The past year saw major museum events dominated by high-stakes thefts and political interference. The Louvre in Paris suffered a shocking $102 million jewel heist in broad daylight, leading to arrests and an €80 million security overhaul. Other European museums, including the Drents Museum in the Netherlands, were also targeted, raising fears of an organized criminal network.
Four major European museums are simultaneously staging ambitious exhibitions of Black American artists, including Kerry James Marshall at London's Royal Academy, Jacob Lawrence at Kunsthal KAdé in Amersfoort, Nina Chanel Abney in Paris and Amersfoort, and Mickalene Thomas at Les Abattoirs in Toulouse and the Grand Palais in Paris. The article, written as an opinion piece, describes the author's experience at the opening of Abney's show at Elbow Church in the Netherlands and contrasts the European embrace of these artists with the political climate in the United States.
Avec plus de 3 000 institutions participantes, la Nuit européenne des musées revient ce samedi 23 mai
The 22nd edition of the European Night of Museums returns on Saturday, May 23, with over 3,000 institutions across France and Europe opening their doors free of charge from late afternoon. Many museums are offering special activities such as concerts, performances, games, guided tours, and walks. The youth program "La classe, l'œuvre!" will again involve primary, middle, and high school students acting as mediators for artworks they studied throughout the year. Highlights include exhibitions at the Centre Pompidou-Metz dedicated to François Morellet and Louise Nevelson, a concert at Jean Tinguely and Niki de Saint Phalle's Cyclop in Milly-la-Forêt, a dance performance by Korean artist Eun-Me Ahn at the Musée d'Art Moderne de Paris, and exhibitions at museums in Tours, Vernon, Rouen, and Sète, as well as a Brazilian ball at the Château des ducs de Bretagne in Nantes.
A wave of Van Gogh exhibitions is scheduled for 2026 across the United States, Japan, and the Netherlands. Highlights include "Van Gogh’s Sunflowers: A Symphony in Blue and Yellow" at the Philadelphia Museum of Art (June–October 2026), featuring a rare loan of London's National Gallery version alongside Philadelphia's own. Amsterdam's Van Gogh Museum will present "Yellow: Beyond Van Gogh’s Colour" (February–May 2026), while the Kröller-Müller Museum in Otterlo will display all 88 Van Gogh paintings for the first time since 1984 in "Van Gogh, All Our Paintings" (September 2026–January 2027). In Japan, the Kröller-Müller's "The Grand Van Gogh Exhibition" tours Kobe, Fukushima, and Tokyo, and the Van Gogh Museum's "Van Gogh’s Home" is at Nagoya's Aichi Prefectural Museum of Art. Smaller shows take place at the Van Gogh House in Zundert, the Maison du Dr Gachet in Auvers-sur-Oise, and the Foundation Vincent van Gogh Arles.
This podcast episode features artist Jeffrey Gibson, who discusses his interdisciplinary practice blending Indigenous histories, queer aesthetics, and contemporary visual culture. Gibson talks about his upcoming exhibitions, including his U.S. Pavilion presentation at the 2024 Venice Biennale, a show at Hauser & Wirth in Paris, and major museum commissions at the Metropolitan Museum of Art, MASS MoCA, The Broad, and Kunsthaus Zürich. He reflects on influences from Henri Matisse, Magdalena Abakanowicz, Frank Bowling, and David Hammons, as well as his connection to poet Layli Long Soldier and writer Hélène Cixous.
"Die einen schreien Zensur, die anderen Antisemitismus"
A constitutional law scholar, Christoph Möllers, warns in an interview with Die Zeit about the dangerous escalation of cultural policy conflicts, sparked by Documenta 15, where accusations of censorship and antisemitism collide. In Poland, Adam Budak was removed as director of MOCAK in Krakow after just a few months, facing 79 allegations including mobbing and problematic leadership. Meanwhile, the New York spring auctions have launched, and Jason Farago's review of the Venice Biennale in the New York Times criticizes the shift from aesthetic innovation toward identity-driven art. Robin Pogrebin also reports on the merger of the Met and the Neue Galerie, described as a rare convergence of two museum models.
Museion in Bolzano, Italy, presents the first institutional solo exhibition in Italy by Evelyn Taocheng Wang, a Rotterdam-based artist born in 1981 in Chengdu. The exhibition, titled "Sweet Landscape," showcases her work across painting, writing, installation, performance, and fashion, featuring a visual language that blends poetry, subtle humor, and critical depth while intertwining art historical traditions and fragments.
Artnet News published its 'Museums in Crisis' series, a global investigation into pressures facing cultural institutions. Key takeaways include: Western museums face a funding and political crisis, with U.S. institutions losing hundreds of millions in federal support (including $428 million from the National Endowment for the Humanities) and European museums like those in Berlin facing cuts of €130 million. Corporate sponsorship is increasingly risky due to ethical scrutiny, with the U.K.'s Museums Association urging institutions to avoid ties to fossil fuels or human rights abuses. China's private museums are at risk of downsizing or disappearing due to economic slowdown and lack of public funding.
