Imitations of a Mediocre Teenager on Tranquilizers

"Nachahmungen eines mittelmäßigen Teenagers auf Tranquilizern"

The Victoria & Albert Museum has reportedly censored exhibition catalogs following pressure from Chinese printing firms, removing images and maps related to sensitive topics like Tibet and Tiananmen Square. This editorial roundup also highlights artist Molly Crabapple’s sharp critique of generative AI as a massive intellectual property theft and a profile of Rirkrit Tiravanija’s communal home in Thailand, which functions as a social sculpture.

World’s first AI art museum opens in LA

Dataland, the world's first museum dedicated to generative AI art, will open in Los Angeles on June 20. Founded by media artist Refik Anadol and his wife Efsun Erkılıç, the museum is located in the Grand LA cultural complex alongside The Broad, MOCA, and Walt Disney Concert Hall. Spanning 3,250 square meters, it debuts with the exhibition "Machine Dreams: Rainforest," featuring a machine-generated rainforest created by Anadol's proprietary Large Nature Model, trained on data from the Smithsonian Institution, Cornell Lab of Ornithology, and the Natural History Museum in London.

Digital Art Exhibit Showcases Tech's Creative Potential in Austin

The Blanton Museum of Art in Austin has launched 'Run the Code: Data-Driven Art Decoded,' a major exhibition featuring over 20 digital artworks produced between 2004 and 2022. On loan from the Thoma Foundation, the collection includes pieces by prominent figures such as teamLab, Leo Villareal, and Marina Zurkow that utilize coding, real-time data, and generative AI. The show highlights the evolution of digital practice in the "post-social media era," ranging from interactive installations to algorithmic critiques of environmental and social issues.

Artificial Intelligence as an Uncanny Machine is on Display in a Florence Air-Raid Shelter

L’intelligenza artificiale come macchina perturbante è in mostra in un rifugio antiaereo di Firenze

Artist and philosopher Francesco D’Isa presents "Latent Rooms" at Rifugio Digitale, a gallery located within a former air-raid shelter in Florence. The exhibition features video works created using generative AI models like Midjourney and Seedance 2.0, which D’Isa manipulates to create dreamlike, glitch-heavy sequences. Rather than aiming for cinematic realism, the artist embraces the technical errors and "hallucinations" of the AI, resulting in an aesthetic that blends Renaissance beauty with haunting, domestic melancholy.