The Winnipeg Fine Art Fair has returned for its third year at Red River Exhibition Park, featuring nearly 80 artists across a vast range of mediums. As one of the largest juried shows in Manitoba, the event operates without strict curatorial criteria, allowing for a diverse display that ranges from abstract textures to automotive renderings.
The rhinoceros gallery in Rome, in partnership with the Brazilian gallery A Gentil Carioca, has unveiled a solo exhibition by artist Miguel Afa titled 'O tempo que mora em mim' (The Time that Lives in Me). The collection features a series of paintings created by Afa during a residency in Rome, where he blended his Brazilian heritage with the profound influence of Italian art history and the local landscape. The works frequently utilize the motif of the courtyard to explore themes of memory, intimacy, and the intersection of different geographical identities.
A curated selection of international open calls and residencies for Spring 2026 offers diverse opportunities for emerging artists across visual arts, photography, and film. Key highlights include the Krupa Art Foundation Young Prize, which has expanded its categories to painting, digital art, and sculpture with three major cash prizes, and the 14th edition of 'Wystaw się w CSW' for independent photographers in Poland. Other notable opportunities include 'Underneath the Floorboards,' a platform for avant-garde and experimental video work seeking to showcase non-traditional artistic languages.
Five major art openings are taking place in London this week, headlined by museum-scale gallery shows featuring Joseph Beuys, Nan Goldin, and Richard Avedon. Thaddaeus Ropac presents 'Bathtub for a Heroine,' the first UK exhibition focusing on Beuys' monumental sculpture, while Gagosian shows all 126 photographs from Goldin's 'The Ballad of Sexual Dependency' and Avedon's 'In the American West' series. The weekend culminates with Condo London, a city-wide collaborative exhibition linking 50 galleries across 23 spaces.
Sperone Westwater, a 50-year-old New York gallery, closed at the end of 2025 amid a legal dispute between its two co-principals, Gian Enzo Sperone and Angela Westwater. Newly filed court documents reveal governance failures, financial disputes, and allegations of unpaid artists. The petition, filed in New York Supreme Court, seeks judicial dissolution of the corporation and appointment of a receiver, citing irreconcilable divisions and a breakdown in communication between the partners. Financial records show gallery revenue fell from $20 million in 2021 to $3.6 million in 2025, with losses in five of the past seven years.
Sperone Westwater, a 50-year-old New York gallery, closed on January 1, 2026, amid a legal dispute between its co-founders Gian Enzo Sperone and Angela Westwater. Court filings reveal Sperone accuses Westwater of mismanagement, including using the gallery's Norman Foster-designed building on the Bowery to subsidize unprofitable operations, while Westwater counters that Sperone has been largely absent since 2016 and is attempting to extract maximum financial benefit. The corporation's two directors are deadlocked, and a receiver may be appointed to oversee dissolution, including sale of the building and distribution of assets.
This week's art industry roundup covers major sales and developments across art fairs, auction houses, and galleries. At Art Basel Miami Beach, strong sales were reported, including an $18 million Warhol at Lévy Gorvy Dayan's booth, while NADA Miami featured around 140 exhibitors. The Art Dealers Association of America announced a new ADAA Fair at the Park Avenue Armory for November 2025, and Design Miami will expand to Dubai in 2027 with Alserkal. In auctions, Fabergé's 'Winter Egg' sold for $30.2 million at Christie's London, becoming the most expensive Fabergé egg ever auctioned, and Rembrandt's etching 'Arnout Tholinx, Inspector' set a world record for an Old Master print at $4.1 million. A rare 15th-century triptych also sold at Sotheby's for $7.6 million. Gallery news includes the formation of Pace Di Donna Schrader Galleries, Hauser and Wirth's acquisition of a Palermo palazzo, and several artist representation changes.
Michael Werner and Gordon VeneKlasen, partners at Michael Werner Gallery for 35 years, are dissolving their partnership at the start of next year. Werner will continue operating Galerie Michael Werner in Berlin, while VeneKlasen will launch a new international gallery called VeneKlasen, taking over the current New York, London, and Los Angeles locations. The changes take effect in February, with VeneKlasen announcing his program early next year.
The ARTnews industry moves column for November 19, 2025 reports several gallery and institutional changes: Ortuzar partners with the Claire Falkenstein Foundation for a multi-year initiative including a booth at Art Basel Miami Beach and a 2026 exhibition at the San Diego Museum of Art; Jessica Silverman now co-represents GaHee Park with Perrotin; Gurr Johns appoints Robert Goff as president of private sales and Tabor Story as director of private sales; Tara Downs adds Diné/Tlingit artist Nizhonniya Austin to its roster; Kohler Arts/Industry announces its 2026 residency cohort of 12 artists; Upsilon Gallery names Camilla Previ managing director in Milan. The column also highlights the record-breaking $236.4 million sale of Gustav Klimt's 'Portrait of Elisabeth Lederer' at Sotheby's, the highest price for any modern artwork at auction.
Art Basel Miami Beach has undergone a last-minute lineup change, with gallery Ross + Kramer being replaced by Ross + Co. following an unexplained split between principals Todd Kramer and Ryan Ross. Ryan Ross, who has been in the art business for decades and runs Arcature Fine Art in Palm Beach, will now show under the new name at the fair, which opens to VIPs next week. The change was reported by ARTnews, which noted that the fair's 2025 participant list still links to Ross + Kramer's website, and Ross + Co.'s page features outdated branding.