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Louise Bonnet, a Los Angeles-based painter known for her cartoonish yet sophisticated depictions of the female nude, discusses her latest work ahead of two major exhibitions. Her two-person show with Elizabeth King, titled "De Anima," opens at the Swiss Institute in New York, focusing on shared approaches to figuration that balance objecthood and liveliness. Bonnet also created a new series for the next edition of the SITE Santa Fe International biennial, opening in June. In an interview with ARTnews editor Emily Watlington, Bonnet explains her shift to tighter cropped compositions emphasizing routine gestures like tying shoelaces or fastening bras, inspired by World War II British spies and films like Rosemary's Baby.

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Tamara de Lempicka's portrait of her lover, *La Belle Rafaëla* (1927), sold for £7.47 million ($10.05 million) at Sotheby's London Modern and Contemporary Evening Sale on June 24. The work, estimated at £6–9 million, hammered just above its low estimate to a buyer in the room. It had last appeared at auction in 1985, when it sold for $242,000, then a record for the artist. The painting depicts Rafaëla, a sex worker Lempicka encountered in Paris's Bois de Boulogne, who became her lover and muse.