This podcast episode from The Art Newspaper covers three major art stories. Ben Luke tours Kerry James Marshall's retrospective 'The Histories' at the Royal Academy of Arts in London—the largest European survey of the US artist's work—with curator Mark Godfrey, and visits a related exhibition of Marshall's graphic novel 'Rythm Mastr' at The Tabernacle in Notting Hill. The National Gallery in London announces a £400m expansion called Project Domani, the largest transformation in its 200-year history, with £375m already raised, and a shift in its collecting boundary beyond 1900. Finally, Tate Modern's centenary exhibition 'Theatre Picasso' centers on Pablo Picasso's 'The Three Dancers' (1925), discussed with co-curator Natalia Sidlina and designer Enrique Fuenteblanca.
Major European museums have agreed to loan important artifacts, including the Benin bronzes looted during the 1897 Benin Expedition, back to Nigeria for a new museum planned to open in 2021. The agreement was reached at a meeting of the Benin Dialogue Group in the Netherlands, involving representatives from Austria, Germany, the Netherlands, Sweden, and Britain, who committed to facilitating a rotating display at the planned Royal Museum in Benin City within three years, though specific objects and loan periods remain unconfirmed.
Two Benin Bronzes looted by British troops in 1897 have been returned to Nigeria by a British pensioner, Mark Walker, whose grandfather participated in the raid. The artifacts—a long-beaked bird and a monarch's bell—were handed over during a ceremony in Benin City in June 2014. Following the return, Nigerian officials, including Prince Edun Akenzua, renewed calls for the British Museum to repatriate its collection of some 800 Benin Bronzes, which remain on display in London.
The Neue Nationalgalerie in Berlin, in cooperation with the Centre Pompidou in Paris, has opened the first major exhibition of sculptor Constantin Brancusi in Germany in over 50 years. Featuring more than 150 works—including sculptures, photographs, drawings, films, and archival materials—the show presents key pieces such as "The Kiss," "Bird in Space," "Sleeping Muse," and "Endless Column," alongside a partial reconstruction of Brancusi's legendary studio, shown outside Paris for the first time since its bequest to the French state in 1957.
The Denver Art Museum and the Museum Barberini in Potsdam have co-organized a new exhibition titled 'The Honest Eye: Camille Pissarro's Impressionism,' which opens with a member preview on Saturday. The show is supported by a wide range of donors, including Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, Craig Ponzio, and many others, as well as by an indemnity from the Federal Council on the Arts and the Humanities and promotional support from CBS Colorado.
The Allen Memorial Art Museum at Oberlin College has opened "Picturing Paris: Monet and the Modern City," a focused exhibition reuniting three Claude Monet paintings from spring 1867, including the museum's own "The Garden of the Princess" alongside two loans from European museums. The show features over 30 additional works from the Allen's collection by artists such as Renoir, Degas, and Cézanne, and coincides with the arrival of new director Jon Seydl, who returned to Northeast Ohio in July after leadership roles at the Cleveland Museum of Art, Worcester Art Museum, and Krannert Art Museum.
French museums are alarmed that the Trump administration may eliminate a key tax deduction mechanism known as the “equivalency determination,” which allows foreign organizations to receive tax-deductible donations from American patrons. The status is critical for museum-affiliated “American Friends” groups, such as the American Friends of the Musée d’Orsay and the American Friends of the Louvre, the latter of which raised $10 million last year. Lionel Sauvage, president of the Museum of Decorative Arts in Paris, noted that about one-third of his museum’s annual donations—over $2 million—come from American donors. While no concrete action has been taken, Bloomberg reported in April that the administration was considering the move as part of a broader crackdown on tax-exempt nonprofits. Jewish philanthropic organizations have also expressed concern, with the Jewish Funders Network advising compliance amid uncertainty.
The Museum of Cycladic Art in Athens presents "Jeff Koons: Venus Lespugue," an exhibition pairing Jeff Koons' monumental stainless steel sculpture *Balloon Venus Lespugue (Orange)* (2013–2019) with ten certified copies of Paleolithic Venus figurines from major European museums. The Koons work, on public display for the first time, is loaned from the Homem Sonnabend Collection and directly references the 28,000-year-old Venus of Lespugue carved from mammoth tusk ivory.
Ohio State University's Billy Ireland Cartoon Library & Museum, home to the world's largest cartoon and comic collection, will reopen on Saturday after being closed since November 10, 2025. The reopening features renovated galleries, a new permanent exhibition titled "Story of Comics" that traces 400 years of cartoon art, and the U.S. debut of cartoonist Chris Ware's major international exhibition "Life Is Complicated," on display until January 3, 2027. The museum houses 300,000 original cartoons and 2.5 million newspaper comic strip pages and clippings.
The European Night of Museums returns on Saturday, May 23, 2026, with participating museums across Europe opening their doors for special evening hours. In Italy, the Ministry of Culture organizes extraordinary openings from 8 PM to midnight at the symbolic price of 1 euro, alongside events in theater, music, dance, literature, and cinema. Highlights include Rome's Notte dei Musei (16th edition) with civic museums open until 2 AM, Villa Adriana and Villa d'Este in Tivoli offering evening access and contemporary performances, and the Royal Savoy Residences in Piedmont featuring guided tours, exhibitions, and family activities.