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A Theatre Group of Exiled Belarusian Artists Arrive in Venice, With an Exhibition That Shows What Repression Feels Like

The Belarus Free Theatre, an exiled underground theater group, will stage its first official collateral exhibition at the 61st Venice Biennale, titled “Official. Unofficial. Belarus.” The show, held in the historic La Chiesa di San Giovanni Evangelista di Venezia, features site-specific paintings, a sound installation, and large-scale sculptures that aim to immerse visitors in the experience of repression under authoritarian rule. This marks only the fifth time Belarus has been present at the Biennale, and the first time it appears not as a state but as a self-governing cultural body, challenging the official narratives of nations like Russia.

belarus free theatre venice biennale collateral event 1234775444

The Belarus Free Theatre (BFT), an underground performance group currently in exile, has announced its first major visual art exhibition titled "Official. Unofficial. Belarus." as a collateral event for the 61st Venice Biennale. Staged at the historic La Chiesa di San Giovanni Evangelista, the show features site-specific works by exiled artists including Sergey Grinevich, Vladimir Tsesler, and Nicolai Khalezin. The installations range from paintings functioning as altar panels to a massive sphere of banned books and a crucifix made of CCTV cameras, all designed to critique the surveillance and censorship of the Lukashenko regime.

burmese curator flees bangkok china censors art exhibition 1234753536

The curator of an exhibition at the Bangkok Arts and Cultural Centre (BACC) fled Thailand two days after its opening, fearing arrest and deportation. The show, titled “Constellation of Complicity: Visualising the Global Machine of Authoritarian Solidarity,” featured exiled artists from China, Russia, Iran, and Myanmar and was curated by an artist from Myanmar known as Sai. After receiving warnings from BACC directors that Thai police were seeking his contact information, Sai learned that the Chinese embassy, Thai Foreign Ministry, and Bangkok city officials had pressured the museum over potential diplomatic tensions. The exhibition was censored: black paint covered artists' names and descriptions of Tibet, Hong Kong, and Xinjiang; a multimedia piece by Tibetan artist Tenzin Mingyur Paldron was nearly entirely removed; and flags representing Tibet and the Uyghur people were taken down. Sai immediately flew to London and plans to restage the exhibition elsewhere without censorship.

burmese artist sai exhibition bangkok arts cultural center 1234749521

An art exhibition at the Bangkok Arts and Cultural Centre titled “Constellation of Complicity: Visualising the Global Machine of Authoritarian Solidarity” was censored after repeated visits by Chinese embassy representatives. The show, featuring exiled artists from China, Russia, Iran, and Burma, had black paint applied over artists' names and descriptions of homelands such as Tibet, Hong Kong, and Xinjiang. Works by Tibetan artist Tenzin Mingyur Paldron were particularly affected, with television screens showing her films switched off and Tibetan and Uyghur flags removed. Burmese artist Sai told BBC News that since the censorship, he and his wife fled to the UK to seek asylum.

Art freedom under fire

The Bangkok Art and Culture Centre (BACC) censored an exhibition titled 'Constellation of Complicity: Visualising the Global Machinery of Authoritarian Solidarity' after pressure from the Chinese embassy. The exhibition, which opened on July 24, featured works by exiled artists from Myanmar, Iran, Russia, and Syria exploring authoritarian alliances. Following a visit by Chinese embassy staff, several works were removed, including a multimedia installation by a Tibetan artist, and texts mentioning 'Hong Kong', 'Tibet', and 'Uyghur' were redacted. The curator, Sai, a Myanmar artist in exile, said the interference was not unexpected.

The forest hears, the field sees: Liavon Volski presents new art project in Poland

Renowned Belarusian musician and writer Liavon Volski has debuted his first solo painting exhibition, titled "The Forest Hears, the Field Sees," at the Museum of Free Belarus in Warsaw. The exhibition features 11 conceptual works characterized by misty landscapes and surrealist elements, each inspired by traditional Belarusian proverbs. The opening event was a multi-sensory experience, incorporating fog machines and a musical performance by Volski to complement the atmospheric nature of the canvases.

How a Bangkok art show was censored following China's anger

Burmese artist Sai and his wife have fled to the UK to seek asylum after their exhibition at the Bangkok Arts and Cultural Centre was censored following complaints from Chinese embassy officials. The show, titled 'Constellation of Complicity: Visualising the Global Machine of Authoritarian Solidarity,' opened on 26 July 2025 and featured exiled artists from China, Russia, and Iran. Chinese representatives, accompanied by Bangkok city officials, demanded the removal of works by Tibetan, Uyghur, and Hong Kong artists, leading to the blacking out of artist names, removal of flags, and switching off of films. The couple alleges Thai police are looking for them, though police deny this.