongside a preview of "Tiffany Lamps: Beyond the Shade" at the Driehaus Museum.

Art for fall 2025: From the Art Institute to the Architecture Biennial, 10 exhibits for all kinds of realities

A Chicago-based art critic presents a curated guide to 10 exhibitions for fall 2025, ranging from a major traveling survey of activist artist Elizabeth Catlett at the Art Institute of Chicago to a textiles show exploring mourning and survival, a Helen Frankenthaler printmaking exhibit at the Block Museum, and the final programming at the Roman Susan Art Foundation in Rogers Park. Other highlights include a collaborative museum debut by artists Mayumi Lake and Bob Faust inspired by the Japanese design principle shakkei.

From Obama Presidential Center opening to Anne Frank to Pokemon: Chicago museums unveil ambitious summer exhibitions

Chicago museums have announced a slate of ambitious summer exhibitions, including the opening of the Obama Presidential Center, an Anne Frank exhibition, and a Pokemon-themed show. These exhibits span a range of cultural and historical topics, aiming to attract diverse audiences to the city's major cultural institutions.

Chicago Art Exhibitions to See: September 2025

The article lists five major art exhibitions opening in Chicago in September 2025, including a retrospective of Elizabeth Catlett at the Art Institute of Chicago, a summer residency show by Industry of the Ordinary at SoNa, a collaborative exhibition by Mayumi Lake and Bob Faust at the Elmhurst Art Museum, a Helen Frankenthaler print exhibition at the Block Museum, and the third annual Chicago Exhibition Weekend featuring over seventy galleries and public spaces.

Elmhurst Art Museum highlights permanent collection in new exhibit

The Elmhurst Art Museum is presenting "Legacies: Selections from the Elmhurst Art Museum Permanent Collection," an exhibition running through August 17 that highlights works from its permanent collection. Founded in 1981 by teachers, artists, and art lovers, the museum has grown to hold around 1,000 works focused on 20th-century art and design by Midwestern artists. The show explores how collections are built, featuring donations from over 200 donors and including pieces such as a Barcelona Chair attributed to Mies van der Rohe but designed by Lily Wright, a large painting by Michelle Grabner, and Joseph Burlini's sculpture "Circus Wagon." The museum also acquired the Mies van der Rohe-designed McCormick House in 1992, which set its path integrating art, architecture, and education.

Art Students Collaborate with Elmhurst Art Museum

Art students from a local university, under the guidance of assistant professor Dawn Kramlich, collaborated with the Elmhurst Art Museum after an assignment inspired by a visit to the museum's "Living with Modernism" exhibition featuring artist Kelli Connell. The museum shared the students' resulting artwork on Instagram and invited several to exhibit in the new Emerging Artists Pavilion at the Art in Wilder Park festival. Students received private tours and one-on-one feedback from museum director Allison Peters Quinn, deepening their professional experience.

Latent Energy: A Review of Bernard Williams at Elmhurst Art Museum

Bernard Williams' solo exhibition "Crossings" is on view across the Elmhurst Art Museum campus, including its parking lot and the Mies van der Rohe house. The show features sculptures, paintings, and installations that reference African American history, such as the "Spirit of Bessie Coleman" works honoring the pioneering aviator, and "Cowboy Dream" with its roosters and cowboy figure. The exhibition's title and layout deliberately avoid linear narratives, instead forcing viewers to navigate a fragmented path that mirrors the complexities of historical memory and racial injustice.